Memoranda Turns Ten

Ten years ago today, I started this blog with a post about how I learned to hate poetry. Three hundred and twenty-one posts and about two hundred thousand words later, here I am, still blogging, although far less frequently than at the start.

Here’s a selection of Memoranda posts from the past decade.

'Friday's Tunnel' by John Verney

First, ten discussions about children’s books, in no particular order:

Swallows and Amazons by Arthur Ransome

Friday’s Tunnel by John Verney

Howl’s Moving Castle by Diana Wynne Jones

Saffy’s Angel by Hilary McKay

Autumn Term by Antonia Forest

The Years of Grace and Growing Up Gracefully by Noel Streatfeild

Peter’s Room by Antonia Forest

Emil and the Detectives by Erich Kästner

End of Term by Antonia Forest

The Light Years by Elizabeth Jane Howard

And ten discussions about favourite novels and novelists:

The Cazalet Chronicles by Elizabeth Jane Howard

Anne Tyler And Her Novels

Cold Comfort Farm by Stella Gibbons

The Mapp and Lucia Novels by E. F. Benson

The Leopard by Giuseppe Tomasi di Lampedusa

What I’ve Been Reading: Muriel Spark

Mad World: Evelyn Waugh and the Secrets of Brideshead by Paula Byrne

Careful, He Might Hear You by Sumner Locke Elliott

Dear Dodie: The Life of Dodie Smith by Valerie Grove

Love in a Cold Climate by Nancy Mitford and Meet the Mitfords

The lost art of letter writing

Here are ten posts about writing:

How To Write a Novel, about writing advice

Same Book, But Different, on editing books for different countries

Book Banned, Author Bemused – my book got banned in the US!

Five Ways in Which Writing a Novel is Like Making a Quilt

Writing About Place

The Creative Vision Versus the Marketing Department

Goatbusters, or How The Writerly Mind Works

The ‘Aha!’ Moment and Three Things That Didn’t Happen In The Montmaray Journals

Adventures in Self-Publishing

Mrs Hawkins Provides Some Advice For Writers

William-Adolphe Bouguereau's La leçon difficule (The Difficult Lesson)

And ten rants about book-related topics:

Just a Girls’ Book, followed by Just A Girls’ Book, Redux and Girls and Boys and Books, Yet Again

That Gay YA Thing

Some Thoughts On Reading

Looking for a Good, Clean Book

I Hate Your Characters, So Your Book Stinks

Regarding Internet Piracy

ARCs

A Public Service Announcement: Smoking Is Bad For You

Here’s to another ten years of Memoranda. Hopefully I’ll be blogging a bit more from now on, because I’ve just deleted my Twitter account.

In Which I Finally Purchase An eReader

I am not what is termed an ‘early adopter’ of new technology. I don’t own a smart phone or an iPad or a digital radio, I don’t subscribe to any streaming services, and my entire music collection consists of cassettes and CDs (played on my trusty 1990s Panasonic boombox). In fact, some people who know me have gone so far as to mention the word ‘Luddite’, but this is inaccurate. I’m not really a technophobe. I studied maths, physics and computer studies at high school, I have a science degree, and at Day Job, I’m the go-to person for solving tech problems, whether it’s modifying our database software or unjamming the photocopier.

Outside work, though, I only use new technology if it’s both affordable and essential. That’s why I’ve avoided ebooks for the last decade. I already had a cheap, efficient way to read books, so why would I pay a lot of money to buy some electronic reading device? Anyway, I spend all day looking at screens for work. I didn’t want to spend my leisure time staring at yet another screen.

However, with my library now closed for physical book borrowing for the foreseeable future and with limited access to bookshops, I finally decided to invest in an eReader. There are really only two options for Australians — a Kindle or a Kobo. I don’t much like Amazon and I wanted a device compatible with library ebooks, so that left me with a choice of three different models of Kobo eReaders. I chose Clara, the smallest (and cheapest). Clara has a six inch screen, fits comfortably in my little hand, weighs less than a paperback, but can store up to 6000 ebooks.

