If I were a Sensible YA Author, I’d stay well away from Goodreads reviews of my books. After all, reviews aren’t for authors; they’re for readers. Of course, I’m not a Sensible YA Author (if I was, I’d be writing about zombie mermaids, not 1930s politics), so I do occasionally visit Goodreads, where I get to read one-star reviews like this [warnings for plot spoilers and homophobia]:
“The story was interesting and engaging until the end when the author suggests the boys are lovers. WHY? For a young adult book–or any for that matter? Too bad Ms Cooper ruined the book.”
That was the entire review – and that’s a very polite, positive and coherent review, compared to some of them.
But then, there are also Goodreads reviews that are critical, yet thoughtful and entertaining, such as this one of A Brief History of Montmaray, which begins:
“Michelle Cooper is the Quentin Tarantino of young adult novels.”
Um . . . what? It turns out the reviewer isn’t referring to the gory murders in the book, but to Tarantino’s habit of wearing his influences on his sleeve. The review consists largely of complaints about the characters and the plot, but it’s smart and passionate and, most importantly, uses LOLcats to illustrate its points. I loved it.
Then the same reviewer tackles The FitzOsbornes in Exile:
“Dear sir or friend,
I am a princess in exile. My family cannot access our funds unless you, a kind American, will launder money through your bank account and send letterhead, bank statements and personal documents. Thank you for helping.
Sincerely,
the FitzOsbournes
I don’t know why they didn’t just send out a letter like this, if they needed money so bad . . .”
The review goes on to compare the plot of The FitzOsbornes in Exile to that of the recent X-Men film, and regards Simon as the Clark Gable of Montmaray. It’s absolutely hilarious. Thank you, Mariel, you made my day. Well, my morning, at least. Or part of my morning.
Now, to slightly more serious matters. Here is my blog’s Spam of the Month:
“Dude, you should be a writer. Your article is really interesting. You should do it for a living.”
Okay then, I will! Unfortunately, I’m finding ‘writing for a living’ a bit busy at the moment, so my poor blog has been neglected this month. However, in a few weeks, I will (hopefully) have handed over the manuscript of Montmaray Three (currently known as The NeverEnding Story) to my long-suffering and infinitely patient editor. Then I’ll return to my irregular – but slightly more frequent – blog posting.
In the meantime, just talk quietly amongst yourselves.
As I’ve previously mentioned, I love the North American cover of The FitzOsbornes in Exile, which features a girl in a glamorous 1930s ballgown. One of the shadowy figures in the background is a young man who seems to be smoking a cigarette, and I did wonder how long it would be before someone objected to this. Not very long at all, it turns out. A few weeks after the book was released, this US librarian commented about it on her blog:
“It’s probably a good idea when you market a book for teens that the cover image not feature things that teens can’t do – so, having someone drinking on the cover isn’t usually a good idea. Neither is smoking.”
Yes, he's smoking – but that doesn't mean YOU should smokeThe librarian was far more observant than I was, because she noticed that the cigarette in the young man’s hand had been Photoshopped out of existence – and that was before she compared the cover to the look-alike cover of Consequences of the Heart, in which the cigarette is clearly visible. I’d just assumed ‘my’ young man was holding a cigarette and that the camera angle meant the cigarette was hidden behind his fingers. It’s obvious that a white cloud is hovering next to his hand, and I imagined most people would assume he was smoking. Characters in the book smoke, so why shouldn’t characters on the cover do the same thing?
I can see why responsible adults might be concerned about this. Smoking is bad; therefore, we should make sure that all images of smoking are unappealing, especially if they’re going to be seen by impressionable teenagers. The question is whether art and literature should be censored to achieve a social aim, and whether such censorship is actually effective in achieving those aims.
I should say here that I’ve never smoked. I loathe the smell of cigarettes and I wish everyone in the world, but especially people in my apartment building, would stop smoking. I also worked as a speech pathologist for fifteen years and not many speech pathologists smoke, because we have a very clear understanding of the awful health problems caused by smoking (and those dissected tar-soaked lungs they insisted on showing us during our university anatomy lessons were fairly off-putting, too).
However, I also write historical novels, which I try to make as realistic as possible, and the fact is, attitudes to smoking were quite different in the past. I’ve seen 1930s advertisements in which ‘doctors’ solemnly claimed that a certain brand of cigarette was a healthy way to relieve stress. No one knew about lung cancer or laryngeal cancer or heart disease then. (Actually, some of the first research into the health dangers of smoking was carried out by a Nazi doctor on the orders of Hitler, a non-smoker). In 1930s England, most men smoked some form of tobacco, and ladies who wished to be thought of as ‘sophisticated’ carried around little silver cases of cigarettes. And is there a photograph in existence of Winston Churchill without his cigar?
