‘The Marlows and the Traitor’ by Antonia Forest

'The Marlows and the Traitor' by Antonia ForestI’ve just handed my latest manuscript over to my editor, hooray, so I’m rewarding myself with the second of Antonia Forest’s Marlow series, The Marlows and the Traitor. As with Autumn Term, I’ve decided to blog about it as I read. You might want to avoid Memoranda for the next week or so if you’re planning to read this book, because it sounds as though it will be a thriller with lots of exciting plot twists.

In fact, I was a bit wary of picking this up because my next planned book (not the one I’ve just sent off for editing, a different one) is also about spies and traitors and is set in England during the Cold War. However, I suspect Antonia Forest and I have quite different views about patriotism and the FitzOsbornes are not really like the Marlows, so it should be all right. (However, I would just like to note here that I worked out my plot long before I’d heard of The Marlows and the Traitor.)

Anyway, in Autumn Term we learned that the Marlow family consists of Commander Marlow, Mrs Marlow and eight Marlow offspring – Giles (junior naval officer), Karen (head girl of Kingscote Girls’ School), Rowan (the sporty, sensible one), Ann (kindly Guide Leader), Ginty (giant pain), Peter (Dartmouth cadet) and identical twins Nicola (awesome protagonist) and Lawrie (drama queen). In this book, the four youngest Marlows and their mother are on holiday in a seaside town and the story begins with a chapter ominously titled ‘Wednesday Morning: Encounter in a Thunderstorm’.

Peter wakes at dawn to the clap of thunder, having spent the night fretting about a humiliating incident at school that he refers to as ‘the boat thing’. He’s worried it might happen again and then he might get “kicked out of Dartmouth because he was a useless worm” and “apart from the quite scorching humiliation of being thrown out, he would have to go back to being an ordinary schoolboy at an ordinary school”.

Oh, the horror of being treated as ordinary when you’ve been born a Marlow! But with his father and his only brother in the navy, there’s probably quite a lot of pressure on poor Peter. To remind himself of how brave and daring he is, he grabs his favourite sister, Nicola, and they go for an oceanfront walk in the storm, noting a small boat making its way through the tempest-tossed sea. It is then revealed that Peter doesn’t like the sea and sailing-obsessed Nicola always gets seasick. They also discuss their fellow hotel guests, the Thorpe family, which is made up of “quiet, bald Mr Thorpe and his cheerful noisy wife and two daughters who all wore trousers much too tight and too brightly coloured for their various shapes” (the brazen hussies) and also seventeen-year-old Johnnie, who is well-intentioned but loud and clumsy. The Marlow children “in the politest possible way” exclude Johnnie from their activities, despite their mother’s protests that he’s nicer than his mannerisms suggest (“It’s his mannerisms we’d be with,” Lawrie points out). This is a dilemma because Mr Thorpe has invited them out on his boat, which they don’t feel they can accept if they’re ostracising his son. Peter and Nicola also chat about the upcoming fancy dress dance at the hotel and Peter becomes relaxed enough to tell Nicola about ‘the boat thing’.

It seems Peter, convinced he was a brilliant sailor, became complacent and careless while sailing and caused a fellow cadet to get knocked into the sea. Worse, Peter froze in a panic and failed to turn the boat around to rescue the poor boy. Lieutenant Foley, their instructor, had to fish the boy out, then gave Peter a dressing-down in front of everyone else. Nicola shows what an empathetic listener she is and then asks about Peter’s friend Selby. Selby is significant because he’s the first nice, normal boy Peter has ever befriended:

“All his life, he had had a talent for taking a fancy to the most unpleasant people, from his very first friend at the local kindergarten, who had been an angelic-looking little boy called Esmond who bit people without provocation and ran at them with open knives …”

Selby continues to be nice and normal, but he has had a strange encounter with Lieutenant Foley, who gave Selby a lift back to school one afternoon and behaved in a very “queer” manner – being inappropriately happy, asking what Selby would do for him and telling Selby that naval discipline was excessive and needed to be changed. Selby, rattled, tells his house officer, who apparently tells Foley(!), who later makes a snarky remark about Selby’s “outsize conscience”. But Selby continues to feel “as if things ought to be all right, but, aren’t really”.

