‘The Marlows and the Traitor’ by Antonia Forest

'The Marlows and the Traitor' by Antonia ForestI’ve just handed my latest manuscript over to my editor, hooray, so I’m rewarding myself with the second of Antonia Forest’s Marlow series, The Marlows and the Traitor. As with Autumn Term, I’ve decided to blog about it as I read. You might want to avoid Memoranda for the next week or so if you’re planning to read this book, because it sounds as though it will be a thriller with lots of exciting plot twists.

In fact, I was a bit wary of picking this up because my next planned book (not the one I’ve just sent off for editing, a different one) is also about spies and traitors and is set in England during the Cold War. However, I suspect Antonia Forest and I have quite different views about patriotism and the FitzOsbornes are not really like the Marlows, so it should be all right. (However, I would just like to note here that I worked out my plot long before I’d heard of The Marlows and the Traitor.)

Anyway, in Autumn Term we learned that the Marlow family consists of Commander Marlow, Mrs Marlow and eight Marlow offspring – Giles (junior naval officer), Karen (head girl of Kingscote Girls’ School), Rowan (the sporty, sensible one), Ann (kindly Guide Leader), Ginty (giant pain), Peter (Dartmouth cadet) and identical twins Nicola (awesome protagonist) and Lawrie (drama queen). In this book, the four youngest Marlows and their mother are on holiday in a seaside town and the story begins with a chapter ominously titled ‘Wednesday Morning: Encounter in a Thunderstorm’.

Peter wakes at dawn to the clap of thunder, having spent the night fretting about a humiliating incident at school that he refers to as ‘the boat thing’. He’s worried it might happen again and then he might get “kicked out of Dartmouth because he was a useless worm” and “apart from the quite scorching humiliation of being thrown out, he would have to go back to being an ordinary schoolboy at an ordinary school”.

Oh, the horror of being treated as ordinary when you’ve been born a Marlow! But with his father and his only brother in the navy, there’s probably quite a lot of pressure on poor Peter. To remind himself of how brave and daring he is, he grabs his favourite sister, Nicola, and they go for an oceanfront walk in the storm, noting a small boat making its way through the tempest-tossed sea. It is then revealed that Peter doesn’t like the sea and sailing-obsessed Nicola always gets seasick. They also discuss their fellow hotel guests, the Thorpe family, which is made up of “quiet, bald Mr Thorpe and his cheerful noisy wife and two daughters who all wore trousers much too tight and too brightly coloured for their various shapes” (the brazen hussies) and also seventeen-year-old Johnnie, who is well-intentioned but loud and clumsy. The Marlow children “in the politest possible way” exclude Johnnie from their activities, despite their mother’s protests that he’s nicer than his mannerisms suggest (“It’s his mannerisms we’d be with,” Lawrie points out). This is a dilemma because Mr Thorpe has invited them out on his boat, which they don’t feel they can accept if they’re ostracising his son. Peter and Nicola also chat about the upcoming fancy dress dance at the hotel and Peter becomes relaxed enough to tell Nicola about ‘the boat thing’.

It seems Peter, convinced he was a brilliant sailor, became complacent and careless while sailing and caused a fellow cadet to get knocked into the sea. Worse, Peter froze in a panic and failed to turn the boat around to rescue the poor boy. Lieutenant Foley, their instructor, had to fish the boy out, then gave Peter a dressing-down in front of everyone else. Nicola shows what an empathetic listener she is and then asks about Peter’s friend Selby. Selby is significant because he’s the first nice, normal boy Peter has ever befriended:

“All his life, he had had a talent for taking a fancy to the most unpleasant people, from his very first friend at the local kindergarten, who had been an angelic-looking little boy called Esmond who bit people without provocation and ran at them with open knives …”

Selby continues to be nice and normal, but he has had a strange encounter with Lieutenant Foley, who gave Selby a lift back to school one afternoon and behaved in a very “queer” manner – being inappropriately happy, asking what Selby would do for him and telling Selby that naval discipline was excessive and needed to be changed. Selby, rattled, tells his house officer, who apparently tells Foley(!), who later makes a snarky remark about Selby’s “outsize conscience”. But Selby continues to feel “as if things ought to be all right, but, aren’t really”.

