Five Books, Five Songs: Doing the Lambeth Walk

“We play a different way
Not like you, but a bit more gay . . .”

Poor Sophie and her family have a lot to contend with in The FitzOsbornes in Exile, what with governesses trying to turn them into young ladies and aunts trying to marry them off to vile bachelors and assassins trying to shoot them. It’s a good thing they have Julia to distract them from their worries. For instance, she tells the FitzOsbornes all about Me and My Girl, which she has just seen in the West End, and then she teaches them her favourite song and dance from the show. Here’s a clip from a more recent Broadway production, starring Robert Lindsay as Bill, the Cockney barrow boy who shows the Mayfair toffs how to do the Lambeth Walk.

More in Five Books, Five Songs:

1. The Rage of SheepHester’s Request
2. A Brief History of MontmarayThe Sea Is Writhing Now
3. The FitzOsbornes in Exile – Doing The Lambeth Walk
4. The FitzOsbornes at WarWe’ll Meet Again
5. The Work-in-Progress – Through The Large Four-Chambered Heart

Five Books, Five Songs: The Sea Is Writhing Now

“Under the water, I saw it lying there
Creamy skin, lots of flowing golden hair
It was alive, that I know
I saw it gesture to me with the ebb and the flow . . .”

'Ophelia' (1895) by Paul Albert Steck

If you’ve read A Brief History of Montmaray, those lyrics might bring to mind a certain spooky scene (actually, several spooky scenes) in the book, especially if you replace “golden hair” with “raven hair”. The lines are from a beautiful and haunting song called From A Million Miles by Single Gun Theory.

I’m not sure how well-known Single Gun Theory is outside Australia (not that the band was ever terribly famous within Australia), but apparently their music has featured in several films and television series. If you like the dreamy, ethereal sound of From A Million Miles, you will probably enjoy Like Stars In My Hands, the 1991 album featuring that song, and their subsequent album, Flow, River Of My Soul. Single Gun Theory hasn’t produced an album since 1994, but lead vocalist Jacqui Hunt released her debut solo album a few years ago.

More in Five Books, Five Songs:

1. The Rage of SheepHester’s Request
2. A Brief History of Montmaray – The Sea Is Writhing Now
3. The FitzOsbornes in ExileDoing The Lambeth Walk
4. The FitzOsbornes at WarWe’ll Meet Again
5. The Work-in-Progress – Through The Large Four-Chambered Heart

Five Books, Five Songs: Hester’s Request

A couple of weeks ago, Genevieve asked me a good question about the FitzOsbornes’ tastes in music, which got me thinking about all the musical references in my books. Here’s the result – five blog posts, each featuring a book I’ve written (or am writing) and a song connected with that book.

Today, I’m going to talk about the most music-filled book I’ve written, The Rage of Sheep, which features dozens of references to 1980s pop music. How can I possibly choose just one song from that book?

Well, at first I thought it would have to be Sheep Go To Heaven by Cake, because two lines from that song appeared as an epigraph in the novel’s initial draft. However, my editors pointed out that quoting lyrics from songs was not a good idea because a) it usually takes ages to track down a song’s copyright holder, which is usually a music publishing company, and b) they usually refuse permission to quote their lyrics unless you agree to pay them thousands of dollars. As I didn’t have the time, energy or money for any of that, I confined my epigraph to a quote from a long-dead writer whose work was out of copyright1. Sheep Go To Heaven is a great song, but it’s not actually in the finished novel.

That’s why I decided on one of the songs that appears in the final chapter of The Rage of Sheep. You know how lots of YA books with a high school setting end with a school dance, and the dorky heroine turns up looking unexpectedly beautiful in a new dress, and the popular guy suddenly realises she’s his One True Love (or else, the heroine suddenly realises her best friend has been her One True Love all along) and all the popular girls realise how mean they’ve been and embrace the heroine, and she forgives them, and the scene ends with them all linking hands and dancing in a big, happy circle? Well, none of that happens at the end of The Rage of Sheep, except it does involve a school dance2. And the DJ does play Hester’s favourite song, which is also (by a remarkable coincidence!) one of my own favourite songs. It’s pretty hard to dance to it, but the lyrics are a wonderful mix of gloom and joy, hope and cynicism, sheer nonsense and deep meaning. It’s by XTC and it’s called Senses Working Overtime.