Peter likes Foley, so thinks Selby is imagining things, but Nicola is inclined to believe Selby. Listen to Nicola, Peter! She’s a lot better than you are at human relationships! Maybe Foley really does want something sinister from Selby …

Peter then becomes aware that he has led the two of them along a cliff path that he’s been warned is dangerous, in the middle of a violent thunderstorm:

“The rain streamed down their waterproofs and the sea creamed around their gumboots, while the sky grew steadily more copper coloured as if a fire had been lighted behind it. And then, suddenly, the sky cracked open above their heads, and a ball of light rushed along the horizon and fell into the sea: the thunder bellowed, the hail came down like a white wall and the sea swirled about their thighs.”

Even Nicola, who is completely fearless, becomes concerned they might slip off the cliff path and Peter “agree[s] with some relief, feeling rather a fool”. At which point Nicola is nearly washed into the sea, saved from almost certain death by Peter grabbing her. Soaked to the skin, they stagger back to the promenade, relieved to see that at least that little boat has made it back to shore safely. Then something very odd happens.

A man walks past them on the promenade – and it’s Lieutenant Foley! Except he ignores Peter’s polite greeting, as if he’s never met Peter before in his life. Peter, feeling even more foolish, decides that he, Peter, must have been so drenched he was unrecognisable, but Nicola says Foley’s eyes flickered in a moment of recognition “like in The Thirty-Nine Steps”.

Okay, so Lieutenant Foley has appeared in three different incidents in this chapter and in two of them he’s behaved very strangely. Using my extraordinary powers of perception, I predict that Lieutenant Foley will turn out to be The Traitor.

Unless The Traitor is actually that ginger cat on the promenade, which is also mentioned three times in this chapter and the second time it saw the children, it “stared at them with blank yellow eyes as if it had never seen them before” and it also acts treacherously by kicking Nicola’s arm after she’s spent ages diligently rubbing behind its ears.

Unless the cat IS Lieutenant Foley, in disguise. I don’t think this is that sort of book, though.

Also, I was disproportionately amused that the Marlow children use “goop” to mean “a complete idiot.”

Next, Wednesday Afternoon: The Hidden Sea

‘The Book That Made Me’, edited by Judith Ridge

Disclaimer: I’m acquainted with several of the people involved with the creation of this book. But I wouldn’t be writing about it here if I didn’t like it – I’d just pretend I hadn’t read it.

'The Book That Made Me' edited by Judith RidgeThe Book That Made Me is an interesting collection of personal stories by thirty-one authors and artists (mostly Australian, mostly writers for children and teenagers) about the books that “made them” – made them think, feel, laugh, made them want to create their own books. As with most anthologies, there’s a wide variety of pieces and I found some more compelling than others. Shaun Tan contributes a thoughtful essay about books that disturbed him, starting at the age of seven or eight with his mother reading him Animal Farm as a bedtime story, under the mistaken impression that it would be a charming fairytale (he decided it was “no more disturbing than stuff I witnessed at school each day”). His charming, whimsical illustrations can also be found throughout the book.

Other favourite pieces were those which had something in common with my own experiences. Simmone Howell writes about how she tried (and failed) to become a proper teenager using the wisdom contained in the Sweet Dreams and Sweet Valley High series. Catherine Johnson explains how she “never expected to see [herself] in a book … everyone back then knew only white people lived in books and had adventures”. Jaclyn Moriarty discovered, aged six, how her secret rage at the injustices of life had been transformed into a book called The Magic Finger. I also enjoyed Fiona Wood’s discussion of the helpful life lessons contained in Anne of Green Gables; Emily Maguire’s description of how Edith in Grand Days encouraged her to take risks and celebrate her teenage mistakes; and Julia Lawrinson’s entertaining account of her obsessive identification with Laura Ingalls Wilder. Most of these writers were already familiar to me, but I’d never heard of Catherine Johnson and now I feel a pressing need to read some of her children’s books, in which she says she “made sure to put children like me [that is, mixed-race kids] right in there, riding horses, wearing those amazing frocks, and mostly having adventures, just like everyone else.”

