Well, I’ve mostly been reading 1960s non-fiction (currently David Kynaston’s Modernity Britain, which is excellent), but I’ve also read some other interesting books, all Elizabeth-related. The first of them was The Virgin in the Garden by A. S. Byatt, recommended to me by Sarah during my search for 1950s schoolgirl literature. The review quotes on the back of the paperback edition I acquired were fairly ominous and included the following from the Financial Times:
“One to be reckoned with. It cannot be glibly praised or readily dismissed; it is, massively, there …”
Which I can’t disagree with – it is certainly both “massive” and “there”, “there” being a small town in Yorkshire in the early 1950s, as the community gathers to perform an elaborate verse drama about Queen Elizabeth the First, in order to celebrate the coronation of Queen Elizabeth the Second. Frederica Potter is the seventeen-year-old schoolgirl chosen to play young Elizabeth, and she’s an apt choice. Frederica is clever, fierce, self-obsessed and hilariously obnoxious, convinced that she is superior to her peers in every way yet secretly hurt that they don’t appreciate her specialness. The other Potters – her bullying father, beaten-down mother, odd and fragile little brother, and a sweet older sister who throws away her Cambridge degree to marry an unintellectual clergyman – are also fascinatingly portrayed. The problem I had with this novel was that I had to wade through a lot of tedious, overwritten prose to get to the good bits. At one stage, a character says, “If we were in a novel, they’d cut this dialogue because of artifice” and I found myself wishing they HAD cut that dialogue, as well as most of the adjectives and all of the page-length sentences. The long sections in which Frederica’s brother and his creepy teacher discuss their peculiar pseudo-scientific theories about the universe were particularly difficult to get through. I wondered if even the author had lost track of where she was going with her story, because the final sentence was: “That was not an end, but since it went on for a considerable time, it is as good a place to stop as any.” And yet, I kept turning the pages, because the author had so many thoughtful observations to make about family relationships, class conflict, women’s roles in society, religion, education, Elizabethan history, art and literature. This is the first in a quartet of novels about Frederica and I’m not sure yet if I’ll continue with it (I saw a very spoilery review of the next book, which indicated that the sole sympathetic character dies in a very stupid manner, which was not an encouraging sign).
My second Elizabethan read was The Little Princesses by Marion Crawford, a sentimental account of the childhood of Princess (now Queen) Elizabeth and her little sister, Princess Margaret, as told by their former governess, Marion Crawford. Apparently it caused a sensation when it was first published in 1950, because it was the first ‘insider’ account of a family treated as minor deities 
by most of their subjects and all of the press. Nowadays, of course, we’re used to the British royals exposing themselves (in various unflattering ways) in newspapers and on television, but at the time, the Queen Mother was furious at ‘Crawfie’, as the governess was known, for breaking the code of silence that surrounded the royals and as a result, poor old Crawfie was ostracised1. But actually, Crawfie seems to have gone out of her way to flatter the family in this book. She appears very fond of Elizabeth, a serious, anxious child with a “very high IQ” (not that anyone actually administered an IQ test), while Margaret is described as bright, fun-loving and charming. Mind you, even Crawfie admits Margaret could be “wilful and headstrong” (which seems to be code for “a spoilt and uncontrollable brat” – for one thing, Margaret enjoyed tormenting the servants with unpleasant practical jokes, knowing they could never complain about her behaviour). I was interested (and horrified) to see how limited the education of the princesses actually was. Even though it was known that Elizabeth would eventually become ruler of the entire British Commonwealth, she never attended school and the lessons she had with Crawfie were limited to English literature and (family) history. Teenage Elizabeth did attend some individual history tutoring sessions at Eton, but mathematics, science and economics were deemed unnecessary. It was more important that she learn to sing, dance, make polite conversation in French, and ride a horse. This book covers Elizabeth’s life from the age of six, when Crawfie first arrived, to Elizabeth’s marriage to Prince Philip and the subsequent birth of their first child, Charles. The anniversary edition I read had an introduction by Jennie Bond and contained some great photographs, including one of a young Princess Elizabeth in Girl Guide uniform, learning how to tie knots (with Henry FitzOsborne just out of shot, peering over Elizabeth’s shoulder and shouting, “You’re doing it ALL WRONG! Here, let ME do it!”).
