‘End of Term’ by Antonia Forest

I’m very happy to be back at Kingscote with the Marlow twins, a year after their eventful Autumn Term, because I have plenty of questions I need answered. Did Nicola get promoted to Form IIIA, leaving Lawrie and Tim behind? Will Nicola get a chance to triumph on the netball courts this year? Will she ever find a worthy Best Friend? How will Ann cope with being Eldest Remaining Marlow Sister? And who will be Head Girl now Karen and Rowan have departed? (Surely not Lois Sanger. But the teachers seem clueless as to Lois’s true character, so it’s possible.)

'End of Term' by Antonia ForestIt seems that Christmas is a good time to begin reading End of Term, because the plot seems to feature a Nativity Play. That’s pretty much all I know about this book. The cover is not very informative or even very accurate – if that’s the twins with their new short hairdos in front, why are they wearing scarlet uniforms? Unless Nicola used her Boke of Falconerie windfall to buy uniforms, which seems pretty unlikely…

Chapter 1: Sprog Takes a Quarry

So, we begin at Colebridge Junction where Ann, Ginty, Nicola and The Sprog are waiting resignedly for their train to school and Lawrie is acting like a fractious five-year-old. Kingscote is a mere forty minutes by road from Trennels, but do the Marlow parents do the sensible thing and drive the girls and their luggage to school? No, they make them take a three-hour train trip, so the sisters can bond with their fellow pupils on the journey and Nicola can do something dramatic and dangerous to start the book off with a bang. (By the way, I always wondered about the Hogwarts school train. Did Scottish students need to travel all the way to London to catch the train all the way back to Scotland? If they could Floo or Side-Along Apparate with their parents to London to catch the train, why couldn’t they just travel directly to Hogsmeade, then get on the boats or carriages to Hogwarts?)

Anyway, after helping Ginty avoid Unity Logan and watching Lawrie boasting about her new theatrical mentor to Tim and company, Nicola sensibly decides to take The Sprog to the relative peace and quiet of the guard’s van. Everything is going swimmingly until they stop at the penultimate train station and The Sprog flies out the open door after some birds and Nicola tears off after him. Well, at least this time the train was actually stopped of its own accord at a station when she leapt out. And she does catch up with The Sprog, and even better, he’s caught his first sparrow (probably accidentally, but they’re both very proud of him). They trek back to the station, to find the next train isn’t due for three hours and worse, a new girl called Esther Frewen, who snubbed Nicola’s welcoming gestures on the train, is there too, after trying to run away back home.

Nicola really is a very kind and sympathetic child, even if she doesn’t always understand others’ insecurities and anxieties, being a very secure and fearless person herself. She realises they can walk to school across the fields and she tactfully talks about Sprog and school and the famous Marlow family until Esther gets her tears under control. Poor Esther is the only child of divorced parents, which must have been pretty unusual in 1950s England, although Nicola thinks “there were quite a few people at Kingscote to whom this beastly thing had happened”. Even worse, Esther’s had to leave her young puppy, Daks, at home because new girls aren’t allowed to bring pets (yet another of Kingscote’s arbitrary and illogical rules, I suppose, although I do wonder why Esther got a new puppy just when she was about to leave for boarding school).

Back at school, poor Ann is in a flap about Nicola going missing (“You wouldn’t have done this to Rowan”) and has already unpacked Nicola’s things into her drawer completely the wrong way:

“What with depressed new girls and pained sisters and misarranged drawers, Nicola saw no hope for the term at all.”

Such trials and tribulations! So Nicola stomps off to see to Sprog.

Chapter 2: Friends and Enemies

Ugh, Miss Redmond! She corners Lawrie and Nicola on their very first day back and graciously condescends to permit them to rejoin the Guides, saying “everyone was most anxious to be able to feel they could forget the whole unfortunate affair and begin again with an entirely clean sheet”. Oh, and Lois Sanger “was very keen to have them back with the Scarlet Pimpernels”! Lawrie, as usual, goes “scarlet and dumb” and expects Nicola to respond: Nicola quite rightly tells Miss Redmond to go jump in the lake. Miss Redmond storms off in an outraged huff and Tim appears, enjoying the strife. It seems Tim and Lawrie are now Best Friends Forever and both of them quite like Lois after she helped them with their play, but Nicola does not forgive and forget so easily.