Peter likes Foley, so thinks Selby is imagining things, but Nicola is inclined to believe Selby. Listen to Nicola, Peter! She’s a lot better than you are at human relationships! Maybe Foley really does want something sinister from Selby …

Peter then becomes aware that he has led the two of them along a cliff path that he’s been warned is dangerous, in the middle of a violent thunderstorm:

“The rain streamed down their waterproofs and the sea creamed around their gumboots, while the sky grew steadily more copper coloured as if a fire had been lighted behind it. And then, suddenly, the sky cracked open above their heads, and a ball of light rushed along the horizon and fell into the sea: the thunder bellowed, the hail came down like a white wall and the sea swirled about their thighs.”

Even Nicola, who is completely fearless, becomes concerned they might slip off the cliff path and Peter “agree[s] with some relief, feeling rather a fool”. At which point Nicola is nearly washed into the sea, saved from almost certain death by Peter grabbing her. Soaked to the skin, they stagger back to the promenade, relieved to see that at least that little boat has made it back to shore safely. Then something very odd happens.

A man walks past them on the promenade – and it’s Lieutenant Foley! Except he ignores Peter’s polite greeting, as if he’s never met Peter before in his life. Peter, feeling even more foolish, decides that he, Peter, must have been so drenched he was unrecognisable, but Nicola says Foley’s eyes flickered in a moment of recognition “like in The Thirty-Nine Steps”.

Okay, so Lieutenant Foley has appeared in three different incidents in this chapter and in two of them he’s behaved very strangely. Using my extraordinary powers of perception, I predict that Lieutenant Foley will turn out to be The Traitor.

Unless The Traitor is actually that ginger cat on the promenade, which is also mentioned three times in this chapter and the second time it saw the children, it “stared at them with blank yellow eyes as if it had never seen them before” and it also acts treacherously by kicking Nicola’s arm after she’s spent ages diligently rubbing behind its ears.

Unless the cat IS Lieutenant Foley, in disguise. I don’t think this is that sort of book, though.

Also, I was disproportionately amused that the Marlow children use “goop” to mean “a complete idiot.”

Next, Wednesday Afternoon: The Hidden Sea

My Favourite Books of 2016

It’s not quite the end of the year, but here are the books I’ve read in 2016 (so far) that I loved the most. But first, some statistics.

I only read 46 new books this year (new to me, that is), fewer than I usually read. This was partly because I was studying for most of the year, plus I’d started a new job, both of which took up lots of mental energy. I also read a great deal of (mostly depressing) political news in newspapers, magazines and blogs. So when I wasn’t doing that, I escaped into the comfort of old favourites from my bookshelves, including a dozen of Ruth Prawer Jhabvala’s books and a re-read of all the Rivers of London novels in preparation for the release of Book Six in that series.

So, what type of new books did I read this year?

Type of books 2016

Author nationality for books read in 2016

It was the year of British literature, it seems.

Author gender for books read in 2016

And women writers dominate, yet again.

Now for my favourites.

My Favourite Adult Fiction

My favourite novels this year included Breakfast with the Nikolides by Rumer Godden, Olive Kitteridge by Elizabeth Strout, Slade House by David Mitchell and the latest installment of the Rivers of London series, The Hanging Tree by Ben Aaronovitch.

My Favourite Non-Fiction

It was non-fiction that really captured my interest this year. Favourites included The Genius of Birds by Jennifer Ackerman, Bird By Bird: Some Instructions on Writing and Life by Anne Lamott, Party Animals: My Family and Other Communists by David Aaronovitch, and two of Bill Bryson’s books, At Home: A Short History of Private Life and The Road to Little Dribbling. I’m only halfway through Stalin Ate My Homework by Alexei Sayle, but I’m really enjoying it so far. However, my absolute favourite of the year was Cordelia Fine’s Delusions of Gender, a brilliantly incisive yet accessible discussion of neurocognitive research into sex differences, which I realise I didn’t actually review on this blog because I was too busy writing assignments at the time. I will try to remedy that at some stage in the near future, but in the meantime, here’s a good review.