There was plenty of book nostalgia for me to wallow in (Dr Seuss! Little Women! Trixie Belden!) and I’ve added some recommended books to my To Read list, including Tom’s Midnight Garden by Phillipa Pearce, The House on Mango Street by Sandra Cisneros and Displaced Person by Lee Harding. This book contains potted biographies of all the contributors and I was pleased to see a thorough index. The Book That Made Me is published in Australia by Walker Books and will be published in North America this year by Candlewick Press, with all royalties going to the Indigenous Literacy Foundation.

‘Autumn Term’ by Antonia Forest

After hearing a lot of praise for Antonia Forest’s Marlow books, I was happy to find a reasonably-priced copy of the first in the series, Autumn Term, originally published in 1948. I had high expectations for this book and so far, a few chapters in, I’m liking it very much – and also having a lot of thoughts about it, so I’ve decided to blog about it as I read. If you aren’t much interested in British boarding school stories, you might want to avert your gaze from Memoranda for the next little while.

Chapter One: A Knife with Sixteen Blades

'Autumn Term' by Antonia ForestSo, the story begins with twins Nicola and Lawrie Marlow, aged twelve, on a train, nervously heading off for their first ever term at school. The twins are in a compartment with their sisters, of whom there seems to be a vast number. Karen is head girl, Rowan is a netball star, Ann’s a Girl Guide Patrol Leader, Ginty is … actually, I don’t know what Ginty’s talent is, but it’s definitely not being nice to her younger sisters. Admittedly, Nicola is bouncing around, making a nuisance of herself by asking a lot of questions about school. But the twins have the huge weight of family expectations on their (identical) shoulders. They have “an awful lot to live up to”. And they are reminding me a lot of Ron Weasley …

Nicola and Lawrie go out into the train’s corridor where they meet a dark-haired girl who’s all alone, is happy to share her stash of chocolate and is quickly revealed to be the Chosen One headmistress’s niece. Tim hasn’t been to school either, but at least she has an excuse because her father is a painter who travels the world and she does speak a lot of languages. The twins, though, haven’t been to school properly because “every time we started we always caught something” (contagious diseases, Nicola means, not fish or fire). So they haven’t attended school for the past seven years because they keep getting sick? Hopefully, they’ve had lots of home tutoring, because they’re expecting to be placed into Form IIIA – not IIIB and certainly not the dreaded Third Remove, which is for utter idiots. Tim is cheerfully resigned to being put into Third Remove, but Nick and Lawrie have decided they’re not just going straight into the top form, they’re going to be credits to their family in many, many fields of endeavour:

“…first we’ve got to get into the junior netball team, so that next year Nick can be captain and me vice. And then – we’ve been Brownies at home, you know – so we’re going to pass our Tenderfoot and fly up and get our Second Class badges all in one term.”

I have a sneaking suspicion that things are not going to go as planned for the twins.

Tim goes to have a peek at the famous Marlow sisters and the twins explain there are also two Marlow brothers, one in the navy and one at Dartmouth. So that’s eight of them – Giles, Karen, Rowan, Ann, Ginty, Peter and the twins. Their father’s a commander in the navy. Presumably their mother is slumped on a chaise longue, recovering from giving birth to at least eight children in ten years. It seems a very large number of children for an upper-middle-class English family in the 1940s. Are they Catholic? Is Kingscote a Catholic school?

Anyway, back in the train corridor, chocolate is munched and confidences are shared. Tim has a horror of being “quiet and dreary” and is planning to take advantage of her relationship with her headmistress aunt at every opportunity. Lawrie has a big crush on Margaret, the games captain, who’s Karen’s best friend. (I really hope there are actual lesbians in this book, but that’s probably expecting too much.) Lawrie got a nice watch for their going-away-to-school present, but Nicola proudly displays a super-duper knife with sixteen blades. Then the train jolts and the knife flies out the window! No, it’s okay, it’s resting on a ledge. They’ll retrieve it when the train stops. Wait, the train’s going through a tunnel. And when it emerges, THE KNIFE HAS DISAPPEARED!

Chapter Two: ‘A Fine of Five Pounds…’

‘In an emergency,’ Commander Marlow was given to telling his family, ‘act at once.’ On occasion he amplified this, saying that it was also necessary to think clearly and sensibly and not act upon impulse. Nicola, however, had absorbed only the dictum that she was to act immediately.