Fortunately, Nicola seems to have found a new friend in Miranda West:

“Their hands banged together, and clasped and swung energetically as they went along the path to the outhouse. It was odd how people changed – or else you did – Nicola wasn’t sure which. A year ago, Miranda West had been one of III A’s form prefects, a bossy, conceited person, who made no bones about despising the worms of Third Remove. Then first [Nicola], and later Lawrie and Tim, had moved into III A themselves … and suddenly, last summer term, she had become someone to grin at across the classroom – someone who saw the same joke at the same time as you did.”

Miranda is described as having a “vivid, clever little Jewish face” and having “extremely rich” parents. She does seem to share Tim’s disregard for school rules, but has slightly more School Spirit and is worried that now Rowan has left, they might end up with Lois Sanger as Games Captain (Miranda accurately describes Lois as “slippery soap and slithery slime”). And worse luck, Lois has been made Games Captain, as well as being a prefect! Lois is busy crowing to her friends about how Rowan hasn’t even been made a prefect, when Nicola storms up to inform her that Rowan has left school. Take that, Lois! Nicola storms off, leaving Lois’s friends moaning about kids these days, no manners, etc. There’s a lot of storming off in this chapter.

Someone useless called Val Longstreet is Head Girl (to replace useless Karen) and someone called Janice Scott is a prefect, although Miranda wishes Janice had been made both Head Girl and Games Captain. Miranda has a bit of a crush on Janice, but denies it (“I mean, I like looking at her, quite, but not if you mean giving her roses in silver paper, and sleeping with her kirbigrips under my pillow”). Apparently the kirbigrips thing really happened a few years back, with some Lower Fifths obsessing over a couple of older girls, until Miss Keith called a special school assembly to shame the younger girls in the most public and humiliating way possible. (Because she couldn’t possibly have had a quiet sensible word with them right at the start about respecting other people’s privacy, before they got obsessive, and given them a copy of The Friendly Young Ladies.)

Then Nicola and Miranda meet up with Tim and Lawrie. Tim distributes chocolates and Lawrie complains about “the beastliest First Day I’ve ever met”. It turns out the cast list for the Christmas Play has been posted on the noticeboard, and casting depends on good character, not acting or singing talent. Accordingly, Lawrie and Tim are only Crowd. Nicola, who has a much better character, is a Candle Angel. A nice but useless girl called Jess Geddes is Shepherd Boy, the role that Lawrie covets. Ann is Mary, which makes sense, Val is Joseph because she’s Head Girl, and slimy Lois is Reader Angel (although at least Lois has proven reading-aloud skills). Miranda isn’t in it at all, presumably because she’s Jewish (she refers to it as “your play”). I can’t see why she can’t join in, though. She wants to be in it and it’s only a school play. If it’s like most of the Nativity Plays I’ve seen, with singing sheep and so on, it won’t even be particularly Biblical (not that the Gospels tell a consistent story about the birth of Jesus anyway) and it’s being held in a school theatre, not a church. Anyway, I’m sure there’ll be major drama involving the casting before too long.

Next, Chapter Three: Rehearsals and Team Practices

You might also be interested in reading:

‘End of Term, Part Two
‘End of Term’, Part Three
‘End of Term’, Part Four
‘End of Term’, Part Five
‘End of Term’, Part Six
‘End of Term’, Part Seven

‘Autumn Term’ by Antonia Forest
‘The Marlows and the Traitor’ by Antonia Forest
‘Falconer’s Lure’ by Antonia Forest

My Favourite Books of 2017

It’s not actually the end of the year, but if I don’t post this now, it may not get done at all. I only read 37 new books this year (new to me, that is) – even fewer than last year. I did immerse myself in blogs and newspapers, trying to make sense of the political turmoil here and abroad, but I also re-read a lot of old favourite novels. This year was not an especially relaxing year for me, so I often felt a need to escape into familiar comforting reads and I don’t count those books in my annual book count.

