What I’ve Been Reading

'The Deadly Daylight' by Ash HarrierThe Deadly Daylight by Ash Harrier was an enjoyable middle grade mystery, the first in a series featuring Alice England. Alice is an unusual twelve-year-old who works in her father’s funeral parlour and is able to detect messages from the dead. She is mystified by social conventions and polite lies, she notices details that others miss, and she speaks like an elderly librarian, so predictably, she finds it difficult to make friends with other children. However, she is drawn to an equally unusual girl at school, Violet, who is dangerously allergic to sunlight, and together they solve the mystery of Violet’s uncle’s strange death. It takes a little too long for anything exciting to happen, but there are lots of interesting twists in the final section and I liked watching Alice and Violet learn to compromise and become better at friendship. There is also a diverse cast of characters with disabilities – Alice has a congenital leg disability that makes it difficult for her to walk; Violet and her family have solar urticaria. The author and her neurodiverse daughter have written a thought-provoking article in a recent edition of Magpies discussing how characters with disabilities are portrayed in children’s literature and whether “non-marginalised allies” can successfully write about disabled and neurodivergent characters. The Deadly Daylight will appeal to confident middle grade readers who like mysteries with a hint of the supernatural – and if they enjoy it, there are two more novels about Alice’s adventures.

'London: A Guide for Curious Wanderers' by Jack ChesherI also enjoyed London: A Guide for Curious Wanderers, written by history blogger and London guide Jack Chesher, with beautiful illustrations by Katharine Fraser. It’s full of quirky, fascinating facts about London’s history, from Roman to modern times. There are sections on London’s secret tunnels, hidden rivers, lost islands, odd statues, street furniture, post boxes and more. It’s not comprehensive, but it’s a really intriguing read, complete with maps for your own self-guided tours if you’re lucky enough to be visiting London.

'Birnam Wood' by Eleanor CattonBirnam Wood by Eleanor Catton was an odd, but engrossing, novel set in New Zealand, in which a collective of anarchist guerrilla gardeners find themselves in an uneasy alliance with an American tech billionaire. It’s described as a ‘literary thriller’ but the Booker-Prize winning author has also stated she aimed to emulate Jane Austen’s prose style, so unsurprisingly, it doesn’t really work as a thriller. There’s a lot of telling rather than showing, the dialogue (which includes an eight-page monologue by one particularly annoying character about the evils of capitalism) is often unrealistic, the villain is cartoonish, there’s often too much detailed description when the pace needs to be faster, and the conclusion is abrupt with no real resolution. On the other hand, many of the characters are well-drawn, recognisable and amusing; the New Zealand setting is beautifully described; and there are a lot of interesting discussions about the environment, technology and the compromises that environmentalists and leftist politicians need to make in modern society in order to progress their goals. I also liked all the guerrilla gardening tips.

'Harry Potter and the Cursed Child' by JK Rowling, John Tiffany and Jack ThorneI finally got around to reading Harry Potter and the Cursed Child, the “eighth Harry Potter story”, several years after everyone else. This is the published ‘rehearsal script’ of the six-hour play, based on an original story by J.K. Rowling, written by Jack Thorne and directed by John Tiffany. It’s essentially official fan-fiction, set nineteen years after the defeat of Voldemort, in which Albus Potter and his best friend Scorpius Malfoy learn not to mess around with time-travel and Harry yet again proves to be clueless about human relationships. I loved all the plot twists and magical world-building, even though it didn’t make complete sense. (Seriously, Hermione using an easily-solved riddle to hide a Time-Turner that shouldn’t even exist? And let’s not even try to imagine the logistics of that whole Voldemort thing.) But mostly I wondered why the story insisted on shoe-horning in girlfriends for Albus and Scorpius when it was clear that the deep love and trust between the two boys was driving the whole narrative. Is no-one allowed to be gay in this magical world (apart from dead closeted Dumbledore and his dead sociopathic love interest Grindelwald)? Scorpius was definitely my favourite character, and I liked how Draco was, predictably, a far more functional parent than poor abused orphan Harry. I have no idea how the cast and crew manage to translate all the magical action of the script onto the stage, but it must be amazing to watch.

Also – a reminder that I still have some free one-month subscriptions to Emily Gale’s substack, Voracious, to give away. Leave a comment below if you’re interested.

