There is a stigma attached to self-published books. Book buyers are often wary of these books. Self-published books are rarely found in libraries and bookstores, and they’re explicitly banned from entering many literary awards. This is partly due to the perception that self-published books have all been rejected by traditional publishers and therefore must be rubbish – even though we know that publishing houses are interested in commercial potential, not literary quality. Unfortunately, there are a lot of terrible self-published books out there and that’s because a lot of self-published books aren’t professionally edited.
In a traditional publishing house, there’s an editorial team who do their best, within the limits set by the book’s budget and the team’s workload, to make sure the book is a satisfying read. Typically, a structural editor will edit the manuscript for clarity, coherence and cohesion, then a copy editor will look closely at issues such as spelling, grammar and punctuation, and finally a proofreader will check the typeset pages before the book goes off to the printer. There might be specialist editors for certain subjects or genres, and big publishing houses usually have a legal expert to look at possible defamation or copyright issues.
Editors are professionals, often with university qualifications and years of experience, so they deserve to be paid at professional rates. That makes three rounds of editing prohibitively expensive for most self-publishers, including me. Still, there was no way I was going to let a book of mine anywhere near the public without at least some professional editing, so one of the first tasks on my To Do list was to find a suitable editor.
This was made more complicated by the nature of my book. It’s non-fiction, but it’s told in the form of a story, so I needed someone with experience at editing both fiction and non-fiction. It’s also for thoughtful readers of about twelve years and up. I figured its audience would be a mix of what the US publishing market calls ‘middle grade’ (although that term doesn’t really exist in Australia) and Young Adult (which can mean anything from thirteen to eighteen years old in Australia) – as well as some adults who read the sort of books I write (I think the Montmaray books ended up with more adult than teenage readers). Plus, I figured it would be helpful to have an editor with educational publishing experience, given the potential for this book’s use in the classroom. And naturally, the editor needed to be Australian…
I scoured the directories of Australian professional editors’ societies and came up with a small list of names, which became even smaller when I contacted each editor and explained the project’s complexities and my timeline. And of course, I needed to find an editor who would fit my budget. Luckily, I found someone just right. Helena Newton did a thoroughly professional structural edit, marking up the manuscript with hundreds of queries and useful suggestions, and writing me a detailed editing letter and style guide, all within a couple of weeks.
Helena also suggested I should get legal advice about a couple of issues, so I contacted the Arts Law Centre of Australia. They provide free (or very reasonably priced) telephone advice to creative professionals, as well as lots of free written resources in areas such as copyright and defamation law. I found them to be very helpful.
I’m now almost ready to send my manuscript off to Helena to be copyedited. After that, it will be ready to be typeset into various formats for print and ebooks.
Although I did say earlier that this series of blog posts on self-publishing wouldn’t be Expert Advice, I will pass on any really valuable lessons I learn along the way. And the first of these is this: if you can possibly avoid it, DO NOT WRITE A BOOK THAT REQUIRES AN INDEX. (Does my book have an index? Ha ha, of course it does! Also, a seven-page bibliography!) Professional indexing costs a mint, so you won’t be able to afford that. You’ll have to do it yourself and it will make you want to tear your hair out by the handful. (Don’t think you can just use the automatic indexing function in Word, either. You can’t. Although it will help a little bit.) It feels as though it took longer for me to compile the index entries and track down all the references in the text than it did to write the book in the first place. And my book’s index isn’t even finished yet! All those entries will need to be cross-checked and the page numbers changed once the book is typeset!
I cannot even bring myself to contemplate the potential horrors of typesetting at the moment (given that I have chosen to write a book with not just an INDEX, but also ILLUSTRATIONS and yes, I did them myself, too), so I will talk about social media next.
Next in Adventures in Self-Publishing: To Tweet Or Not To Tweet