So, what type of new (to me) books did I read this year?

Types of books read in 2017

Nationality of authors read in 2017

Lots of Australian writers this year.

Gender of authors read in 2017

Women writers dominate, yet again. And so they should.

Now for my favourites.

I really enjoyed Tirra Lirra By The River by Jessica Anderson and How Bright Are All Things Here by Susan Green – both, as it happens, novels narrated by elderly Australian women who had to escape to London to fulfil their artistic dreams.

But most of my favourite reads this year were non-fiction. These included:

Mad World: Evelyn Waugh and the Secrets of Brideshead by Paula Byrne
Indonesia, Etc: Exploring the Improbable Nation by Elizabeth Pisani
Other Minds: The Octopus and the Evolution of Intelligent Life by Peter Godfrey-Smith

I didn’t have time this month to blog about Beyond Veiled Cliches: The Real Lives of Arab Women, but this was a thoughtful, nuanced exploration of the challenges faced by Arab women in the Middle East and in Western countries, by Australian-Palestinian journalist Amal Awad.

I also found myself engrossed in a couple of Australian memoirs, Aunts up the Cross by Robin Dalton and Flesh Wounds by Richard Glover.

My resolution for next year is to blog more about the books I enjoy, or at least to mention these books on Twitter. In the meantime, I have this book on the top of my reading pile for the holidays:

'End of Term' by Antonia Forest

I foresee an Antonia Forest read-along in the near future.

Thank you to everyone who read and contributed to Memoranda in 2017. I hope you’ve all had a good reading year and that 2018 brings you lots of wonderful, interesting books. Happy holidays!

Adventures in Self-Publishing: Turning Your Manuscript Into A Book

The arrival of ebooks has made it much easier for self-publishers to get their work into the hands of readers, but I always knew I wanted to see Dr Huxley’s Bequest as an actual paper book that I could pick up (and be able to read, because I don’t own any kind of ereader). But how does a self-publisher on a limited budget, expecting to sell only a few books, go about turning their work into printed books?

At first I assumed I’d have to do it the way that traditional publishers print books, just on a much smaller scale – that is, pay a printer to produce a limited number of copies using a traditional press. But this means working out how many books you want and paying for all of them up front. I did consider using a crowdsourcing platform (such as Kickstarter) to fund a small print run, but the more I researched, the less attractive this option appeared. These companies take a significant percentage of the money raised and have all sorts of unappealing conditions attached. Anyway, I doubted I’d attract enough contributors to make it worthwhile. And even if I myself paid for a print run, where would I store all the books? How would I sell and distribute them to readers?

Then I did some research and discovered the amazing world of digital Print on Demand (POD) publishing. This means that you print only the copies that have been ordered, when they’re ordered. You can order just one book for yourself or hundreds of books. The POD publisher will print them in a couple of days and send them to you – or, even better, send them to the bookstore or library service that ordered them, charge them the price you’ve chosen for your book, deduct the printing and distribution costs, and pay you the remainder.

This is how it works. You, the author/self-publisher, send the POD publisher two pdf files – one pdf of the inside of the book, laid out the same way any printed book is, and one pdf of the cover art, with front, back and spine art fitted into a template that the POD publisher supplies. They store these files in their computer and whenever a book is ordered (either by you or by booksellers), this happens:

Isn’t that cool? You can choose from a wide range of book sizes. You can print paperback or hardcover copies with a range of binding types and jackets and types of paper. I can confirm that the printed paperbacks look just like the trade paperbacks you can buy in a bookstore. The only issue I noticed with the particular POD publisher I used (Lightning Source/IngramSpark) was that some of the colours on the cover were lighter than I expected, which I’ve heard isn’t uncommon with digital printing-on-demand. And you can’t do really fancy things with cover design, such as cut-outs and embossed lettering. It’s also more expensive to print per book than if you printed a thousand copies at the same time using traditional off-set printing. However, for a self-publisher, print-on-demand is an affordable and practical way to produce print books. You don’t have to pay warehouse costs and you don’t waste any paper if your books don’t sell.