Nicola pulls the cord, stops the train and bounds off down into the tunnel. There is general uproar on the train because no one knows what is going on. Karen, head girl, is calm and sensible until she realises Nick has vanished. Lawrie becomes unhelpfully speechless. Nicola re-appears, luckily not squashed flat by another train, and is dragged back on board by the guard and Miss Cromwell, a nasty teacher who proceeds to berate poor Karen. Then Rowan comes to her rescue. The Marlow sisters regather in their compartment. Karen has a nervous breakdown and Ginty continues to be a giant pain:

‘I must tell Peter,’ burst out Ginty irrepressibly. ‘He’s always been absolutely wild to pull a communication cord or smash one of those things that stop elevators…’

‘Be quiet, Ginty,’ snapped Karen, without looking round.

‘You needn’t bite my head off,’ retorted Ginty. ‘For once, I haven’t done a thing.’

‘Oh, Gin, for heaven’s sake,’ said Rowan. ‘Don’t talk as if you were the tomboy of the Remove. All through the holidays you kept trying to give the impression that a mild case of bounds-breaking had brought you to the edge of expulsion. I could have throttled you.’

‘There was a row,’ said Ginty indignantly. ‘An awful row. Miss Keith said –’

‘I know you went round weeping for days after whatever Miss Keith said,’ said Rowan pitilessly, ‘but that still doesn’t make you the naughtiest girl in the Fourth.’

Rowan is the best. She walks Nicola up to school (while the others take a taxi) and shares some words of wisdom with her little sister. Nicola belatedly realises she could have been killed, or worse, expelled. When they reach school, they encounter an unfriendly presence:

‘Two more of your illustrious family to bring honour to the dear old school … And one of them stopped the train, I hear. Such a clever and original way of making the Marlows conspicuous the very first day.’

It’s Malfoy! No, it’s Lois Sanger. There is clearly bad blood between her and Rowan, but what could possibly have needled easy-going, sensible Rowan? Something netball-related? Meanwhile, Miss Keith, the headmistress, ticks off Karen, then Nicola. Chastened, they head upstairs to unpack.

All the sisters except Karen are sharing a dormitory together, which seems a bit weird. Wouldn’t it be more helpful for new girls to be in a dorm with their classmates? Ginty, in addition to everything else, is UNTIDY. I’m really not seeing the point of Ginty so far, but maybe she has hidden talents. Also, each girl is permitted two framed photographs on her dressing-chest and Nicola has a portrait of Nelson and a photo of her brother Giles’s ship! Not Giles, just his ship.

Okay, so I’m wondering whether this is actually set in the late 1940s? There’s no mention of the war or rationing or Blitz damage. And if it was post-WWII, wouldn’t Nicola worship a more recent naval hero than Nelson (not that I can think of any particularly stellar performances by the British Navy during WWII, off hand). Also, where is this school? They take a ‘southern region’ train, there’s a cathedral in the town and it’s by the sea. I suppose it could be fictional, but I’m going to try and figure it out.

Malfoy Lois Sanger has the last word in this chapter, as the twins rush past her on their way downstairs to meet Tim. ‘I always feel it must be so gratifying to be a Marlow,’ she says sarcastically. I have a feeling Lois is going to cause major trouble at some stage …

Next, Chapter Three: A Form Examination.

_____

You might also be interested in reading:

‘Autumn Term’: Part Two
‘Autumn Term’: Part Three
‘Autumn Term’: Part Four
‘Autumn Term’: Part Five
‘Autumn Term’: Part Six
‘Autumn Term’: Part Seven
‘Autumn Term’: Part Eight

‘Howl’s Moving Castle’ by Diana Wynne Jones

I have had a mixed reaction to the novels of Diana Wynne Jones so far. I enjoyed Dogsbody, I thought Charmed Life was okay, I loathed Fire and Hemlock. I was also a bit put off by DWJ’s fans, some of whom display almost religious levels of devotion to her. This obliges them to not only promote her work assiduously, but also disparage anyone else who’s had the audacity to write children’s fantasy, especially if those writers manage to sell more books than their idol. (I mean, didn’t J. K. Rowling realise that Diana Wynne Jones was the only British author ever allowed to write about orphans attending magic school?)

