{"id":5327,"date":"2017-07-21T13:04:10","date_gmt":"2017-07-21T03:04:10","guid":{"rendered":"http:\/\/michellecooper-writer.com\/blog\/?p=5327"},"modified":"2020-09-26T22:58:50","modified_gmt":"2020-09-26T12:58:50","slug":"adventures-in-self-publishing-why-self-publish","status":"publish","type":"post","link":"https:\/\/michellecooper-writer.com\/blog\/2017\/07\/adventures-in-self-publishing-why-self-publish\/","title":{"rendered":"Adventures in Self-Publishing: Why Self-Publish?"},"content":{"rendered":"

It\u2019s been five years since my last book, The FitzOsbornes at War<\/em><\/a>, came out and occasionally readers contact me to ask whether I\u2019ve written another book and if so, why it isn\u2019t available for them to read.<\/p>\n

There\u2019s a long, complicated answer to that question, and there\u2019s a short answer. <\/p>\n

The short answer is \u2018Yes, I\u2019ve written another book! I finished writing it ages ago! It\u2019s really interesting and funny! But it hasn\u2019t been published because no-one wants to publish it!\u2019<\/p>\n

The long, complicated answer is \u2026 long and complicated. Firstly, for the past few years, my energy has not really been focussed on my writing career. I got really sick<\/a> and was in and out of hospital for months, so I felt I was doing really well just to finish my manuscript and write some blog posts and answer readers\u2019 emails. When I was better, I went back to college to update my (non-writing) qualifications and then found a new day job, and that took up all of my time and energy for a while. I pretty much handed my manuscript over to my agent and left him to get on with his job, which was trying (and, it turns out, failing) to get my new book published the traditional way, the same way my previous four books had been published.<\/p>\n

The second part of my long, complicated answer has to do with how much the publishing industry in Australia has changed since I became a professional writer. When I signed my first publishing contract in 2006, ebooks barely existed. There were lots of Australian publishers, of all different sizes and types, all keen to take a chance on an unknown author, and there was much excitement (and money) in the Children\u2019s and Young Adult section of publishing, due to the success of Harry Potter<\/em> and then Twilight<\/em> and The Hunger Games<\/em> and all those other best-selling books for young readers. It was a good time to be writing YA, and I was lucky to get my start then.<\/p>\n

However, in recent times, publishers have had to deal with a number of challenges. The Australian government keeps trying to push through legislation that would devastate the local publishing industry<\/a>. Large publishing houses have merged into huge multinational publishing houses, and lots of small publishers have been swallowed up or disappeared, so there are fewer publishers accepting manuscript submissions. Digital piracy<\/a> is now a massive problem and book sales are down. There\u2019s a new generation of consumers who want everything on the internet to be free and available immediately \u2013 and why should they read a full-length book, anyway, when there are so many other things they could be doing online? It\u2019s much harder for publishers to make a profit these days, so they need every book they publish to be a best-seller. When Fifty Shades of Grey<\/em> sold by the truckload, I\u2019d hoped this would give that particular publisher some spare money to spend on quiet, thoughtful, quirky, unlikely-to-be-a-bestseller books (like mine). But no, what Australian publishers are actually looking for is the next Fifty Shades of Grey<\/em>, or at least a clone of whatever is currently on the New York Times<\/em> bestseller list. <\/p>\n

This is a problem for me as an Australian reader, and even more of a problem for me as an Australian writer. Australian publishers are still publishing books by Australian writers, including debut authors, but these tend to be writers who are easy to market \u2013 celebrities and young, attractive, gregarious writers with a huge social media following.<\/p>\n

Given all this, it\u2019s not really surprising that publishers\u2019 marketing departments<\/a> were not wildly enthusiastic about my new offering. \u201cWait, it\u2019s about \u2026 science<\/em>? And history<\/em>? But in the form of a mystery story? With teenage girls as the main characters, girls<\/em> being all clever and \u2026 solving problems with science? And there\u2019s no romance? And you actually expect teenagers to read this? Wait, this is mostly set in Australia<\/em>, are you serious<\/em>, don\u2019t you realise how useless that is for attracting international sales\u2026\u201d And so on. It didn\u2019t help that the book doesn\u2019t fit neatly into one marketing category or genre. I was told it would be impossible to market, and therefore publish, \u201cbecause booksellers won\u2019t know which shelf to put it on\u201d.<\/p>\n

(I should point out here that my new book does<\/em> have lots of jokes! And cool illustrations! Also vampires, witches, werewolves, body-snatchers, unicorns and parachuting cats. I should probably also note that there\u2019s quite a bit of what Americans call \u2018diversity\u2019 and I call \u2018real life<\/a>\u2019, which tends to worry Australian publishers \u2013 although hopefully that is starting to change.) <\/p>\n

Anyway, by the end of last year, it seemed clear that the only way this book was going to exist was if I published it myself. I did think very hard about whether it was good enough<\/em> to be published. I mean, if more than one publisher had rejected it, it must be badly written, right? Except publishers are not making judgements about a manuscript\u2019s literary quality, but about its commercial potential (see aforementioned Fifty Shades of Grey<\/em>). And there are many examples of publishers getting it wrong (all the publishers who rejected Harry Potter and the Philosopher\u2019s Stone<\/em>, for example, or those who told Rebecca Skloot that The Immortal Life of Henrietta Lacks<\/em><\/a> wouldn\u2019t find a readership). In any case, I think I\u2019m my own harshest critic. I\u2019ve previously abandoned one whole first draft of a novel, plus another half-finished manuscript, because I just didn\u2019t think those particular stories were good enough for publication. When I picked up this new manuscript after a long period of time (it sat on one publisher\u2019s desk for nearly two years), I was able to read it with a fresh eye \u2013 and I was genuinely interested in the story and the information, and even laughed out loud at one of the jokes. I think it\u2019s the sort of book I\u2019d pick up at the library or pay actual money for in a bookshop.<\/p>\n

So, I\u2019ll be running a series of blog posts over the next few months about my experiences publishing my own book. It won\u2019t be all How To Publish Your Own Book expert advice, because I don\u2019t really know what I\u2019m doing. It may end up being a What Not To Do, which should be helpful for authors contemplating taking this path. As always, I welcome your comments!<\/p>\n

More in Adventures in Self-Publishing<\/strong>:<\/p>\n

What\u2019s This Book About, Anyway?<\/a>
\nEditing<\/a>
\nTo Tweet Or Not To Tweet<\/a>
\nDesigning a Book Cover<\/a>
\nTurning Your Manuscript Into A Book<\/a>
\nAll the Mistakes I’ve Made (so Far)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

It\u2019s been five years since my last book, The FitzOsbornes at War, came out and occasionally readers contact me to ask whether I\u2019ve written another book and if so, why it isn\u2019t available for them to read. There\u2019s a long, complicated answer to that question, and there\u2019s a short answer. The short answer is \u2018Yes, … Continue reading Adventures in Self-Publishing: Why Self-Publish?<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,256,20,8,11],"tags":[],"class_list":["post-5327","post","type-post","status-publish","format-standard","hentry","category-books","category-dr-huxleys-bequest","category-science","category-this-writing-life","category-young-adult"],"_links":{"self":[{"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/posts\/5327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/comments?post=5327"}],"version-history":[{"count":10,"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/posts\/5327\/revisions"}],"predecessor-version":[{"id":6074,"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/posts\/5327\/revisions\/6074"}],"wp:attachment":[{"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/media?parent=5327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/categories?post=5327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/tags?post=5327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}