The other good thing about IngramSpark, for Australian self-publishers, is that they have printing facilities around the world, including in Australia, and they can deposit your book sale earnings directly into your Australian bank account. That’s one of the reasons I ended up going with IngramSpark rather than Amazon Createspace, the other big name in the self-publishing world. I also thought IngramSpark would work well for me because they’re connected to dozens of online bookstores and library suppliers around the world. If you choose to distribute through IngramSpark, you give them information about your book (cover image, book summary, author information and so on) and they send it to all their affiliated booksellers, who then sell the book through their websites and catalogues. If you choose Amazon Createspace, the book is only sold through Amazon sites – which do reach a lot of bookbuyers, but not everyone wants to buy their books from Amazon.

For ebooks, a similar process occurs. The file is uploaded to IngramSpark in a different format (epub rather than pdf) and it doesn’t have to get printed, but it’s still listed and sold through a range of international booksellers, including Kobo, Apple iBooks and Barnes & Noble. However, if you want your ebook to be available for Kindle readers, you need to format it as a mobi file, set up an account with Amazon, and sell it through them. I had no idea which ebook format was likely to be more popular with Dr Huxley’s Bequest readers, so I’ve made it available in both formats. I’ll be interested to see the sales numbers and how much I earn from each.

I have skimmed over a very important step, though. You can’t upload a Word document, no matter how pretty it looks, to a POD publisher. So how do you turn your edited manuscript into formats that will look good when they’re read in either print or ebook form? You either do it yourself, which requires a fair amount of technological and design skill, or you pay a professional to do it for you. Now, remember back when I started this series and I said it could end up being a What Not To Do? Yep, this is the bit where I made All The Mistakes. That’s coming up in the next post.

More in Adventures in Self-Publishing:

Why Self-Publish?
What’s This Book About, Anyway?
Editing
To Tweet Or Not To Tweet
Designing a Book Cover
All the Mistakes I’ve Made (so Far)

A Guide to Australianisms in ‘Dr Huxley’s Bequest’

Dr Huxley’s Bequest is about two Australian teenagers, Rosy and Jaz, who live in Sydney and speak Australian English. I think most of their Australianisms make sense in context. However, when I uploaded the Kindle version, Amazon.com was VERY CONCERNED about terms such as ‘esky’ and ‘ute’. So, for those readers who aren’t Australian, here’s some additional information about the Australian terms and cultural references in Dr Huxley’s Bequest.

Firstly, an esky is a portable cooler or ice box, usually made of sturdy polypropylene. Inside is ice or those freezable ‘ice’ bricks, which keep your freshly-caught fish, barbecue meat or canned drinks nice and cold. Eskys are usually big enough to use as a picnic seat or, if your boat sinks, a flotation device. Apparently in New Zealand, they call them CHILLY BINS! New Zealanders have the best slang.

A biscuit is a cookie. I’ve talked about this before.

Australians, including Rosy, are very fond of putting slices of pickled beetroot in their salad sandwiches and hamburgers. We also put canned pineapple on pizza.

A ute, or utility vehicle, is a pickup truck with an enclosed cabin for a couple of passengers and an open flat-bed platform at the back. According to Wikipedia, the Australian ute was “the result of a 1932 letter from the unnamed wife of a farmer in Victoria, Australia asking for ‘a vehicle to go to church in on a Sunday and which can carry our pigs to market on Mondays’.” Traditionally, Australian utes have a couple of hay bales and some cattle dogs bouncing around in the back. In Dr Huxley’s Bequest, Jaz’s dad keeps his gardening equipment in his ute.