My Favourite Books for Children and Teenagers

I loved Iris and the Tiger by Leanne Hall and Howl’s Moving Castle by Diana Wynne Jones. I was also beguiled by the first book in Antonia Forest’s Marlow series, Autumn Term.

My Favourite Picture Books and Graphic Novels

I was entertained (and occasionally enraged) by a collection of First Dog on the Moon’s political cartoons, A Treasury of Cartoons. I also enjoyed Night Witch, a graphic novel in the Rivers of London series, by Ben Aaronovitch, Andrew Cartmel, Lee Sullivan and others (although it wasn’t as good as the prose novels).

Thank you to everyone who contributed to Memoranda in 2016. I hope you’ve all had a good reading year and that 2017 brings you lots of inspiring, informative and entertaining books. Happy holidays!

More favourite books:

Favourite Books of 2010
Favourite Books of 2011
Favourite Books of 2012
Favourite Books of 2013
Favourite Books of 2014
Favourite Books of 2015

‘Autumn Term’, Part Eight

Chapter Seventeen: The Prince and the Pauper

Exams are over (“Third Remove had consoled one another by remarking loudly that they’d all done equally badly”) and the day of the play dawns. Even though I’m not that interested in theatre, I enjoyed reading about the girls’ ingenious solutions to the problems of putting on a play with a small cast and almost no budget. However, Tim is starting to worry, especially when Miss Cartwright asks if they’re ready:

“…for [Tim] was uneasily conscious that perhaps she had been almost too successful in keeping Cartwright at a distance; and if, by any evil chance, the play should collapse dismally, she had no doubt but that Cartwright could, if she chose, be a formidable antagonist. The Pomona row would be nothing in comparison…”

Luckily, Nicola has organised posters, programmes and tickets, which Tim had completely forgotten about (“Nicola was really an excellent person to have around,” thinks Tim, YES TIM, SHE REALLY IS). Then the twins go off to meet their parents, who don’t even know there is a play because apparently they never read their children’s letters. But at least Mrs Marlow doesn’t embarrass the twins by wearing gaudy make-up or a fancy hat or trying to kiss them. The older Marlow sisters seem to have very low expectations for the play, assuming it will be a sweet tale about fairies and talking animals and anyway, “no one can ever hear what Thirds say unless they sit on the stage, practically.”

Backstage, Lawrie is sick (literally) with nerves and even Lois looks “white and highly strung” as they prepare for the curtain to rise. Nicola is polite to Lois, but still hasn’t forgiven her:

“But one couldn’t, thought Nicola stubbornly, suddenly like people because everyone else did, or forget that they had been fairly swinish, even if they were doing their best now; and she would be glad when the play was over and she needn’t even smile at Lois in corridors.”

At last Tim switches on the ‘radiogram’, puts on a record of Greensleeves (her aunt’s favourite song), the curtain goes up and … it all goes beautifully. Lawrie is even better than she was in rehearsals (“she was liking the audience”), the twins work well together, Pomona is really good, Tim works all the lights and curtains and music on cue. Marie does get a bad case of stage-fright, but the others, especially shy little Elaine, ad lib effectively to cover this up. Then comes the final Coronation scene and the curtain falls:

“No curtain calls, Tim had said in a moment of pessimism, forestalling the possibility that none might be required. But she had not been prepared for the sudden roar of applause which came from the body of the theatre; it would be ill-mannered not to answer that. She signalled to [the cast] to stay put and raised the curtain again, watching Nicola’s face break from its expression of rapt gravity into a sudden grin of pleasure.”

Rapturous applause that goes on and on. Then the audience calls for the producer. Tim, stunned, is forced onto the stage to take her bow and I might have got a tiny bit teary at that point.