Kobo Clara eReader text

There are various options for screen brightness and colour, font type, font size and moving between pages and chapters, some of which work better than others for me. I like being able to increase the size of the print, although as the screen is fairly small, I need to swipe up and down to read a single page. I could have avoided this problem if I’d bought one of the bigger models, but they’d probably have been more awkward to hold. (In different times, I’d have visited a shop and tried out the various models before I bought anything. But if I could go to shops, I’d also be able to go to the library, so I wouldn’t need an eReader.) It takes about two hours to charge Clara fully and this apparently lasts several weeks, as long as you turn the power off whenever you finish reading. I discovered that if you use the Sleep Mode, it eats up energy very quickly. However, if you’ve turned off the power, you need to re-set the viewing options when you open up your book again, which is annoying.

Clara also provides ways to bookmark pages, highlight sections and check word definitions using the built-in multilingual dictionaries, but I haven’t tried out these features yet. I did find it a bit awkward to swipe back to previous pages to re-read an earlier section — that’s definitely easier to do in a paper book.

Kobo Clara eReader

Clara displays nice, sharp images, including book covers, in shades of grey. Apparently you can read graphic novels and picture books with Clara, but I can’t imagine it would be a very enjoyable experience, compared to paper editions.

I bought a separate black leather cover with a magnetic clasp, which not only keeps Clara safe and clean, but can be flipped to make a convenient hands-free stand. This is a vast improvement on my usual propping-a-paperback-against-another-book-and-using-one-hand-to-stop-it-from-snapping-closed, which is how I tend to read books while eating lunch.

Kobo Clara eReader sideview

Clara also asked me about my favourite books and provided some amusingly unhelpful recommendations for future reading. Here’s what she thinks I should read next: all of Anne Tyler’s recent novels (which I’ve already read); The Complete Works of Plato (no thanks); The Communist Manifesto by Marx and Engels (ha ha! actually, I have read that, a long time ago); Leviathan by Thomas Hobbes (what?); and Meditations by Marcus Aurelius. I fear Clara has the wrong impression of me. I hate to disappoint her, but my next read is actually a library copy of Courtney Milan’s Proof by Seduction, a Regency romance whose cover features a lady in distinctly unRegency underwear swooning across a bed. I have downloaded a free copy of Machiavelli’s The Prince, though.

I was interested to see whether I’d read and comprehend ebooks differently to paper books. I think I might read ebooks quicker, with more skimming and less contemplation. But the two ebooks I’ve finished so far have been YA and middle-grade novels, so maybe I’d read them quickly anyway?

In conclusion, Clara and I are getting on very well, thus far. Please do let me know if you have any helpful e-reading tips.

‘The January Stars’ by Kate Constable

Disclaimer, because this is an Australian book: I’ve never met Kate Constable but we internet-know each other and she is a regular commenter on this blog. However, I wouldn’t write nice things about her books unless I really, truly enjoyed them. If I don’t like something written by an Australian writer I know, I just don’t write about it. I rarely spend time blogging about books I don’t like (unless the books are amusingly bad and the author is either dead or so famous that my opinion is irrelevant to their well-being).

The January Stars by Kate Constable is a warm-hearted, thoughtful novel about family, in which twelve-year-old Clancy and her older sister Tash accidentally kidnap their grandpa from his awful nursing home and set off on an adventure to find him a better life. In the fine tradition of children’s literature, the grown-ups are mostly dead, absent or useless, so the girls need to be resourceful and clever. Clancy is an endearing and relatable protagonist — initially shy and anxious, reluctant to take risks or challenge the rules, but ultimately able to draw on hidden reserves of resilience and courage. It’s lovely to watch how her relationship with her confident older sister evolves. I also liked Pa, who has had a stroke, is partly paralysed and has aphasia, but is always depicted as a strong-minded person with a sense of humour and varied interests. He’s also shown as able to communicate effectively with his granddaughters, despite the challenges posed by his speech and language difficulties. (I did wonder why he didn’t have a communication board attached to his wheelchair or some sort of electronic communication aid, but perhaps it got lost in the tumult of the kidnapping.)