'Howl's Moving Castle' by Diana Wynne JonesHowever, I’ve just finished Howl’s Moving Castle and finally understand what DWJ’s fans are going on about, because this book was utterly charming – funny, clever, warm-hearted and featuring some of the most endearing characters I’ve come across in children’s fantasy. The dreaded Wizard Howl, rumoured to suck the souls from innocent young girls or maybe eat their hearts, turns out to be far less evil than suspected, although with enough flaws to fill a (moving) castle. There’s also Calcifer, his adorably grumpy demon, Michael, the anxious apprentice and Sophie, the valiant heroine placed under a curse by a wicked witch. The author has a lot of fun playing with fantasy conventions – seven-league boots, magical disguises, mysterious spells, supernatural battles, kings sending magicians on dangerous quests and so on – although my favourite part was when the magical world collided with the real one. In one chapter, Sophie and Michael accompany Howl to his original home in the “land of Wales”. Sophie is baffled by the clothes (Howl dons a baggy jacket with the strange inscription “WELSH RUGBY”) and by the technology, which includes magical boxes with moving pictures, the boxes growing “on long, floppy white stalks that appeared to be rooted in the wall”. Throughout, the plot twists and turns in a very inventive and complicated manner, but it all ends as it should, with evil vanquished and the good living happily ever after.

The edition I read had some excellent illustrations by Tim Stevens (the scarecrow is especially creepy) and a lovely cover with Howl looking supernaturally handsome and his castle looming darkly in the background. But then I remembered this book was made into a much-loved animated film and went looking for the trailer and it looks TERRIBLE. The castle is all wrong! Everyone speaks American! The story looks more like a Disney princess romance than anything else! It doesn’t seem like the sort of film that even mentions “WELSH RUGBY”. However, if any of you have seen it and think it worth watching, I may give it a try. Also, if you have any recommendations for Diana Wynne Jones books that are just like Howl’s Moving Castle but nothing like Fire and Hemlock, I would be very interested to hear them.

‘Iris and the Tiger’ by Leanne Hall

Disclaimer because this is an Australian book: I don’t know the author and have no connection to the publisher.

'Iris and the Tiger' by Leanne HallI absolutely loved Leanne Hall’s Iris and the Tiger, a charming, funny story about Iris, a twelve-year-old Australian girl who is sent to stay with her eccentric Great-Aunt Ursula in Spain. Iris’s parents want Iris to ensure Ursula leaves her sprawling country estate to them, but Iris falls under the spell of Bosque de Nubes, a surrealist Wonderland with its own special type of magic and plenty of mysteries. Were her late great-uncle’s famous paintings of tennis-playing sunflowers, five-legged dogs and giant costumed insects based on his surroundings, or is life imitating art? Why is a pair of leather boots shaped like human feet following Iris around? How can her ancient aunt look so youthful? Who is trying to destroy Bosque de Nubes? And most importantly, what happened to the original Iris, painted by her husband in an enigmatic portrait that now seems to be missing a tiger?

Iris is a wonderful heroine – thoughtful, compassionate and braver than she believes. She’s helped in her quest by her new friend Jordi, the gardener’s son, who relishes the danger (“‘I think this could be a very dangerous mission.’ He looked extremely happy as he said it.”). I enjoyed watching Iris grow in confidence and understanding, and although the novel contains some familiar messages (‘Be True to Yourself’, ‘Part of Growing Up is Realising Your Parents are Flawed’, and so on), it’s all done with a light touch and plenty of humour. Iris also happens to be Chinese-Australian, which is never treated as an Issue, although there was a spot-on ‘You look so exotic, where are your family from?’ conversation, which made me laugh and groan in recognition. I also liked the imaginative setting and all the fantastical creatures (Señor Garcia and the Exquisite Corpse were particular favourites). Young readers will enjoy the magic and the adventures, although there are plenty of layers for more advanced readers to dig into (for example, involving surrealist art, the history of Spain, and women being valued as models and muses but not as artists in their own right). The Australian paperback has a gorgeous cover and some charming black-and-white illustrations (and I would love to see this republished as a glossy hardcover with colour illustrations of all the surrealist paintings). It’s been a while since I’ve read such an endearing children’s book. Highly recommended!

EDITED TO ADD: You can see some of the book’s illustrations at Sandra Eterovic’s blog.