Chapter Eighteen: Marie Puts Her Foot In It

Backstage there’s jubilation, then Third Remove have to “subdue their faces and voices to the proper expressions of modest unconcern” when they go to meet the parents and rest of the school in the Assembly Hall. The senior Marlows tell the twins they enjoyed the play, but Ann blunders when she says out loud that Lawrie was marvellous, better than Nicola. The others are horrified, but I’m not sure if it’s because they think praise will go to Lawrie’s head and she’ll become unbearable (a plausible concern) or they’re afraid Nicola will feel hurt (but Nicola impatiently says of course she knows Lawrie is better). Later, when the twins are alone, Lawrie remarks:

…that she wished their father and mother would say how frightfully good they’d been instead of just looking calm and pleased.

‘But they never do,’ protested Nicola. ‘You know they don’t if it’s anything proper. Even when Kay got Matric with distinction in practically everything, they just said it wasn’t bad and she must keep it up. You don’t want them to make a special fuss like when we got our Brownie Wings, do you?’

‘Yes,’ said Lawrie candidly, ‘I do. I like being told.’

Anyway, Commander Marlow quickly turns the subject to whether Third Remove really did do everything themselves, with no help from the seniors or staff. Rowan, honourable as ever, admits Lois did a brilliant job with the reading, then they all learn that Tim did practically all the work:

Karen and Rowan looked at one another.

‘Produced it–’ said Rowan.

‘Wrote it–’ said Karen.

‘Press-ganged Lois Sanger–’

‘And saw that her form-mistress gave no trouble,’ concluded Karen. ‘Next term someone had better keep a very special eye on T. Keith.’

‘Why?’ asked Lawrie.

‘Dangerous,’ said Karen, grinning at her father. ‘Organizing ability highly developed. Too much spare time owing to present position in school. Highly explosive combination unless superfluous energy directed into constructive channels.’

Yeah, good luck with trying to direct Tim into ‘constructive channels’, Karen. Although it’s nice to see Karen showing some perspicacity at last – until now, she’s been portrayed as academic, but fairly clueless about everything else in life. Finally I understand why she was made head girl.

After the parents leave, Miss Keith and Miss Cartwright congratulate Third Remove on their “corporate form effort” that wasn’t “merely the work of one or two enthusiastic people who ran around doing everything while the rest waited hopefully to be told what to do next”. As usual, the teachers don’t have any idea what was really going on. But Miss Keith does say they might do some scenes on Speech Day, which is a tremendous honour, and Miss Jennings comes up to congratulate Nicola on their backdrops and Nicola’s performance.

Nicola, by now feeling a bit overwhelmed, escapes backstage to tidy up, followed by Marie who is being over-friendly to make up for her awful performance in the play. Then Lawrie arrives with Miss Redmond, the Guide Captain, who announces grandly that the insurance company has determined the twins didn’t cause the farm fire. (Mind you, she doesn’t apologise or ask the twins to come back to Guides.) Nicola, who knew perfectly well they hadn’t set the fire, says a brief and polite thank you, and Miss Redmond departs, a bit disconcerted by the lack of gratitude. But then Marie accidentally reveals she hadn’t been inside the farm that day, which leads to the revelation that she lied at the Court of Honour.

It’s a lovely way of showing how much Nicola has matured since the start of term, because she accepts Marie’s confession calmly, with apparent indifference. She doesn’t lash out at Marie or rush off to tell Miss Redmond, as she would have done a few months earlier. Lawrie gloats about how they’ve got something to hold over Marie as a threat now, although Nicola points out if Lawrie could get over Lois’s treachery, she could get over Marie’s as well. Lawrie, typically, avoids the question of Lois. And then Lawrie points out that, with the success of the play, the twins finally have something they’re good at, just like the other Marlows.

‘So we are,’ said Nicola, much struck by this. ‘That’s very odd. It feels quite natural, somehow, doesn’t it?’

And on that soothing note, they go to bed.

Chapter Nineteen: Holidays Begin Tomorrow

End of term! Which Kingscote celebrates with a two-hour assembly at which Miss Keith reads out the list of exam results, honours, form trophies and so on. Sounds riveting. Why can’t they just stick lists up on the noticeboards? It isn’t even the end of the school year. Lawrie, basking in her new fame as theatrical star, enjoys a conversation with the Sixth Formers in which they marvel over this year’s Third Remove, the oddest they can remember and filled with “brilliant eccentrics”. One Sixth Former predicts Tim’s future:

‘I can foresee the most frightful things happening when that Tim child is head girl. Nothing will ever go wrong exactly, but everything will be hideously unexpected … The staff will have a ghastly time.’

