‘The Book That Made Me’, edited by Judith Ridge

Disclaimer: I’m acquainted with several of the people involved with the creation of this book. But I wouldn’t be writing about it here if I didn’t like it – I’d just pretend I hadn’t read it.

'The Book That Made Me' edited by Judith RidgeThe Book That Made Me is an interesting collection of personal stories by thirty-one authors and artists (mostly Australian, mostly writers for children and teenagers) about the books that “made them” – made them think, feel, laugh, made them want to create their own books. As with most anthologies, there’s a wide variety of pieces and I found some more compelling than others. Shaun Tan contributes a thoughtful essay about books that disturbed him, starting at the age of seven or eight with his mother reading him Animal Farm as a bedtime story, under the mistaken impression that it would be a charming fairytale (he decided it was “no more disturbing than stuff I witnessed at school each day”). His charming, whimsical illustrations can also be found throughout the book.

Other favourite pieces were those which had something in common with my own experiences. Simmone Howell writes about how she tried (and failed) to become a proper teenager using the wisdom contained in the Sweet Dreams and Sweet Valley High series. Catherine Johnson explains how she “never expected to see [herself] in a book … everyone back then knew only white people lived in books and had adventures”. Jaclyn Moriarty discovered, aged six, how her secret rage at the injustices of life had been transformed into a book called The Magic Finger. I also enjoyed Fiona Wood’s discussion of the helpful life lessons contained in Anne of Green Gables; Emily Maguire’s description of how Edith in Grand Days encouraged her to take risks and celebrate her teenage mistakes; and Julia Lawrinson’s entertaining account of her obsessive identification with Laura Ingalls Wilder. Most of these writers were already familiar to me, but I’d never heard of Catherine Johnson and now I feel a pressing need to read some of her children’s books, in which she says she “made sure to put children like me [that is, mixed-race kids] right in there, riding horses, wearing those amazing frocks, and mostly having adventures, just like everyone else.”

There was plenty of book nostalgia for me to wallow in (Dr Seuss! Little Women! Trixie Belden!) and I’ve added some recommended books to my To Read list, including Tom’s Midnight Garden by Phillipa Pearce, The House on Mango Street by Sandra Cisneros and Displaced Person by Lee Harding. This book contains potted biographies of all the contributors and I was pleased to see a thorough index. The Book That Made Me is published in Australia by Walker Books and will be published in North America this year by Candlewick Press, with all royalties going to the Indigenous Literacy Foundation.

My Favourite Books of 2016

It’s not quite the end of the year, but here are the books I’ve read in 2016 (so far) that I loved the most. But first, some statistics.

I only read 46 new books this year (new to me, that is), fewer than I usually read. This was partly because I was studying for most of the year, plus I’d started a new job, both of which took up lots of mental energy. I also read a great deal of (mostly depressing) political news in newspapers, magazines and blogs. So when I wasn’t doing that, I escaped into the comfort of old favourites from my bookshelves, including a dozen of Ruth Prawer Jhabvala’s books and a re-read of all the Rivers of London novels in preparation for the release of Book Six in that series.

So, what type of new books did I read this year?

Type of books 2016

Author nationality for books read in 2016

It was the year of British literature, it seems.

Author gender for books read in 2016

And women writers dominate, yet again.

Now for my favourites.

My Favourite Adult Fiction

My favourite novels this year included Breakfast with the Nikolides by Rumer Godden, Olive Kitteridge by Elizabeth Strout, Slade House by David Mitchell and the latest installment of the Rivers of London series, The Hanging Tree by Ben Aaronovitch.

My Favourite Non-Fiction

It was non-fiction that really captured my interest this year. Favourites included The Genius of Birds by Jennifer Ackerman, Bird By Bird: Some Instructions on Writing and Life by Anne Lamott, Party Animals: My Family and Other Communists by David Aaronovitch, and two of Bill Bryson’s books, At Home: A Short History of Private Life and The Road to Little Dribbling. I’m only halfway through Stalin Ate My Homework by Alexei Sayle, but I’m really enjoying it so far. However, my absolute favourite of the year was Cordelia Fine’s Delusions of Gender, a brilliantly incisive yet accessible discussion of neurocognitive research into sex differences, which I realise I didn’t actually review on this blog because I was too busy writing assignments at the time. I will try to remedy that at some stage in the near future, but in the meantime, here’s a good review.