A eucalypt is a eucalyptus tree or a ‘gum tree’, native to Australia and to other parts of the world. You already know that, don’t you? I don’t know why Amazon.com had a problem with the word. Anyway, there are hundreds of different types of eucalypts, all beautiful and usually home to a lot of interesting and extremely noisy wildlife. Some of these animals are extremely possessive of ‘their’ gum tree:

While on the topic of big bullies, Ned Kelly was a murderous, racist thug who is inexplicably worshipped by many contemporary Australians. He was born in 1854, the son of an Irish convict, and started his criminal career at the age of fourteen when he bashed and robbed a Chinese-Australian farmer. He spent the next ten years stealing cattle and horses, robbing farmers and shops and banks, and killing people. He’s best known for his decision to make body armour and helmets out of old ploughs. This, he asserted, would be bullet-proof. It was, but it was also extremely heavy, which made movement difficult, and it didn’t cover his legs. So when Ned Kelly was finally cornered, the police shot him in the legs and he fell over and was captured, and later hanged. Captain Moonlite is another bushranger mentioned in Dr Huxley’s Bequest.

Finally, Rosy makes a brief reference to ‘Slip, Slop, Slap’. This was a very successful advertising campaign in the 1980s, devised by the Cancer Council of Victoria to encourage Australians to protect themselves from the sun. That’s because Australia is a very hot place and contains a lot of fair-skinned people vulnerable to deadly skin cancers. In the ad, a singing, dancing seagull tells people to Slip on a shirt, Slop on some sunscreen lotion and Slap on a hat:

If I’ve missed anything and you find something confusingly Australian in the book, feel free to ask about it!

How To Buy ‘Dr Huxley’s Bequest’

My new book, Dr Huxley’s Bequest, is out this Wednesday, 15 November. I just received my author copies of the paperback. It has a very nice cover:

'Dr Huxley's Bequest' paperbacks

And there are illustrations inside:

'Dr Huxley's Bequest' pages

It’s also available in various ebook formats.

Which type of book should I buy?

The paperback has illustrations, author notes, a bibliography, a comprehensive index and a pretty cover.

However, the font is fairly small*, so if you prefer large print, I recommend choosing an ebook edition, which you can resize to suit your reading needs. The ebooks are available in two formats. There’s a Kindle (mobi) version for Kindle readers and other devices that have the Kindle app installed. There’s also an epub version, for iPads, iPhones, Nook readers, Kobo readers, and pretty much every other sort of ebook reading device. The ebooks don’t have the illustrations or the index, but do have a search function if you want to find keywords.
*EDITED TO ADD: I’m planning on putting out a new, larger-print paperback edition in January, so if you’d like to buy a print copy but prefer large print, maybe hold off on ordering the paperback until January.

Where can I buy the book?

Here are some of the online stores where you can buy Dr Huxley’s Bequest. I’ve listed stockists according to geographical region, because delivery costs are cheaper and you won’t have to pay currency conversion fees if you buy locally.

Australia and NZ
Amazon.com.au (Kindle ebook)
Angus & Robertson Bookworld (paperback)
Apple iBooks (iBook ebook)
Booktopia (paperback)
Kobo (Kobo ebook)

North America
Amazon.com (paperback, Kindle ebook)
Apple iBooks (iBook ebook)
Barnes & Noble (paperback, Nook ebook)
Chapters/Indigo Canada (Kobo ebook)
Kobo (Kobo ebook)

UK and Europe
Adlibris (paperback)
Amazon.co.uk (paperback, Kindle ebook)
Apple iBooks (iBook ebook)
Book Depository (paperback)
Kobo (Kobo ebook)

You can pre-order now and they will send the book to you on Wednesday.

Will it be in my local bookshop?

Maybe, if you ask them to order it for you! But possibly not even then. Bookshops don’t usually stock self-published titles.

Can I borrow it from my library?

Maybe, if you live in Australia. If it’s not in your library’s catalogue, you can ask your librarian to order it. The book is listed with ALS Library Services and it has a National Library of Australia catalogue number.

If you’d like to know anything else about how to purchase Dr Huxley’s Bequest, ask away! (I am planning on continuing my Adventures in Self-Publishing series of blog posts so you can find out more about How Not To Make The Same Mistakes I Made.)

Oh, and Dr Huxley’s Bequest is also listed on Goodreads, if you feel like leaving a rating or a review.