‘The Book That Made Me’, edited by Judith Ridge

Disclaimer: I’m acquainted with several of the people involved with the creation of this book. But I wouldn’t be writing about it here if I didn’t like it – I’d just pretend I hadn’t read it.

'The Book That Made Me' edited by Judith RidgeThe Book That Made Me is an interesting collection of personal stories by thirty-one authors and artists (mostly Australian, mostly writers for children and teenagers) about the books that “made them” – made them think, feel, laugh, made them want to create their own books. As with most anthologies, there’s a wide variety of pieces and I found some more compelling than others. Shaun Tan contributes a thoughtful essay about books that disturbed him, starting at the age of seven or eight with his mother reading him Animal Farm as a bedtime story, under the mistaken impression that it would be a charming fairytale (he decided it was “no more disturbing than stuff I witnessed at school each day”). His charming, whimsical illustrations can also be found throughout the book.

Other favourite pieces were those which had something in common with my own experiences. Simmone Howell writes about how she tried (and failed) to become a proper teenager using the wisdom contained in the Sweet Dreams and Sweet Valley High series. Catherine Johnson explains how she “never expected to see [herself] in a book … everyone back then knew only white people lived in books and had adventures”. Jaclyn Moriarty discovered, aged six, how her secret rage at the injustices of life had been transformed into a book called The Magic Finger. I also enjoyed Fiona Wood’s discussion of the helpful life lessons contained in Anne of Green Gables; Emily Maguire’s description of how Edith in Grand Days encouraged her to take risks and celebrate her teenage mistakes; and Julia Lawrinson’s entertaining account of her obsessive identification with Laura Ingalls Wilder. Most of these writers were already familiar to me, but I’d never heard of Catherine Johnson and now I feel a pressing need to read some of her children’s books, in which she says she “made sure to put children like me [that is, mixed-race kids] right in there, riding horses, wearing those amazing frocks, and mostly having adventures, just like everyone else.”

There was plenty of book nostalgia for me to wallow in (Dr Seuss! Little Women! Trixie Belden!) and I’ve added some recommended books to my To Read list, including Tom’s Midnight Garden by Phillipa Pearce, The House on Mango Street by Sandra Cisneros and Displaced Person by Lee Harding. This book contains potted biographies of all the contributors and I was pleased to see a thorough index. The Book That Made Me is published in Australia by Walker Books and will be published in North America this year by Candlewick Press, with all royalties going to the Indigenous Literacy Foundation.

My Favourite Books of 2016

It’s not quite the end of the year, but here are the books I’ve read in 2016 (so far) that I loved the most. But first, some statistics.

I only read 46 new books this year (new to me, that is), fewer than I usually read. This was partly because I was studying for most of the year, plus I’d started a new job, both of which took up lots of mental energy. I also read a great deal of (mostly depressing) political news in newspapers, magazines and blogs. So when I wasn’t doing that, I escaped into the comfort of old favourites from my bookshelves, including a dozen of Ruth Prawer Jhabvala’s books and a re-read of all the Rivers of London novels in preparation for the release of Book Six in that series.

So, what type of new books did I read this year?

Type of books 2016

Author nationality for books read in 2016

It was the year of British literature, it seems.

Author gender for books read in 2016

And women writers dominate, yet again.

Now for my favourites.

My Favourite Adult Fiction

My favourite novels this year included Breakfast with the Nikolides by Rumer Godden, Olive Kitteridge by Elizabeth Strout, Slade House by David Mitchell and the latest installment of the Rivers of London series, The Hanging Tree by Ben Aaronovitch.

My Favourite Non-Fiction

It was non-fiction that really captured my interest this year. Favourites included The Genius of Birds by Jennifer Ackerman, Bird By Bird: Some Instructions on Writing and Life by Anne Lamott, Party Animals: My Family and Other Communists by David Aaronovitch, and two of Bill Bryson’s books, At Home: A Short History of Private Life and The Road to Little Dribbling. I’m only halfway through Stalin Ate My Homework by Alexei Sayle, but I’m really enjoying it so far. However, my absolute favourite of the year was Cordelia Fine’s Delusions of Gender, a brilliantly incisive yet accessible discussion of neurocognitive research into sex differences, which I realise I didn’t actually review on this blog because I was too busy writing assignments at the time. I will try to remedy that at some stage in the near future, but in the meantime, here’s a good review.

My Favourite Books for Children and Teenagers

I loved Iris and the Tiger by Leanne Hall and Howl’s Moving Castle by Diana Wynne Jones. I was also beguiled by the first book in Antonia Forest’s Marlow series, Autumn Term.

My Favourite Picture Books and Graphic Novels

I was entertained (and occasionally enraged) by a collection of First Dog on the Moon’s political cartoons, A Treasury of Cartoons. I also enjoyed Night Witch, a graphic novel in the Rivers of London series, by Ben Aaronovitch, Andrew Cartmel, Lee Sullivan and others (although it wasn’t as good as the prose novels).

Thank you to everyone who contributed to Memoranda in 2016. I hope you’ve all had a good reading year and that 2017 brings you lots of inspiring, informative and entertaining books. Happy holidays!