My Favourite Books for Children and Teenagers

I loved Iris and the Tiger by Leanne Hall and Howl’s Moving Castle by Diana Wynne Jones. I was also beguiled by the first book in Antonia Forest’s Marlow series, Autumn Term.

My Favourite Picture Books and Graphic Novels

I was entertained (and occasionally enraged) by a collection of First Dog on the Moon’s political cartoons, A Treasury of Cartoons. I also enjoyed Night Witch, a graphic novel in the Rivers of London series, by Ben Aaronovitch, Andrew Cartmel, Lee Sullivan and others (although it wasn’t as good as the prose novels).

Thank you to everyone who contributed to Memoranda in 2016. I hope you’ve all had a good reading year and that 2017 brings you lots of inspiring, informative and entertaining books. Happy holidays!

More favourite books:

Favourite Books of 2010
Favourite Books of 2011
Favourite Books of 2012
Favourite Books of 2013
Favourite Books of 2014
Favourite Books of 2015

What I’ve Been Reading: Some Really, Really Annoying Books, Plus One Enjoyable Book

'Black Swan Green' by David MitchellI’m not going to write about the really, really annoying books I’ve just read (even though I have many thoughts about them) because those authors don’t deserve any more publicity. However, I did enjoy Black Swan Green by David Mitchell. This novel, apparently semi-autobiographical, describes a year in the life of thirteen-year-old Jason, who lives in a small village in Worcestershire, England in 1982. As Margaret Thatcher revels in the carnage of the Falklands War, Jason concentrates on his own struggle for survival. At home, his father is angry and often absent, his mother is lonely and frustrated, and his sister Julia, an inconstant ally, is about to leave for university. At school, Jason is bullied for being clever, sensitive and worst of all, a stammerer. He spends a great deal of time and energy hiding his true self, engaging in stupid and self-destructive stunts in (mostly futile) attempts to show how “hard” he is. There are innumerable ridiculous rules about how boys in his community need to behave in order to avoid that dreaded label, “gay”. Pretty much anything Jason enjoys in life, including being friends with girls, is “gay” and is punished with social exclusion and outright violence. Even some of his teachers join in with the harassment. Fortunately, Jason is resourceful, gathers up some courage and a few supporters, and manages to engineer some sort of victory by the end.

The novel is supposedly written by clueless thirteen-year-old Jason, although the insights revealed often sound more like an adult narrator looking back on his childhood. At times, I was also irritated by the author’s decision to use a combination of teenage-speak and a very obtrusive form of contractions:

“School corridors’re sort of sinister during classtime. The noisiest spaces’re now the silentest.”

Even worse was when Jason lapsed into poetry:

“Autumn’s fungussy, berries’re manky, leaves’re rusting, V’s of long-distance birds’re crossing the sky, evenings’re smoky, nights’re cold, autumn’s nearly dead.”

But I enjoyed Jason’s thoughts about his development as a writer (“If you show someone something you’ve written, you give them a sharpened stake, lie down in your coffin, and say ‘When you’re ready.’”). And readers who can remember the 1980s will enjoy all the pop culture references and the jokes (for instance, listening to “that ace song, ‘Olive’s Salami’ by Elvis Costello” and getting a Betamax video recorder because “VHS’s going extinct”). While the plot’s predictable for anyone who’s ever read any Young Adult fiction, Black Swan Green is an entertaining and often moving story – Adrian Mole rewritten as Serious Literature.

Miscellaneous Memoranda

Or, A Collection of Book-Related Links That Caught My Attention But That I Never Got Around To Writing Blog Posts About.

– And yes, I know I ended that sentence with a preposition and started this sentence with a conjunction. At least I have a better understanding of punctuation than these cake decorators. Not all Cakes are Wrecks, though – look at these amazing book-related cakes.

– Here’s a fascinating (if you’re a traditionally-published author) post by Sherwood Smith and Rachel Manija Brown about why they decided to self-publish the second book in their Change series, after Viking published the first book. It says so much about how the publishing industry works these days. (Incidentally, the manuscript of the first book in the series started off that GayYA thing.)

– And here’s an article by Sally Nicholls about why it isn’t always necessary to kill off the characters’ parents in children’s books. (It does make plotting exciting adventures much easier, though.)