Something I really loved about this book were the vivid descriptions of the settings, from inner-city Melbourne apartment blocks to leafy outer suburbs to a rural ashram and a seaside town. I dislike it when children’s books have either generic settings (for example, Odo Hirsch’s novels, set in vaguely European cities) or else vast swathes of descriptive prose that read like creative writing exercises, but The January Stars gets it exactly right, for my tastes.

Kate Constable’s books often involve fantasy and in this one, Clancy begins to believe her dead grandmother is assisting their quest. There is also a short section involving a time-slip or possibly a parallel, pocket universe, which the girls decide not to think about too much because “if you can explain magic, it’s not magic anymore”. I mean, personally, I would not have been able to resist researching the magic bookshop and its owner, but some readers (and authors) prefer mysterious events to remain enigmatic.

Also, I don’t often pay attention to book covers, but I need to mention this one because it’s so eye-catching. It looks like a paper sculpture, but I believe it was done digitally by Debra Bilson. It’s a very appropriate image for a beautiful, layered story.

'The January Stars' by Kate Constable

'Cicada Summer' by Kate ConstableIf you like the sound of The January Stars, you may want to try Cicada Summer, for slightly younger readers. Poor Eloise, mute with grief over her dead mother, is dragged off to live in a drought-affected country town with her odd grandmother. Fortunately, there is an intriguing old family mansion to explore, as well as a mysterious but friendly girl who might possibly have slipped through time … This is a charming, poignant story with a genuinely surprising and clever twist.

'New Guinea Moon' by Kate ConstableI also really enjoyed New Guinea Moon, set in the 1970s, in which Australian teenager Julie visits her father, a commercial pilot working in Papua New Guinea. It reminded me a little of those Rumer Godden books in which a young white woman arrives in India, falls in love with it, gets into conflict with the old India hands over their racist views, blunders about for a while naively causing damage, then departs, sadder but wiser. Papua New Guinea is Australia’s closest neighbour, but is rarely part of our literary world, especially in children’s fiction, so this novel was fascinating to read. In common with many Australians, I have a family connection to PNG — my father worked there in the 1960s — and I also grew up in Fiji in the 1970s, in and beside an expat community that sounds very similar to the one Julie finds herself in. The descriptions of that community — the insularity, snobbishness and racism — felt very true to life, in my opinion. I also wallowed in all the lush, evocative descriptions of tropical life in this book — the sudden downpours, the geckos falling off the ceiling, the bright bougainvillea against whitewashed cement walls, the tang of salty plums. I did marvel at Julie’s mother sending her all the way to another country to stay with a near stranger for a summer (particularly given what subsequently happens in this story!), but hey, it was the 1970s — they did things differently back then.

You can find more about Kate Constable’s books here.

‘False Value’ by Ben Aaronovitch

False Value is the eighth novel in Ben Aaronovitch’s Rivers of London series. I’ve enjoyed all the previous novels, but I’m sorry to say that I think that Ben Aaronovitch has now lost the plot. This book was a mess, and worse, it was a boring, unfunny mess.