‘The Goodbye Year’ by Emily Gale

'The Goodbye Year' by Emily GaleWhat a great start to my 2024 reading! I loved The Goodbye Year by Emily Gale, a Middle Grade novel about twelve-year-old Harper, who has a lot to worry about as she starts her final year of primary school in 2020. Her parents suddenly announce that they’re off to Yemen to work as nurses in a war zone, leaving Harper behind under the care of an eccentric grandmother she barely knows. Her best friends have been made school captains and don’t seem to have time for her any more, some horrible kids are bullying her … and then COVID hits. As if that’s not bad enough, there’s also a mysterious old cadet badge that keeps popping up in the wrong places and a pair of ancient spectacles that fits Harper perfectly, which may just be connected to a ghost hanging out in the school library that only she can see.

There is a LOT going on here and for the first section of the book I wasn’t sure the author could pull everything together, but she manages it well and the conclusion is perfect (and made me cry). There’s so much to like about this book, but I especially loved the way history was presented for young readers, drawing parallels between the Spanish Flu pandemic of 1919 and the COVID pandemic a hundred years later, and emphasising the importance of libraries and historical archives. The characters are also well drawn. Harper is such a sweetheart – she’s anxious and shy, but stoic and brave when she needs to be, considerate of others and a good friend. Her grandmother Lolly is an independent, strong older woman, the child characters, even the bullies, are well-rounded, and there are some adorable dogs and cats. The ghost story is poignant and the associated historical artefacts are woven into the plot with a clever twist that I didn’t see coming but worked very well. I did have one question that didn’t seem to be answered. If you’ve read the book – do we ever find out the cause of the estrangement between Lolly and Liz? I’d thought something would come out when the family tree was revealed, but if it did, I missed it (admittedly, there were a dozen other things going on at the same time.) The Goodbye Year is highly recommended for young readers interested in history and is a worthy winner of the 2023 Young People’s History Prize in the NSW Premier’s History Awards.

Emily Gale has a Substack called Voracious, in which she discusses writing and children’s literature. I recently subscribed to it and have been given some free one-month gift subscriptions to give away. You can read everything at Voracious for free for a month, then either cancel your subscription or choose to continue to subscribe for a fee (currently $5/month or $50/year but I took advantage of a special Christmas 40% off discount). If you’d like a free one-month’s subscription to Voracious, leave a comment below – I’ll give the subscriptions to the first three people who comment asking for a subscription.

What I’ve Been Reading: Non-fiction about Mid-20th Century England

'London's Lost Department Stores' by Tessa Boase

London’s Lost Department Stores: A Vanished World of Dazzle and Dreams by Tessa Boase was a short, engrossing history of the grand and not-quite-so-grand department stores of London. In the early 1900s, there were more than a hundred of these stores, offering an extraordinary range of specialised services and products. Galeries Lafayette was renowned for its Parisian fashions and realistic wax mannequins with real human hair arranged in chic tableaux in the windows; Kennards in Croydon had a rooftop zoo and miniature steam railway; Gamages “sold alligators, Scouts’ kits, magic tricks and motor accessories”; Army and Navy Stores had a 1000-page catalogue from which its members could “order anything from dinner gongs, to laxatives, to ear trumpets, trusses and hair restorer.”

This book contains lots of fascinating photos, maps and anecdotes, as well as a discussion of how the stores reflected societal changes – for example, when shop assistants rebelled against being forced to “live in” (that is, pay rent to the shop owners to live in cramped dormitories above the store where they worked) and went on strike for better working conditions. Many of the department stores closed down in the 1960s and 1970s, followed by further decline with the rise of shopping malls, online retail and, of course, the COVID pandemic. I worked as a teenager in the old Grace Bros store on Sydney’s Broadway (now closed down, gutted and turned into a Westfield Shopping Centre), when the cashiers still used a pneumatic tube system to transport cylinders of cash from the service counters to the cashiers department and we would be regularly herded into the decaying ballroom for staff motivational speeches, so this was a fun, nostalgic read for me.