I don’t expect they have anything as democratic as student elections at Kingscote, which probably means the head girl is selected by Miss Keith. But maybe she’ll think the responsibility will do Tim good?

The one last excitement for Third Remove is that they’ve won the Tidiness Award, to Tim’s disgust (“We’re not that kind of form at all”). Also, it turns out Nicola has been awarded honours for her exam results and everyone else has failed spectacularly. Also, Miss Keith gives Tim a tiny compliment when she says the play’s performance justified her faith in Tim – although Tim points out that the headmistress “nearly frightened herself into a fit saying that when she thought of all the awful things it might do to my character”. It just occurs to me that Tim’s parents didn’t come to the play. Did she even go home for half-term? She’s had about two conversations with her aunt all term, so it’s not as though she has the consolation of a supportive relative at school. Poor Tim, no wonder she’s a bit spiky.

The Marlow sisters pack to go home and Nicola unwraps a parcel that’s just arrived – a photo of Giles’s new ship signed “Affec – G.A.M.”, so “it was good to know he wasn’t still furious”. Not that he actually apologised or anything. Lawrie is busy planning next term’s triumphs (winning the junior diving medal and so on) but Nicola is older and wiser:

“It was probably better to let things happen as they wanted to, instead of trying to arrange them, without knowing all the circumstances … much more interesting … much less disappointing …”

THE END.

Except it’s just the beginning of the series and I know they’re going to go home and get caught up in exciting adventures with spies and smugglers and drug-dealing pigeons. And what will happen next term at school? Will Nicola get moved up into IIIB or even IIIA, away from Lawrie and Tim? Will Ann coax the twins back into Guides? Will Ginty ever stop being a pain? And will the simmering tension between Rowan and that “boyish and handsome” Lois Sanger ever spark into romance? (There’s Marlow fanfiction out there, isn’t there? I bet there is. But it’s bound to be spoilery, so I can’t read any till I’ve read more of the books.)

In conclusion – Autumn Term was great! Funny, insightful, well-paced and highly recommended for those who enjoy British boarding school books.

_____

You might also be interested in reading:

‘Autumn Term’ by Antonia Forest
‘Autumn Term’: Part Two
‘Autumn Term’: Part Three
‘Autumn Term’: Part Four
‘Autumn Term’: Part Five
‘Autumn Term’: Part Six
‘Autumn Term’: Part Seven

‘Autumn Term’, Part Seven

Chapter Fifteen: A Form Meeting

Third Remove have a meeting to discuss the play and figure out the casting, even though Tim hasn’t finished writing it yet:

“Tim liked doing things which could be finished in a swift, concentrated rush; and she had found, with some dismay, that a play demanded sustained effort.”

(You probably shouldn’t try writing a novel, then, Tim.) Anyway, Tim explains what the play’s about, which is helpful because although I’ve read The Prince and the Pauper, it was such a long time ago I can’t remember much of it. Lawrie is going to play Tom Canty, the beggar boy who changes clothes with Prince Edward for fun, then finds himself stuck in the Palace and regarded as the prince after Edward is mistakenly thrown out by the guards. When King Henry dies, Edward has to fight his way back to Westminster Abbey to be recognised as the true King and be crowned. Nicola is Edward, of course, Pomona is Henry, Marie is John Canty and the rest of the form play a variety of beggars, guards and courtiers. Tim is going to be the narrator and do the lighting and curtains and direct everyone. To Tim’s annoyance, Pomona turns out to be really good at acting. No great surprise, she’s had more experience than anyone else…

Chapter Sixteen: A Question of Elocution

This is such a good chapter! Nothing terribly exciting happens – they just rehearse their play – but there’s so much going on in terms of characters interacting and revealing fascinating parts of themselves and how their little society works. Even the minor characters start to blossom in unexpected ways (for example, “Elaine Rees, who at her own request had been given the smallest parts available, was gradually achieving courage enough to speak above a whisper”). Tim has the pleasure of watching her words (well, her and Mark Twain’s words) come to life on stage and Lawrie is revealed to be a genuinely gifted actor. Nicola’s devotion to duty comes to the fore and she enjoys painting all the backdrops, with the help of Miss Jennings, the art mistress. (Miss Jennings is the Cool Teacher. She is “ruefully amused” at her students’ artistic incompetence, telling Third Remove “that their efforts, poor as they were, were too funny to be depressing.”)