– I have no interest in reading Go Set a Watchman, partly because I don’t feel the need to read the unedited first draft of a novel that I’ve already read and enjoyed, but also because I have doubts about whether Harper Lee has given her consent for it to be published. Has anyone else read it? What did you think?

– Speaking of which, what is going on with the book bestseller lists at the moment? Last week, the Sydney Morning Herald’s top ten bestseller list consisted of the previously-mentioned unedited first draft of To Kill A Mockingbird, four of the Treehouse books by Andy Griffiths and FIVE colouring-in books! Now, I have nothing against Andy Griffiths – his books may not be my cup of tea, but he’s brought a lot of laughter and excitement to a lot of child readers. But colouring books? Why are they being counted?

– However, I do approve of this – a lot of people tweeting about what Young Adult books would look like if the books were Very Realistic.

– I also liked (possibly not the right word) this article by Annabel Crabb about a man who wrote her a detailed letter criticising her latest book, even though he hadn’t actually bothered to read the book. It reminded me of the time I was doing a book signing at an English teachers’ conference and two separate men came up to berate me for having the nerve to publish my book as a ‘Vintage Classic’, when my book was clearly not Classic Literature. Not that they’d read the book. (Not that I’d had any say in that book being republished under the Vintage Classics imprint, anyway.)

– Although if they had read my books, they probably would have objected to them anyway, because the books are full of princesses. Princesses doing girly, princessy things like buying ball gowns and learning how to curtsey and looking for a suitable husband, and also fighting Nazis, giving speeches at the League of Nations and writing newspaper articles about the plight of child refugees. There’s a good post about Princess Shaming over at Tea Cozy (the comments are interesting, too).

– And those men probably would have scoffed at the notion of a tiny island kingdom, as well. I guess they’re not aware of the “republican monarchy” of Atlantium here in Australia (“At 0.76 square kilometres we are counted among the world’s smallest states, which brings into play certain practical realities; we choose to deal with these in a pragmatic manner.”)

– I mean, those men probably don’t even believe in sea monsters!

'Colossal Octopus' by Pierre Denys de Montford, 1810
‘Colossal Octopus’ by Pierre Denys de Montford, 1810

The Years of Grace: Careers

The fifth and final section of The Years of Grace provides advice for girls about careers, although Noel Streatfeild emphasises in her introduction that “the best career for every woman is, of course, taking care of her husband and home”. (Noel, you big hypocrite. As if you ever got married or did any housekeeping.) But before I describe the careers open to Fifties Girl, I’d just like to point out that this book was first published in 1950, a mere five years after the end of the Second World War. During the war, young English women were conscripted into the army, navy or air force if they weren’t already doing vital war work. Women were welding armaments in factories, driving ambulances through the Blitz, putting out fires started by incendiary bombs, shooting down enemy bombers, taking new planes on test flights, driving supply lorries, plotting ship convoys, decoding enemy messages at Bletchley Park, and being parachuted into Nazi-occupied Europe to help the Resistance.

But that had all changed by 1950. According to The Years of Grace, girls could aspire to be nurses but not doctors; air stewardesses but not pilots or aeronautical engineers; school teachers but not university professors; secretaries but not managers.

Of the thirteen chapters, a significant number are devoted to destroying any illusions the teenage reader might have about ‘glamorous’ careers. The girl who dreams of being a prima ballerina, film star, famous singer or ice-skating star is firmly told that her chances of making it to the top are infinitesimal – even if she happened to have the requisite talent, it would require an enormous amount of time, money, luck and sheer, backbreaking effort to get anywhere near stardom. I was interested to see that an entire chapter was devoted to ice-skating, of all things, as a career. Apparently, most towns in 1950s England had ice rinks that employed skating coaches and hosted professional ice shows, each show needing a large number of “chorus skaters” (producers looked for girls with “personality, a good figure, a pretty face and well-shaped legs”). However, only a lucky few of these chorus girls would reach the exciting heights of understudy to the solo skater, and only if they had unusual skills (“for example, should you be able to skate indifferently with a live cobra, you are more likely to impress the management than if you skate superbly with a man”).

The other chapters give practical advice about more achievable careers. For example, Mary Field provides a lot of useful information about various behind-the-scenes jobs in the film industry (prop buying, set designing, wig-making, editing, publicity) and gives a frank assessment of women’s prospects:

“As the film production business is a fairly new one – only just over fifty years old – there has not been time for much sex discrimination to grow up and workers get the ‘rate for the job’ without reference to their sex. This is good in one way, because so many jobs may be open to a girl-worker, but it means also that a girl has got to be better than her men competitors to get and keep a position.”