'1950s Childhood' by Janet Shepherd and John Shepherd

1950s Childhood by Janet Shepherd and John Shepherd also covers a lot for such a short book. There are chapters on post-war family life, changes to the school system following the 1944 Butler Education Act, how child welfare was improved by the introduction of the NHS, and what children ate after rationing ended. I especially enjoyed the photos – children playing in the street with no worries about traffic, entertaining themselves with Meccano and Dinky toy trucks, reading Beano, and gazing enthralled at a black-and-white television screen the size of a shoebox.

'School Songs and Gymslips' by Marilyn Yurdan

School Songs and Gymslips: Grammar Schools in the 1950s and 1960s by Marilyn Yurdan was a “light-hearted investigation” prompted by the author’s memories of her education at Holton Park, a girls’ grammar school in Oxfordshire. It includes a foreword by then Home Secretary Theresa May, who attended the school in the 1970s. This was a gentle, nostalgic look at hideous school uniforms, pointless school rules, eccentric teachers and disgusting school dinners, as well as more enjoyable experiences outside school involving pop records, cinema, dancing and fashion.

'Don't Knock the Corners Off' by Caroline Glyn

Don’t Knock the Corners Off by Caroline Glyn is an even more vivid and interesting look at school life in the 1960s, because it was written by a fifteen-year-old girl in 1963. No ordinary schoolgirl, it must be said – this was written as she was preparing for her second exhibition of paintings, her first poem had been published at the age of seven, and oh, she was also the great granddaughter of Elinor Glyn. This is a clearly autobiographical novel, about a free-spirited, artistic girl who doesn’t fit into the rigid English school system. Antonia starts off at a tough state primary school where she’s bullied mercilessly; then she applies to a posh girls’ grammar school where she’s forced to do homework and follow nonsensical rules; then she moves to a slightly more relaxed co-ed grammar school where she drifts along fairly happily until the headmaster realises how clever she is and tries to force her to do some work. She spends a term at the Sorbonne, then ends up at an art school where she finally feels she belongs. The voice is authentic and lively, often funny and very clearly the work of a teenager, full of complaints about how dull and stupid the other students are and how awful the teachers are and how much she hates maths.

Caroline Glyn, as would be expected from this novel, led a far from conventional life. She had published five novels by the time she was 21, lived in a tiny houseboat near Cambridge, studied art in Paris, became a nun, moved to Australia and died alone at the age of 32 while scrubbing the convent floor. Her former boyfriend wrote:

“Caroline was far more than merely ‘unusual’, she was unique … She had a terrific sense of humour and sense of fun, and we laughed all the time. Of course she had deep neuroses which defy all analysis, as she well knew … her flame flickered so momentarily before she went away to the Other Regions in which she so steadfastly believed. God was as real to her as the dacquiri in the photo, and she absolutely believed in angels and archangels, and often talked about them. She was only half here, and she left so soon to go back to where she belonged.”

'The Mad Boy, Lord Berners, My Grandmother and Me' by Sofka Zinovieff

The Mad Boy, Lord Berners, My Grandmother and Me by Sofka Zinovieff was a fascinating family memoir by the granddaughter of Robert Heber-Percy, the Mad Boyfriend of Lord Berners. Lord Berners, who was immortalised in Nancy Mitford’s novels as Lord Merlin, was a composer, writer and painter who threw beautiful parties at Faringdon House, where a flock of dyed pigeons circled over gatherings of famous guests – the Mitfords, Evelyn Waugh, the Lygon family who were portrayed in Brideshead Revisited, Gertrude Stein, H.G Wells, Elsa Schiaparelli, Salvador Dali, the Sitwells, the Betjemans, Diaghilev. Lord Berners and the Mad Boy made an odd couple, as Robert was three decades younger, uneducated, violent, “a hothead who rode naked through the grounds”, but the household situation became even odder when Robert suddenly married his pregnant girlfriend Jennifer Fry and moved her in to Faringdon during the Second World War. Unsurprisingly, the marriage didn’t last and Jennifer and her daughter Victoria moved away, but Victoria’s daughter unexpectedly inherited Faringdon after her grandfather decided she was the only “sensible one” in the family. Although she has now sold the house, she did own it for decades, attempting to restore it after years of neglect and discovering some of the secrets of its famous inhabitants and guests. This book is beautifully written and illustrated, with intriguing anecdotes and photographs, and will appeal to fans of the Mitfords and Brideshead Revisited.