'False Value' by Ben AaronovitchFalse Value opens with Peter Grant, wizard policeman, starting a new job in a company that does geeky stuff involving data and algorithms. Its owner, an Australian tech billionaire, appears to be involved in a secret project that has some link to the theft of a historical, possibly magical, artefact. Unfortunately, Aaronovitch decides to use a convoluted, back-and-forth timeline in the first part of the book to increase suspense, which is unnecessary and annoying. Even more annoyingly, the tech company is called the Serious Cybernetics Corporation and the book is filled with Hitchhiker’s Guide to the Galaxy references. I’m a Hitchhikers fan from way back but even I was totally over the jokes by the end of the first chapter — and they just kept coming. And this was just the start of the hard core sci-fi in-jokes, because ultimately, False Value is science fiction, or a mix of science fiction and fantasy. Which is fine! Ben Aaronovitch is a Doctor Who writer and this is clearly a genre he loves. The problem is that the Rivers of London series has a lot of fans who don’t often read speculative fiction but were initially drawn in by the humour, the London history, the well-researched police procedural bits and the diverse cast of interesting characters — and only some of these elements appear in False Value.

It also seems to me that Aaronovitch has lost control of his world-building. He keeps inventing cool bits of magic to throw into his story – talking foxes! humans ageing backwards! carnivorous unicorns controlled by militant time-shifting fae! — without following up on them in any meaningful, consistent way. So, for example, a talking fox appears for a paragraph to remind us of how awesome the concept is, even though this has nothing to do with the plot, then he disappears. Some new American magicians arrive in London, but there’s no reference to the two groups of American magicians introduced in previous books. The tech plot involves a type of magic developed by women, but where are Lady Helena and Caroline, the witches from The Hanging Tree? Aaronovitch is juggling a lot of elements and he keeps dropping them. This book also relies heavily on the reader being familiar with all of Aaronovitch’s novellas, short stories and graphic novels, particularly The Furthest Station, but I don’t think it’s realistic to expect novel readers to keep up with all these associated stories (personally, I gave up on the graphic novels after all the gratuitous female nudity in Black Mould).

There is a bigger issue, I think. The first seven books had a long narrative arc involving the Faceless Man, which was mostly resolved in Book Seven, although Lesley remained at large. She doesn’t appear in this book. Are we meant to believe that Peter and the rest of the London police force would just forget about Lesley and move on? Is False Value meant to be the start of a new seven-book arc with a new villain? Is it possible to write a long-running, open-ended series of books while maintaining character development and the quality of the writing — especially when Aaronovitch is concurrently writing graphic novels, novellas and short stories, working on a Rivers of London television series and keeping up with a hectic publicity schedule?

I went back to read some of the earlier books in the series and was struck by how much I enjoyed them. Despite my familiarity with these stories, they felt fresh and funny. I’d encourage you to try the first book if you’re unfamiliar with the series, but I’m sad to say that I won’t be reading any more of Rivers of London. So long, Peter, and thanks for all the fish.

What I’ve Been Reading

Remember how I resolved to spend more time reading books and blogging about them in 2020? Hmm, that’s worked out well, hasn’t it? Other people may have spent lockdown reading War and Peace or the collected works of Anthony Powell or teaching themselves Italian so they could fully appreciate the original manuscript of Machiavelli’s The Prince, but I’ve been getting up each morning to go to Day Job, then coming home and collapsing. I work as a hospital administrator in a large, busy public hospital — a job that is stressful and underappreciated at the best of times, and these are not the best of times. I should note that I work with some lovely people dedicated to the well-being of their patients and colleagues, and that Australia has so far, through a combination of luck and good governance, avoided the terrible rates of infection, sickness and death that other countries have experienced during the pandemic. I also know how lucky I am to have a job, when so many others are now unemployed. But I’m still tired and stressed and I don’t feel much like reading long, complex books. Also, my library has closed down, so I’ve mostly been re-reading old favourites from my bookshelves. However, I have read a few new-to-me books that I liked.