More favourite books:

Favourite Books of 2010
Favourite Books of 2011
Favourite Books of 2012
Favourite Books of 2013
Favourite Books of 2014
Favourite Books of 2015

Miscellaneous Memoranda

John Banville provoked a lot of responses, most of them derisive, when he said in an interview about his new memoir, ‘I was not a good father. I don’t think any writer is.’ As Joanne Harris said, ‘Not only is Banville’s claim ludicrous, it reinforces the myth that women can’t be Proper Writers because of all the Caring they have to do.’ I especially liked Julian Gough’s response in The Irish Times, which discusses the ‘historical cultural catastrophe’ that bent many Irish men ‘brutally out of shape’ but expresses hope about the new generation of male writers.

I also enjoyed this article by Matthew Gallaway, in which six writers discuss book covers and blurbs in an very entertaining fashion, and this short piece by Christie Nieman on the joys of ‘quiet’ Young Adult novels.

In more depressing news, Stealing Books in the Age of Self-Publishing explains that “in the world of self-publishing, where anyone can put a document on Amazon and call it a book, many writers are seeing their work being appropriated without their permission”, with enterprising plagiarists getting rich and escaping punishment. And even if you don’t get plagiarised, there are plenty of other “spiky little soul-destroying aspects of the business” of literature, says Krissy Kneen, who is suffering from Mid-Career Malaise.

This is probably an appropriate place to quote NOT A WOLF, who is definitely not a wolf pretending to be a man:

@SICK OF WOLVES

However, there are hopes that the new Australian Senate will refuse to pass the government’s proposed legislation to abolish territorial copyright.

And if you’re in a French railway station, you now have easy access to stories via vending machines that ‘dispense short stories printed on paper — for free — with passengers able to choose a story of either one, three or five “minutes” in length’.

National Bookshop Day 2016

'Love your bookshop 2016' logo

Fellow Australians1, it’s National Bookshop Day this Saturday!

This celebration of our nation’s bookshops is especially important this year because the Australian Booksellers Association is one of the organisations campaigning against our government’s proposed changes to Australian copyright laws:

“That’s why this year the National Bookshop Day celebrations will coincide with the release of #SaveOzStories. Published by Melbourne University Press, #SaveOzStories is a collection of some of Australia’s finest authors writing about the threat the removal of PIRs poses to our local writing culture. #SaveOzStories will be available for free at all good bookshops on Saturday 13 August.”

That’s right, a free book, full of contributions from your favourite Australian writers. There’ll also be lots of cool events at bookshops around the country. For more information, see Love Your Bookshop on Facebook and NatBookshopDay on Twitter.

'Save Oz Stories'

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  1. If you’re not Australian, you are still allowed to visit a bookshop this Saturday. Especially if you’re planning to buy one of my books.

Miscellaneous Memoranda

– There’s a great interview with E.B. White in this 1969 edition of The Paris Review, which includes his thoughts on writing for children:

“Anyone who writes down to children is simply wasting his time. You have to write up, not down. Children are demanding. They are the most attentive, curious, eager, observant, sensitive, quick, and generally congenial readers on earth. They accept, almost without question, anything you present them with, as long as it is presented honestly, fearlessly, and clearly. I handed them, against the advice of experts, a mouse-boy, and they accepted it without a quiver. In ‘Charlotte’s Web’, I gave them a literate spider, and they took that.”

– I was also interested in this article at The Guardian about a new exhibition of Soviet-era children’s books. “The idea was to abolish fantasy literature and illustration because they were seen as bourgeois and unhelpful to the revolution,” says Olivia Ahmad, the curator of the exhibition:

“In one cautionary tale called ‘Ice Cream’, by writer Samuil Marshak and illustrator Vladimir Lebvedev, a bourgeois capitalist eats too much ice cream and freezes to death. In ‘Red Neck’, a poem by Nicolia Aseev, a faithful Young Pioneer (the Soviet youth group) refuses to take off his red neckerchief even when attacked by a raging bull, thus demonstrating doughty revolutionary commitment even in the face of an unpleasant goring.”

The Guardian is also running a series about recipes for fictional food, including strawberry and peanut butter ice cream from Harry Potter and the Chamber of Secrets and raspberry cordial from Anne of Green Gables. I also liked this blog post at Pop Goes The Page about a DIY Harry Potter party, complete with Hogwarts letters, house banners, snowy owl balloons, floating candles and of course, pumpkin pasties, chocolate frogs and butterbeer.

– From the world of publishing, here’s a depressingly accurate article about how authors who are “hard to look at” (that is, not conventionally attractive) are less likely to find a publisher for their work. This only applies to women writers, of course (as one commenter notes, “Only one name is needed to mention here: George R. R. Martin”). And here’s an essay by a New Zealand editor, Stephen Stratford, entitled “The book didn’t sell and yes, I was mean-spirited enough to rejoice”: An essay on the dark arts of book editing.

Copyright protection for creators has been in my thoughts lately, so I was interested to read this discussion of the “Monkey Selfie” case, in which a US judge eventually ruled that “a non-human was not capable of owning copyright under current US law”. (It is a great photo, though.)

– Finally, for those students feeling stressed about school and exams, “one Canberra school has invited a local kitten rescue to bring cats into the classroom in a unique bid to mitigate pre-exam anxiety”.

'The Globe kittens' by Ernest J Rowley (1902)