What I’ve Been Doing Lately

Not writing, unfortunately, and not much book reading either, hence the lack of blog posts.

What I have been doing is:

– growing big, crunchy, delicious radishes.

Freshly picked bunch of radishes

Apparently what you need to grow large radishes is lots of sun, lots of water, lots of organic fertiliser, and being ruthless when thinning the seedlings.

– sewing a quilt.

Multicoloured quilt with hand quilted stitches

Hand-quilting while listening to podcasts or audiobooks is very relaxing and I have now managed to use up almost all of my fabric and batting stash, so hopefully I will not be tempted to do any more sewing.

– painting my bedroom pink. It looks very cheerful now.

– chatting with producer Lucy Butler about a television series she’s working on.

(I’ve also been doing less fun stuff, such as working at Day Job and having an infected tooth extracted, but you don’t want to know about that.)

Some miscellaneous memoranda:

– From the Smithsonian Magazine: An Icelandic Town Goes All Out to Save Baby Puffins. Did you know baby puffins are called pufflings? Pufflings!

– Here I am, being quoted in a dictionary! (I do not think it is a proper dictionary.)

– Excellent discussion here regarding whether Timmy the dog from the Famous Five was a border collie or not. I especially liked the speculation about why George in the new BBC series is wearing modern clothes while the rest are dressed in 1950s clothes (“Maybe she is from our time and Uncle Quentin invented a Time Machine and she got sent back”) and whether Julian grew up to be Tory MP Julian Fawcett from Ghosts.

– Speaking of Ghosts, the fifth and final series is released in November. I love this show and I’ll be sad to see the end of it. (Obviously I mean BBC Ghosts, not the American one, which looks awful, although hopefully it’s making the original creators lots of money. Fellow Australians, you can watch Series 4 of the proper Ghosts on ABC iView now.)

What I Read On My Holidays

Yes, those holidays that ended last month. Better late than never. Here are the books I found the most interesting.

'The Guggenheim Mystery' by Robin StevensI enjoyed The Guggenheim Mystery by Robin Stevens, an entertaining middle grade novel, featuring Ted, a twelve-year-old British boy who visits his American relatives in New York and finds himself solving an art heist mystery. This is a sequel to The London Eye Mystery by the late Siobhan Dowd, who died the year that book was published but had planned to write a New York sequel. Ted is presumably on the autistic spectrum, although he’s never labelled as such, and some parts of his characterisation seemed a little unlikely. He has amazing powers of memory, logic and pattern recognition which he uses to solve the mystery, but he also somehow copes amazingly well with the noise, confusion and changes to his routine during his holiday, without any meltdowns and with everyone around him being consistently understanding and accommodating. Still, it’s nice to read about the positives of neurodiversity and children with autism spectrum disorders and their siblings, classmates and friends would relate to many of the scenes in this book. The mystery is interesting and cleverly plotted, and I liked the behind-the-scenes look at the Guggenheim Museum.

'The Palace Papers' by Tina BrownI had The Palace Papers by Tina Brown on reserve at the library for months and it became available just as Prince Harry started promoting his memoir, which meant that I had had more than enough of royalty by the time I finished reading this. The Palace Papers is a gossipy, well-researched history of the British royal family over the last twenty-five years. It focuses on the women who schemed and plotted to marry into royalty — Camilla Parker-Bowles, Kate Middleton and Meghan Markle — while also covering some of the many recent royal scandals. These include phone hacking by the press, servants selling lurid stories, Harry’s mental health problems and drug abuse, and Andrew’s financial scandals and friendship with Jeffrey Epstein and civil court settlement with a young trafficked woman. But mostly the book is about how utterly pointless the modern royals are, with their existence depending on positive press coverage. Some of the royals (notably William and Kate) seem to ‘manage’ the press more effectively than others, but no one comes out of this book well. The late Queen tended to ignore dangerous problems (notably, Andrew), Charles is self-pitying and selfish, Camilla has no morals, Andrew is a spoilt brat, Edward and Sophie are money-grubbing. Harry comes across as a vulnerable and damaged man who never grew up, while Meghan is depicted as shallow, rude and deluded. I finished the book wondering why on Earth intelligent young women such as Kate and Meghan would want to join such a dysfunctional family – surely if they’d wanted a wealthy lifestyle, it could have been achieved more easily than by marrying a prince? I have zero interest in reading Prince Harry’s Spare, but unfortunately, Australians are required to continue to have some interest in Britain’s version of the Kardashians, because whoever is on the British throne is also our nation’s Head of State.