It would be ridiculous if none of the dozens of characters in The FitzOsbornes in Exile smoked, but I did think carefully about who would smoke. Of the young characters, Sophie and Veronica are too well brought up (and impoverished) to have developed a cigarette habit. Julia, despite her sophistication, is never seen smoking. Rupert’s health problems preclude him taking up smoking. Daniel either doesn’t have the money to buy cigarettes, or doesn’t want to support capitalist tobacco companies. The only main characters identified as smokers are Toby, who mentions cadging cigarettes at the beginning of the first Montmaray book, and Simon, who’s occasionally seen lighting the cigarette of a woman he’s trying to seduce. I don’t think either of these characters could be regarded as good role models for teenagers. Toby has a perpetual hangover and gets expelled from a series of educational institutions, while Simon’s morals are ambiguous, to put it generously. I don’t think any non-smoking teenager is going to read The FitzOsbornes in Exile and think, “Gosh, I want to be just like Toby and Simon! I’m going to start smoking!”
Come to think of it, even the ‘good’ FitzOsbornes behave in ways that are not terribly healthy. They speed around the countryside in a sports car while not wearing seatbelts, eat pastries laden with refined sugar and full-fat cream, and taunt Nazis from the windows of slow-moving trains. But I really don’t think my readers are going to emulate any of those behaviours. (Apart from eating cakes – and I’m sure my readers would consume them in moderation and then incorporate an appropriate amount of exercise into their daily routines.)
However, is it possible that teenagers might see the cover of The FitzOsbornes in Exile in a school library or a bookshop, and, not having read the book, start to think, “Smoking is cool”? Yes, it’s possible. They could also get the same idea from watching Humphrey Bogart and Lauren Bacall in The Big Sleep, or from viewing any number of modern films. It’s far more likely they’d be influenced by the attitudes of their friends and family.
So, I have to say to teenagers: if you’re reading this and you’re tempted in any way, for whatever reason, to start smoking, DON’T DO IT! SMOKING IS BAD FOR YOU!
You’re allowed to read my books, though, if you really want.
Look at this beautiful cover for the new UK paperback edition of Consequences of the Heart by Peter Cunningham. There’s something strangely familiar about it . . .
'Consequences of the Heart' by Peter Cunningham, UK paperback, released in May, 2011
But it’s just one of those odd coincidences of publishing, that two book designers on opposite sides of the world would decide to use the same obscure 1930s photograph. It seems to happen fairly often. The Peter Cunningham book comes out next month, and sounds really interesting.
I must admit, though, that I prefer The FitzOsbornes in Exile cover, because it cuts out the dorky guy with the moustache, crouching on the floor. Also, that poor girl looks most uncomfortable, perched on the end of that sofa. In ‘my’ cover, she simply looked enigmatic.
Thank you to Daisy, whose comment at The Story Siren initially prompted me to investigate this. And by ‘investigate’, I mean, ‘spend sixty seconds on Google’. Or possibly slightly more than sixty seconds. How distracting is that adorable Earth Day Google Doodle, with the ticklish pandas and the koala climbing the tree and the bear eating the salmon? Very, very distracting!
In other news, The FitzOsbornes in Exile has received a starred review from Kirkus. Vicky Smith from Kirkus then asked me some thoughtful questions about the book and I did my best to answer them. The Australian edition has also been shortlisted for the 2011 Ethel Turner Prize for Young People’s Literature and was named a Notable Book for Older Readers in the 2011 Children’s Book Council of Australia awards. Congratulations to all the Australian authors whose books were shortlisted or named as notable books in these awards! You’re all awesome!
I promise my next blog post will not mention the words ‘FitzOsbornes’ or ‘Exile’.
Hooray! The FitzOsbornes in Exile, the second book in The Montmaray Journals trilogy, has just been released in North America! Hundreds of copies of hardcovers, e-books and audiobooks are sneaking their way into bookshops and libraries as you read this . . .
There has been some discussion over whether The FitzOsbornes in Exile is a stand-alone “companion” (as it’s described on the inside jacket) to A Brief History of Montmaray, or a sequel (implied on the front cover, which says “The Montmaray Journals, Book II”). Of course, readers can read The FitzOsbornes in Exile by itself, but I think it makes more sense if you’ve read the first book in the series. There are quite a lot of characters, and it helps to know something about their histories and relationships. However, at least one reviewer enjoyed the second book without having read the first. On the other hand, she read the Australian edition, which includes a two-page summary of the first book (the American edition has only a one-sentence summary of the first book). I’m hardly a good person to ask about this. Are there any readers with any advice on this?
Thank you to everyone who entered the Montmaray contest, and provided such thoughtful, creative and entertaining suggestions for casting the (imaginary) film version of the book. Congratulations to Gwenyth, Chelsea and Divya, who’ve won copies of A Brief History of Montmaray. To everyone who entered and didn’t win this time, don’t despair! I’ll give away some more books this year. If you’re quick, you may also be able to enter the latest Adventures in Children’s Publishing give-away, which includes copies of both A Brief History of Montmaray and The FitzOsbornes in Exile.