There is only one problem, but it’s a big one. Tim finally takes her part in rehearsals to read the prologue and it’s a disaster:

‘Your voice is all wrong,’ said Lawrie, too distressed on the play’s account to consider Tim’s feelings. ‘I can’t explain, but you don’t make one see things. D’you remember how Lois read on the hike, Nick? That’s the proper way. Yours is awful.’

I can see why Third Remove like Nicola more than Lawrie. Lawrie’s so self-absorbed. The play is her thing and she doesn’t care about anyone else’s feelings. And whenever there’s a crisis, she just bursts into tears and expects Nicola to do all the work of fixing things. You can tell Lawrie’s always been the baby of the family.

Nicola tries to help Tim, but can’t really explain how Lois Sanger read so well. Tim bravely decides she’ll go and ask Lois for some tips. “Even the Upper Fifth have the elements of humanity in them, I suppose,” she thinks dubiously. (Remember when you were in Year Seven, or First Form, or whatever it was called at your school, and the senior students seemed so grown-up and terrifying? And then you finally got to wear a blazer and have your own common room and treat the juniors as adorable idiots – uncomfortably aware that you were about to enter the adult world and would soon be starting at the bottom all over again?)

Anyway, Lois agrees to listen to Tim read (and agrees Tim is awful) and provides a demonstration (and Tim sees what the twins mean, but knows she’ll never be able to read as well as Lois). Tim is sunk in gloom. Will they have to give up the play? And listen to the other Third Formers gloating about Third Remove’s failure? But then, a miracle! Lois says:

‘Look. I’ve been reading this. I think it’s immensely good. If you can’t think of any other way, would you like me to do the reading for you?’

Of course, there’s lots going on under the surface. By doing this tremendous favour, Lois gets to help the “Marlow brats” without having to acknowledge the injustice of her actions at the Court of Honour. It also turns out the rest of her Guide patrol are now passive-aggressively undermining Lois, presumably because Jill, the second-in-command, told everyone what happened. (Except why didn’t Jill say something at the Court of Honour? She knew the truth.) Tim is pleased because the play is saved and having a senior involved will soothe Miss Cartwright, who’s starting to make anxious noises. There’s a lovely bit where Tim and Lois separately acknowledge how alike and Machiavellian they are. Lois ends the chapter

“…with a faintly uneasy twitch of nerves that Tim’s mental processes and her own were not unlike. And it was disconcerting and not too pleasant to hear it done aloud.”

Next, Chapter Seventeen: The Prince and the Pauper

‘Autumn Term’, Part Six

Chapter Twelve: Tim Loses Her Temper

Poor Nicola is feeling a bit left out as Tim and Lawrie plan their play, so she throws herself into her Tidiness Monitress duties with excessive zeal. Meanwhile, Tim is feeling under pressure, especially as Pomona – the star of her mother’s theatrical extravaganzas at home – keeps criticising Tim’s decisions and wants to know what she’s going to be:

‘That,’ said Tim, ‘is one of the mysteries of the future.’
‘I mean in the play,’ said Pomona.
‘So do I,’ said Tim.

Tim is often unkind, but most of the class find her funny. She does one of her nasty Pomona drawings on the blackboard and is furious when Nicola insists on rubbing it off before a tidiness inspection. Tim accuses Nicola of being after the Tidiness Award because Nicola has failed at everything else:

‘It’s a mistake,’ continued Tim, who, on the infrequent occasions when she lost her temper, surprised herself unpleasantly by the things she found to say, ‘it’s a mistake to try to be distinguished when you haven’t done anything to be distinguished with. It makes you look foolish. People laugh.’