More in Five Books, Five Songs:

1. The Rage of Sheep – Hester’s Request
2. A Brief History of MontmarayThe Sea Is Writhing Now
3. The FitzOsbornes in ExileDoing The Lambeth Walk
4. The FitzOsbornes at WarWe’ll Meet Again
5. The Work-in-Progress – Through The Large Four-Chambered Heart

_____

  1. It was James Whistler. If you want to know what he said, you’ll have to read The Rage of Sheep.
  2. By the way, the most memorable scene in a YA novel involving a school dance? The climax of Dreamrider, by Barry Jonsberg.

My 2013 Writing Resolution

It was only last year that I finally started to think of myself as a ‘writer’ but ironically, 2012 was the year in which I did very little writing. Oh, I wrote plenty of blog posts, here at Memoranda and in various other places; I finished editing one book and did mountains of research for my next book; I even wrote a short story. But I didn’t actually do any novel writing, and that’s a problem, because novel writing is the only writing that has ever earned me any money (not very much money, admittedly, but some). Then I realised that I hadn’t made any writing resolutions at the start of 2012. Well, no wonder I didn’t achieve anything! So, here is my writing resolution for 2013. I am going to try to turn this pile of research notes

research folders

into a novel. Then, hopefully, someone will want to publish it. I am not feeling wildly optimistic about either of these two things, but still, there’s my writing resolution for 2013.

For those of you who were more productive in 2012 than I was and already have a finished YA manuscript, you may be interested in Hardie Grant Egmont’s Ampersand Project. They are looking for debut YA manuscripts, with submissions closing on January 31st, 2013. (I love that they felt the need to specify that manuscripts be submitted in “readable typeface . . . No Comic Sans or Monotype Corsiva, please.”) Best of luck to those sending off manuscripts in 2013, and a happy new year to you all.

Book Banned, Author Bemused

I’ve previously written about my books being edited so that the vocabulary, punctuation and spelling make sense to overseas readers. However, I didn’t mention another issue, which is that different countries often have very different cultural values. Contrast, for example, attitudes (and legislation) in Australia and the United States regarding gun ownership, capital punishment and universal healthcare. And also, book banning.

'The FitzOsbornes at War' North American editionEarlier this year, I was interviewed by Magpies (an Australian journal about literature for children and teenagers) and was asked about the reaction of US readers to the epilogue of The FitzOsbornes at War. As the book hadn’t yet been released in the US, I talked about reactions to the previous two books. I said I’d always expected some US reviewers and readers would object to my gay and bisexual characters, but that I’d been surprised by some of the things they’d also deemed ‘controversial’ – for example, that some of my characters were atheists or socialists, that not all of the married couples were happily married, and that there was a brief discussion of contraception. One US reviewer of The FitzOsbornes in Exile complained at length about the “sketchy moral questions that permeate the book” and hoped that there’d be some signs of moral improvement in Book Three. Um . . . well, not really.

But I suppose it depends on how you define ‘moral’. I think The FitzOsbornes at War is all about morality, but I quite understand that some readers won’t approve of some of the characters’ actions. It’s a novel full of conflict and drama and people in extreme circumstances making difficult (and occasionally stupid) decisions. But reading about characters doing things that you regard as against your own personal moral code is not the same as doing those things yourself. For instance, teenagers reading about a gay character will not suddenly turn gay (unless they already are gay, in which case what they read will make no difference to who they are, but might possibly make them feel less alone). Will reading about such ‘immoral’ behaviour make the behaviours seem more ‘normal’, more ‘acceptable’? Well, maybe. The US librarian who’s pulled The FitzOsbornes at War off her library shelves certainly seems to think so.

Note: Sorry, I’m going to have to include plot spoilers for The FitzOsbornes at War here. If you haven’t read the book but are planning to read it, you might want to skip the next seven paragraphs of this post.