'The Hidden Life of Trees' by Peter WohllebenI then read a lovely book about trees. The Hidden Life of Trees by Peter Wohlleben is an engaging, chatty account of how trees protect themselves and their young, adapt to challenging circumstances, fight for resources with other species, and share information, food and water with each other via a network of roots and fungi (the ‘wood wide web’). Trees can live for hundreds and even thousands of years and the author describes some amazing trees – for example, a single quaking aspen in Utah that covers 100 acres, with forty thousand trunks growing from the same roots, and a beech stump that was cut down five hundred years ago but has been kept alive all that time by neighbouring beeches feeding it sugar. The author is a German forester and he focuses on Central European forest trees, with a few mentions of North American trees. He is not an academic or a scientist, and although there are footnotes, this book is as much about the author’s feelings as about scientific evidence. Sometimes he makes assertions that seem dubious – for example, that humans can subconsciously detect when trees are stressed and that this affects the humans’ well-being when they walk through an unhealthy forest. Some readers may also object to his frequent anthropomorphising of trees (for example, when trees are described as “cruel” or “ruthless” or “caring”) and his somewhat disorganised and repetitive prose. However, I found this a fascinating and enjoyable read and I ended the book with a renewed appreciation of trees.

'Clinging to the Wreckage' by John MortimerFinally, I read the first volume of John Mortimer’s very unreliable memoir, Clinging to the Wreckage. Mortimer, the author of Paradise Postponed and the creator of Rumpole of the Bailey, was a prolific playwright, screen writer and novelist, as well as a barrister and Queen’s Counsel. This volume describes him growing up as the only child of an eccentric and violent barrister, who refused to admit he was blind and insisted his long-suffering wife act as his scribe and guide dog. Young Mortimer attended Harrow and then Oxford, managed to avoid war service due to his own poor vision, joined the Crown Film Unit to produce propaganda films, then bowed to parental pressure to go into the law profession, all the while churning out a number of entertaining novels, plays and scripts. There is a lot of name-dropping, exaggeration and embellishment as he describes the literary, theatrical and legal worlds of London, but his anecdotes are usually amusing and engaging. In the introduction to this book, Valerie Grove accurately notes that he tends to portray himself as “a hapless and often bewildered onlooker, to whom stuff happens”. So, for example, he claims to be baffled when his twenty-year marriage to novelist Penelope Mortimer starts to crumble. He fails to mention his multiple extra-marital affairs or that he requested his wife have an abortion and sterilisation during her eighth pregnancy, and that while she was recovering from that operation, the poor woman learned that actress Wendy Craig had given birth to her husband’s son. (He also neglects to mention he was kicked out of Oxford when staff found he’d been writing ‘amorous’ letters to a schoolboy.) I puzzled over what all these women found attractive about him. It certainly wasn’t physical beauty, but perhaps they found his story-telling irresistible.

The best part of this book for me was his discussion of censorship. As a QC, he defended the publishers of Last Exit to Brooklyn and then the publishers of Oz magazine when they were charged with publishing “obscene” works. English law stated that a literary work was “obscene” if it “tends to deprave and corrupt those likely to read it”, although publishers could avoid conviction if the work was judged to have “artistic merit” and publication was in the “public good”. He successfully argued on behalf of the publishers of Last Exit that the book’s depiction of homosexual prostitution and drug abuse was so revolting that it would turn all readers away from these practices. He makes a number of sensible points — for example, that no-one is forced to read a book or watch a television show that they know will offend them, and that “if books had the effect claimed for them by the censors, every English country house would have a bloodstained butler in the library, dead with a knife between his shoulder blades.” His many examples of the Lord Chamberlain’s demands for script editing (“Wherever the word ‘shit’ appears, it must be replaced by ‘it’) would seem at first to be an amusing look at the olden days, except we have the current example of Roald Dahl’s books being bowdlerised (no mention of ‘fat’ or ‘ugly’ allowed anymore and ‘white’ and ‘black’ in ‘white with fear’ and ‘a black cape’ must be removed). The more things change, the more they stay the same.