They have the sort of fight that can only happen between best friends who know each others’ weak spots, made worse for Nicola when Lawrie takes Tim’s side. When I was at school, girls had these sorts of bitter verbal conflicts, whereas boys just punched one another, but it was only the boys who got in trouble with the teachers. I wonder if the girls’ fights were more painful and damaging in the long run.

Also, Tim and Lawrie make their quarrel obvious by sitting apart from Nicola at breakfast, which makes her think that:

People ought to keep these things to themselves, very secret and private, so that outside people shouldn’t be able to lean across and say: ‘What’s up with you and Lawrie?’ in the silly, nudging kind of voices people used when something mattered a great deal to one person and was only something to be gossiped over by the others.

It is all too much for Nicola so she decides to run away to sea.

Chapter Thirteen: Operation Nelson

Okay, Nicola can’t really run away to sea to join a ship, but she can visit Giles, who’s currently with his new ship at Port Wade, about ninety minutes away by train. After all, he’d told her to be bad. The punishment for being out of bounds will be severe, but that wouldn’t matter:

“… she imagined the meeting with Giles, the enormous tea at some small dark-windowed inn which had once been a meeting place for smugglers … and just, just possibly seeing over his ship … at the very thought of so much glory her eyes clenched tightly shut for a moment.”

Things go surprisingly well at first. True, she doesn’t have enough money for a return train ticket and she’s too honourable and proud to borrow or steal it from Lawrie, but she can afford a single ticket and some sweets and she enjoys her trip and then has a fascinating wander along the docks. It’s only when she reaches the end of the docks that she comes back down to earth with a thud. Giles’s ship is far out to sea, she hasn’t bumped into him on the docks and worse – she suddenly realises she is stranded in Port Wade without the train fare home!

Chapter Fourteen: A Part for Pomona

Nicola, in a wild panic, considers which of her possessions she can pawn (although she doesn’t consider pawning her knife, or for that matter, getting on the train without a ticket). She has a moment of “ecstatic relief” when she spots Giles in the street, but he is furious at her. Just a reminder, it was Giles himself who encouraged Nicola to break bounds at school and be as bad as possible. He does buy her a sandwich and a train ticket and sees her onto the train, I suppose, but only after a cold, curt dressing-down. Nicola humbly takes his side:

“It had been idiotic of her to forget that Giles would loathe having his family around unless he had invited them specially; particularly loathe to have them turn up when he was engaged on official business.”

Actually, I think he was just on his way to the pub with his mate. Although maybe it sounds worse than it was because it’s being narrated by Nicola when she’s filled with self-loathing. Anyway, she has a miserable trip back and has to take a terrifying short-cut through the dark fields to get back to school. But her luck holds and it turns out Lawrie has covered up for her absence. Even luckier, Nicola missed out on a flaming row when Miss Cartwright finally realised the whole class (except for Marie) had been bullying Pomona all term:

‘And it isn’t even true,’ said Lawrie, bouncing on the bed, wrathful and indignant. ‘Bullying’s twisting people’s arms and roasting them and things, isn’t it? And we’ve never laid a finger on the little beast, have we?’

I’m glad this has been addressed. We only see Pomona’s treatment from the point of view of the bullies, so it would be easy for readers to think that it’s just a joke or that Pomona deserves it because she’s so annoying – we don’t get to see her crying in her dorm, for instance. Third Remove are punished by having a day’s silence and Tim has to give Pomona a proper part in the play. Tim says Pomona can be Henry VIII because “she lies on a sofa and looks fat and she dies practically when we start”. I don’t think Tim has quite got the anti-bullying message, but at least she, Lawrie and Nicola are all friends again, their fight “swallowed up in the greater stressors of the moment”.

By the way, I’ve been trying to figure out where Kingscote is and realised the town names are all made up – there isn’t a Port Wade in England, for one thing. But the town’s cathedral has a tomb with a knight holding his lady’s hand so I wondered if it’s a fictional version of the Arundel Tomb in Chichester Cathedral (although Philip Larkin didn’t write his poem about it until about 1956).

Next, Chapter Fifteen: A Form Meeting