I’m not going to link to the librarian’s review, because I don’t want anyone to go over there and hassle her. (Not that you would – I know the people who regularly visit this blog are always respectful and courteous, even when they disagree with a post – but just in case someone else does.) Still, I found the librarian’s reasons for removing the book really interesting, so I would like to quote from her review, which awarded the book one star out of five:

“Does it not bother anyone that this novel seems to have characters that are entirely amoral? I was wondering whether to overlook the PG13 content and language because of the educational aspects of this well researched historical fiction World War II novel, but really–I just have to wonder about everyone being okay with the gay king living with his wife and his wife’s lover and their children in happy wedded bliss (This was a recommended book in the Parent’s Choice awards!)…Sorry this one is not staying at our library.”

Firstly, as far as I know, the book isn’t recommended in the Parents’ Choice awards. A Brief History of Montmaray was, several years ago, but The FitzOsbornes at War hasn’t been.

Secondly, is it just me or does it read as though it’s okay to have a gay character in a book, but only if he’s utterly miserable? Heaven forbid that gay people and their children could ever live in “happy wedded bliss”, either in books or in real life. Oh, wait, some people’s version of heaven does forbid it . . .

Thirdly, if the “content and language” is regarded by the librarian as PG13, doesn’t that mean that this book should be okay to shelve in the Young Adult fiction section? Shouldn’t it be suitable for readers over thirteen, with some parental guidance if necessary? Can’t teenage readers and their parents decide for themselves whether they want to read this book?

Fourthly, does this librarian truly believe the characters in The FitzOsbornes at War are “entirely amoral”? The word ‘amoral’ doesn’t mean ‘disagrees with my own moral values’. It refers to someone who has no understanding of morality, no sense of right and wrong. I’m assuming the librarian is referring to Toby, Julia and Simon, given the reference to the “gay king” and his family (although, who knows, perhaps Veronica and Sophie are included in the condemnation, for having had sexual experiences outside marriage). Really, these characters are “amoral”? In a novel that also contains Hitler, Stalin and Franco? So, should all books with amoral characters be banned from libraries? I’m guessing that particular library doesn’t have a copy of Richard III or Macbeth, either. (Not that I’m for one moment suggesting that my novels approach the literary quality of the works of William Shakespeare. But it seems ‘literary quality’ isn’t a factor in determining which books are stocked at this library, anyway.)

(Fifthly, and quite irrelevantly, did the librarian really describe Simon as the “wife’s lover”? Poor Toby! You’d think he’d have more of a claim as Simon’s lover than Julia, after all those years.)

This is where the cultural difference thing comes in, because I am trying, and failing, to imagine a librarian in an Australian public library taking The FitzOsbornes at War off her library’s shelves – not because a library patron had complained, but because the librarian herself thought the book ‘amoral’. Australia has a long history of banning books, but it would be very unusual for a book in an Australian public library to be challenged or banned nowadays, particularly if the only objection to the book was that it contained a gay character who was happy.

Still, I’m in pretty good company. Here are some of the books that were most frequently banned or challenged in US libraries between 2000 and 2009:

The Harry Potter series by J. K. Rowling
Of Mice and Men by John Steinbeck
His Dark Materials series by Philip Pullman
To Kill A Mockingbird by Harper Lee
The Giver by Lois Lowry
Bridge To Terabithia by Katherine Paterson
Beloved by Toni Morrison
The Handmaid’s Tale by Margaret Atwood
A Wrinkle in Time by Madeline L’Engle
The House of the Spirits by Isabel Allende
Fahrenheit 451 by Ray Bradbury

Fahrenheit 451? Seriously, a novel about books being outlawed in America is on the US banned books list? I can only shake my head and turn to John Stuart Mill, who’s quoted on the American Library Association’s website:

“. . . But the peculiar evil of silencing the expression of an opinion is, that it is robbing the human race; posterity as well as the existing generation; those who dissent from the opinion, still more than those who hold it. If the opinion is right, they are deprived of the opportunity of exchanging error for truth: if wrong, they lose, what is almost as great a benefit, the clearer perception and livelier impression of truth, produced by its collision with error.”