And finally, a novel written by an Elizabeth – Mrs Palfrey at the Claremont by Elizabeth Taylor (the English novelist, not the Hollywood star, although the novelist frequently had to deal with people who’d confused her with the actress). This is a brilliant, but bleak, look at ageing and death in genteel English society in late 1960s London. Elderly Mrs Palfrey is not rich enough to stay in her own home with servants to look after her, not poor enough to move into a state-assisted home for the elderly, and not ill enough for a private hospital or nursing home, but is too polite and independent to impose herself on her middle-aged daughter in Scotland, so she decides to set herself up in a respectable London hotel to wait out her final years. There she meets the other permanent residents, including bitter, arthritic Mrs Arthbuthnot; dim, timid Mrs Post; Mr Osmond, who keeps himself busy writing outraged letters to the newspapers and telling disgusting jokes to the waiters; and mauve-haired, drunken Mrs Burton (named, according to one review I read, after the actress). When she has a fall in the street, Mrs Palfrey is rescued by a young, impoverished writer called Ludo, which leads to a strange sort of friendship between them. Each is using the other – Mrs Palfrey now has a handsome, charming ‘grandson’ to show off to the hotel residents and someone to make her feel needed, while Ludo gains a more satisfactory ‘mother’ than his real mother, and also accumulates a lot of useful material for the novel he’s writing (about old people living at a hotel, entitled They Weren’t Allowed To Die There). Elizabeth Taylor’s observations of character are astute and very funny but also very sad. The residents are all bored, lonely and frightened, but feel unable to admit to this, let alone try to help themselves, so they spend their days obsessing over the hotel menus, spreading spiteful gossip, and complaining about modern life. The author has been called a twentieth-century Jane Austen and for once, that’s not an exaggeration. Mrs Post, for example, is described as “too vague, too bird-brained to achieve real kindness. She had always meant well – and it was the thing people most often said about her – but had managed very seldom to help anyone”, while snobby Lady Swayne manages to irritate even mild-mannered Mrs Palfrey, with “all of [Lady Swayne’s] most bigoted or self-congratulatory statements prefaced with ‘I’m afraid’. I’m afraid I don’t smoke. I’m afraid I’m just common-or-garden Church of England. (Someone had just mentioned Brompton Oratory.) I’m afraid I’d like to see the Prime Minister hanged, drawn and quartered. I’m afraid I think the fox revels in it. I’m afraid I don’t think that’s awfully funny.” I won’t provide any plot spoilers, but I will say that if you’re hoping for a sweet, sentimental look at old age, this is not the book for you. I loved it, but it was rather depressing. And now I’m off to find some more Elizabeth Taylor novels to read.
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- Although this article suggests that the initial idea of writing magazine articles about the little princesses came from the Queen Mother herself. ↩
These books provided a delightful distraction during my recent lengthy convalescence, so I feel obliged to gush about them here, even though you’re probably already familiar with them. Actually, why hadn’t I read them before? They are exactly my cup of tea – comedies of manners, set in England during the 1920s and 1930s, mercilessly poking fun at the trivial pursuits and snobbery of the idle rich. Few of the characters are likeable, but that just makes their frantic attempts to clamber to the top of the social pile all the more entertaining. The queen of their society is Emmeline ‘Lucia’ Lucas, whom even her loyal friend Georgie describes as
I was intrigued to see how few of the characters fitted into the traditional married-with-children mould, and the most endearing characters were all coded as gay or lesbian. Irene, for instance, has an Eton crop, wears men’s clothes and lives with her not-very-servant-like maid, Lucy. Meanwhile, Georgie is obsessed with his appearance and his favourite hobbies are embroidery and watercolour painting (and Major Benjy sneeringly refers to him as “Miss Milliner Michael-Angelo”). There’s no indication that Georgie is attracted to men – in fact, he spends all his time in the company of women and is devoted to Lucia – but he has a panic attack whenever it seems that a woman might be attracted to him and he eventually settles into a happy, celibate marriage with Lucia. The novels have also been described as abounding in “camp humour”, so it did not surprise me to learn that E. F. Benson was “
Congratulations on your debut novel, Anne. I found Prisoner of Night and Fog to be a thrilling read, but also a fascinating look at one particular period of German history. Why did you choose to set your novel in Munich in 1931?
I liked 
Finally, some non-fiction. Bad Science by