Then there are chapters about the realities of nursing, school-teaching and agricultural jobs, each one emphasising that the rewards of such jobs are emotional, rather than financial. And even nursing requires that a girl be glamorous:

“A good nurse should look as pretty as possible, her shoes should always be polished, her fingernails carefully manicured, her hair done neatly but in a way that suits her. She should somehow manage to look – and smell – as fresh as a daisy, no matter how tired she is – and her nose shouldn’t shine!”

Girls wanting to earn a decent salary are encouraged to think about retail jobs or the Civil Service. Marjorie Linstead claims “Her Majesty’s Civil Service is now freely open to women” and that “the civil service, as a career has been, and is being, combined with marriage and a home by some women”. (The author does not seem aware of the fact that married women were barred from working at the Foreign Office, a situation that continued until 1972.) There’s also secretarial work in private businesses, which requires a girl to be well-groomed (of course), dignified, have a good memory, be excellent at typing and shorthand and adding numbers, and most importantly, to be devoted to her (male) employer and to ensure he never, ever feels he’s incompetent, even when he is, as illustrated in this extract from a hypothetical secretary’s diary:

“2:30 pm – Board meeting–took minutes and rushed a copy into Smithy immediately afterwards, so he could see what had been said, as he was half-asleep during best part of Board. Worked on Fuller accounts for rest of afternoon–felt sure that something was wrong somewhere, but S. said, ‘No, impossible.’ Turned out I was right, but with S. in that mood had to persuade him that the idea of a possible error had been his from the very beginning. Eventually he beamed all over and said, ‘Sue, I had an instinct about that!’”

'Above the clouds' by Alice Bush, in 'The Years of Grace'Then there’s the most lucrative career of all for a girl – being an air stewardess. Women could earn up to nine pounds a week, plus a flying allowance and an overseas allowance and free world travel and free hotel stays, and they were provided with a stylish uniform. Of the four thousand applications, only about forty lucky girls were offered a job with B.O.A.C. each year. Such a girl had to be between 21 and 28 years old, have a “good private school background”, speak at least one foreign language, have nursing or catering experience, be charming and beautiful, and be willing to submit to a “thorough checkup” by airline doctors every couple of months. Also, she had to be able to stay smiling during non-stop twelve-hour shifts, in which she was expected to serve food and drinks, calm nervous flyers, cure travel sickness, amuse fretful children, change nappies and “delicately snub the wolf” (it is not clear whether the sexual harrassers were passengers or pilots, or both). But it’s okay, she’d probably manage to snare a husband pretty quickly:

“There is a retiring age in B.O.A.C., it is fifty-five, but no stewardess has yet come within smelling distance of retiring. After all, they are hand-picked young women, with character, charm and pleasing looks. It will not surprise you, therefore, to learn that 95 per cent marry, and their usual length of service with the corporation is only two years.”

You know what? None of the above career options sounds very appealing to me! I think I’d like to write books. Fortunately, Noel Streatfeild knows all about that:

“You can’t, of course, learn to be an author. An author is born to write, just as a singer is born to sing … They may write masterpieces or they may write what is rudely known as pulp, but they have qualities which make them writers … amongst them you will find a blotting-paper memory which has soaked in everything seen and heard. Often a faultless ear for dialogue, so that it is impossible for any person to say something which belongs to another person. A vivid imagination. Usually ruthless individualism. And of course, an ear for cadences, a love of words, and, in the case of the novelist and biographer, a vast interest in human beings.”

But don’t forget about a day job:

“Wolves do not just sit on the doorsteps of young artists taking a casual lick at the paintwork, they come inside and sit on the hearth-rug, taking all the warmth from the fire. You may think now that you won’t mind being poor if only you can give your talent full scope. Maybe, but all the same, before developing your talent, find a nice humdrum job that will support you in hard times and keep the wolf, not only off the hearth-rug, but possibly several streets away.”

Very wise words, Noel. Some of this book’s advice might be a little out of date, but The Years of Grace contains a few timeless truths.

You might also be interested in reading:

1. The Years of Grace : You
2. The Years of Grace : Your Home
3. The Years of Grace : Leisure
4. The Years of Grace : Sport
5. The Years of Grace : Careers