'The Secret Place' by Tana FrenchI read The Secret Place by Tana French way back in February, in the Before Times, and I enjoyed it very much. It’s a suspenseful murder mystery, cleverly plotted with some surprising twists, but along the way, it thoughtfully explores some interesting themes through vivid, authentic characters. The narration alternates between four Dublin schoolgirls and a young, ambitious detective who is investigating a murder in the grounds of their posh boarding school. The intense friendships between the girls felt true to me, although their fate is rather depressing. There is also a supernatural element that didn’t work so well for me. I don’t want to get into spoilery details, but the girls experience something occult and then there’s an outbreak of ghost-sightings in the wider school community. Mass hysteria in a school is believable, but what actually happens in the book isn’t. It’s possible that the author is critiquing Irish superstition and I’m missing some important context. Anyway, this was a riveting read and if my library ever re-opens, I’d like to borrow more of Tana French’s Murder Squad books.

'The Crown' by Robert LaceyI also liked The Crown: Political Scandal, Personal Struggle And The Years That Define Elizabeth II, 1956-1977 by Robert Lacey, which provides a good summary of the actual historical events portrayed in the TV series, The Crown. The author of this book was the historical consultant for the series and he sets out which parts of the script actually happened (or occurred in a less dramatic manner than portrayed on screen). I gave up on the TV series at the end of the first season because the historical inaccuracies were driving me up the wall and I found Prince Philip and Matt Smith deeply irritating, but as Robert Lacey points out, “drama is not the same as documentary”. I would have liked more photos of real events, but there’s a good index and bibliography and I learned some interesting things. For example, did you know that Lord Mountbatten, Prince Philip’s uncle, unsuccessfully attempted to overthrow the democratically elected Labour Prime Minister Harold Wilson in 1968 and replace him with an unelected ‘Government of National Unity’, headed by Mountbatten himself?

'The Queen' by A.N. WilsonAs a companion read, I picked up The Queen, an eccentric extended essay by A. N. Wilson, a novelist and popular historian who doesn’t let facts get in the way of his opinions (apparently he wrote a scientifically-illiterate biography of Charles Darwin that argued against the theory of evolution). In this book, Wilson asserts that although Queen Elizabeth II is badly educated and dull, her steadiness and respect for tradition have been good for Britain, so hereditary monarchy is a logical and beneficial system of government. He thinks Prince Philip is basically a good egg and that his notorious gaffes are simply due to his tragic childhood; that Princess Anne would make a much better regent than Prince Charles, but at least poor Charles is earnest and well-meaning; and that Prince Andrew and the other young royals are beneath contempt (and this was published in 2016, before the depths of Andrew’s depravity were public knowledge). I can’t say I learned a lot about the British royals, but this was a quick, entertaining read.

'Ghost Wall' by Sarah MossHowever, the best book I’ve read recently was Ghost Wall by Sarah Moss. This is an intense, deeply affecting novella in which a history professor, his three students and Bill, a local expert in living off the land, spend a week emulating the lives of Iron Age hunter-gatherers in the north of England. Seventeen-year-old Silvie is dragged along on the field trip by her father Bill, along with Silvie’s long-suffering mother. Bill is a bigot and a bully, tyrannising his wife and daughter, controlling every aspect of their lives, keeping them in line with vicious verbal and physical abuse. He’s not a cartoon villain, though — we see glimpses of his pride in Silvie, it’s clear he’s hard-working and intelligent, and his frustration with his working-class life becomes more understandable when we see how patronising the professor and his students are. But there are no excuses for how Bill and the other men start to behave during the field trip and the tension ratchets up to nearly unbearable levels. I should warn you, this book is really grim in parts, but there’s a hopeful ending. I saw this as a powerful book about domestic violence, but I’ve since read reviews that discuss it in the context of Brexit and the rise of the far right in Britain, and that makes sense, too. It’s about how men use their own versions of British history, which may or may not be based on fact, to justify their oppression of less powerful people. It’s also really beautifully written, despite the dark, confronting themes.

I also read False Value, the latest Rivers of London novel by Ben Aaronovitch, and I’m sorry to say that I found it disappointing and I won’t be continuing to read that series. I’ll do a separate blog post about that if anyone’s interested.