{"id":6008,"date":"2020-06-15T22:40:42","date_gmt":"2020-06-15T12:40:42","guid":{"rendered":"http:\/\/michellecooper-writer.com\/blog\/?p=6008"},"modified":"2020-06-15T22:40:42","modified_gmt":"2020-06-15T12:40:42","slug":"false-value-by-ben-aaronovitch","status":"publish","type":"post","link":"https:\/\/michellecooper-writer.com\/blog\/2020\/06\/false-value-by-ben-aaronovitch\/","title":{"rendered":"&#8216;False Value&#8217; by Ben Aaronovitch"},"content":{"rendered":"<p><em>False Value<\/em> is the eighth novel in Ben Aaronovitch\u2019s <a href=\"http:\/\/michellecooper-writer.com\/blog\/2015\/09\/rivers-of-london-by-ben-aaronovitch\/\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Rivers of London<\/em><\/a> series. I\u2019ve enjoyed all the previous novels, but I\u2019m sorry to say that I think that Ben Aaronovitch has now lost the plot. This book was a mess, and worse, it was a boring, unfunny mess. <\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/michellecooper-writer.com\/blog\/wp-content\/uploads\/2020\/06\/False-Value-by-Ben-Aaronovitch.jpg\" alt=\"&#039;False Value&#039; by Ben Aaronovitch\" title=\"&#039;False Value&#039; by Ben Aaronovitch\" width=\"227\" height=\"364\" class=\"alignright size-full wp-image-6010\" srcset=\"https:\/\/michellecooper-writer.com\/blog\/wp-content\/uploads\/2020\/06\/False-Value-by-Ben-Aaronovitch.jpg 227w, https:\/\/michellecooper-writer.com\/blog\/wp-content\/uploads\/2020\/06\/False-Value-by-Ben-Aaronovitch-187x300.jpg 187w\" sizes=\"auto, (max-width: 227px) 100vw, 227px\" \/><em>False Value<\/em> opens with Peter Grant, wizard policeman, starting a new job in a company that does geeky stuff involving data and algorithms. Its owner, an Australian tech billionaire, appears to be involved in a secret project that has some link to the theft of a historical, possibly magical, artefact. Unfortunately, Aaronovitch decides to use a convoluted, back-and-forth timeline in the first part of the book to increase suspense, which is unnecessary and annoying. Even more annoyingly, the tech company is called the Serious Cybernetics Corporation and the book is filled with <em>Hitchhiker\u2019s Guide to the Galaxy<\/em> references. I\u2019m a Hitchhikers fan from way back but even I was totally over the jokes by the end of the first chapter \u2014 and they just kept coming. And this was just the start of the hard core sci-fi in-jokes, because ultimately, <em>False Value<\/em> is science fiction, or a mix of science fiction and fantasy. Which is fine! Ben Aaronovitch is a <em>Doctor Who<\/em> writer and this is clearly a genre he loves. The problem is that the <em>Rivers of London<\/em> series has a lot of fans who don\u2019t often read speculative fiction but were initially drawn in by the humour, the London history, the well-researched police procedural bits and the diverse cast of interesting characters \u2014 and only some of these elements appear in <em>False Value<\/em>. <\/p>\n<p>It also seems to me that Aaronovitch has lost control of his world-building. He keeps inventing cool bits of magic to throw into his story &#8211; talking foxes! humans ageing backwards! carnivorous unicorns controlled by militant time-shifting fae! \u2014 without following up on them in any meaningful, consistent way. So, for example, a talking fox appears for a paragraph to remind us of how awesome the concept is, even though this has nothing to do with the plot, then he disappears. Some new American magicians arrive in London, but there\u2019s no reference to the two groups of American magicians introduced in previous books. The tech plot involves a type of magic developed by women, but where are Lady Helena and Caroline, the witches from <em>The Hanging Tree<\/em>? Aaronovitch is juggling a lot of elements and he keeps dropping them. This book also relies heavily on the reader being familiar with all of Aaronovitch\u2019s novellas, short stories and graphic novels, particularly <a href=\"http:\/\/michellecooper-writer.com\/blog\/2017\/07\/the-furthest-station-by-ben-aaronovitch\/\" rel=\"noopener noreferrer\" target=\"_blank\"><em>The Furthest Station<\/em><\/a>, but I don\u2019t think it\u2019s realistic to expect novel readers to keep up with all these associated stories (personally, I gave up on the graphic novels after all the gratuitous female nudity in <em>Black Mould<\/em>).<\/p>\n<p>There is a bigger issue, I think. The first seven books had a long narrative arc involving the Faceless Man, which was mostly resolved in Book Seven, although Lesley remained at large. She doesn\u2019t appear in this book. Are we meant to believe that Peter and the rest of the London police force would just forget about Lesley and move on? Is <em>False Value<\/em> meant to be the start of a new seven-book arc with a new villain? Is it possible to write a long-running, open-ended series of books while maintaining character development and the quality of the writing \u2014 especially when Aaronovitch is concurrently writing graphic novels, novellas and short stories, working on a <em>Rivers of London<\/em> television series and keeping up with a hectic publicity schedule?<\/p>\n<p>I went back to read some of the earlier books in the series and was struck by how much I enjoyed them. Despite my familiarity with these stories, they felt fresh and funny. I\u2019d encourage you to try <a href=\"http:\/\/michellecooper-writer.com\/blog\/2015\/09\/rivers-of-london-by-ben-aaronovitch\/\" rel=\"noopener noreferrer\" target=\"_blank\">the first book<\/a> if you\u2019re unfamiliar with the series, but I\u2019m sad to say that I won\u2019t be reading any more of <em>Rivers of London<\/em>. So long, Peter, and thanks for all the fish. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>False Value is the eighth novel in Ben Aaronovitch\u2019s Rivers of London series. I\u2019ve enjoyed all the previous novels, but I\u2019m sorry to say that I think that Ben Aaronovitch has now lost the plot. This book was a mess, and worse, it was a boring, unfunny mess. False Value opens with Peter Grant, wizard &hellip; <a href=\"https:\/\/michellecooper-writer.com\/blog\/2020\/06\/false-value-by-ben-aaronovitch\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">&#8216;False Value&#8217; by Ben Aaronovitch<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[23],"class_list":["post-6008","post","type-post","status-publish","format-standard","hentry","category-books","tag-ben-aaronovitch"],"_links":{"self":[{"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/posts\/6008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/comments?post=6008"}],"version-history":[{"count":7,"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/posts\/6008\/revisions"}],"predecessor-version":[{"id":6016,"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/posts\/6008\/revisions\/6016"}],"wp:attachment":[{"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/media?parent=6008"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/categories?post=6008"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michellecooper-writer.com\/blog\/wp-json\/wp\/v2\/tags?post=6008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}