What I’ve Been Reading

How can we be a quarter of the way through 2022 already? Is it the multitude of terrible things happening throughout the world that is causing me this difficulty with time perception? I have at least been reading a bit more this year, both for education and escape. Here are my favourites so far.

'Unfollow' by Megan Phelps-RoperUnfollow: A Journey from Hatred to Hope, Leaving the Westboro Baptist Church by Megan Phelps-Roper was an inspiring memoir by a young woman who escaped a notoriously homophobic, misogynist, anti-Semitic, anti-everything cult founded by her grandfather. From the age of five, Megan was an obedient and devoted Westboro Baptist Church (WBC) member, holding up ‘God Hates Fags’ signs outside the funerals of American soldiers, picketing outside her own school and college, then running the church’s social media campaign. It isn’t surprising that she followed the church’s beliefs, because nearly everyone in her large extended family was a member of WBC. What is surprising is how she managed to leave WBC at the age of 26, cutting herself off from the family she still loves, to become an activist and educator dedicated to combatting extremist beliefs.

There were two things that helped her leave. Firstly, WBC, unlike other American cults, allowed its children to be educated in the public school system and encouraged them to go to college, where Megan was often socially isolated, but was at least exposed to other beliefs and learned some critical thinking skills. WBC members were also encouraged to use social media to get publicity for the church’s bigoted preaching. Megan writes of her “profound gratitude to Twitter … Instead of booting me from its platform for ‘hate speech’, as many had demanded, it had put me in conversation with people and ideas that effectively challenged beliefs that had been hammered into me since I was a child.” In fact, she ends up meeting and eventually marrying a man who had spent years debating against her on Twitter. She despairs of the “division of the world into Us and Them” in the Trump era and points out that in the age of the internet, “we cannot reasonably expect to halt the spread of an idea, whether good or bad … the answer to bad ideas is to publicly reason against them, to advocate for and propagate better ones”. Megan comes across as a thoughtful, ethical person who, despite her traumatic upbringing, has a lot of compassion and empathy, and she argues convincingly against #NoDebate and Cancel Culture.

'The Edible Balcony' by Indira NaidooI also liked The Edible Balcony by Indira Naidoo, a guide to growing fresh herbs, fruit and vegetables for those of us who don’t have backyard gardens. Indira managed to produce 70kg of produce in her first year of balcony gardening and this is a good beginner’s guide, with great photos and illustrations, handy tips and some delicious-looking recipes. It must be noted that although Indira claims her Sydney balcony is “small”, it is 20 square metres (about five times the size of my own balcony), and is north-facing, with its own water supply and a building concierge who looks after her plants when she’s away. She also has the advantages of farming friends who provide her with fresh manure, a vertical garden system supplied for free because she’s a celebrity, and access to ABC TV’s gardening gurus. Still, this book provided me with inspiration as I was re-establishing my own balcony garden, following last year’s building reconstruction works. Here are some before and after pictures of my balcony:

Before: my balcony in April 2021
BEFORE: My balcony in April 2021 as reconstruction started and the scaffolding went up
After: My balcony in January 2022
AFTER: My balcony in January 2022. I’m growing mint, rosemary, parsley, marjoram, lavender, lemon thyme, spring onions, two types of chives, three types of lettuce and two types of basil.

The Edible Balcony provided valuable food for thought. For example, I’d always considered tomatoes to be too difficult to grow on a balcony, but Indira successfully grew tomato varieties in pots, so that could be a project for me next summer. Conversely, I now think a little lemon tree might be a bit too ambitious for me, after reading about all the pest problems Indira had. Still, her remedy for powdery mildew (diluted milk sprayed on leaves) worked a treat on my afflicted mint plant, so thanks, Indira!

'Sugar Town Queens' by Malla NunnIn fiction, I enjoyed Sugar Town Queens, the latest YA novel from Malla Nunn. This is a fast-paced story about a mixed-race girl growing up in poverty in a Durban township. Amandla’s mother is white and her father is missing; they live in a one-room tin shack but her mother regularly comes home with wads of cash; and her mother has strange delusions and gaps in her memory. Amandla, with the help of her friends Lil Bit and Goodness, discovers the truth about her mother’s wealthy family and tragic past. The romance seems shoe-horned in and the conclusion is unrealistically upbeat and Cinderella-ish, but I really liked the depiction of strong relationships between the girls and women in the story, with schoolfriends, neighbours and grandmother working together for truth and justice. (I think When the Ground is Hard is a much better book, though.)

'Cat Problems' by Jory JohnFinally, Cat Problems by Jory John, illustrated by Lane Smith, is a charming and funny picture book about the very difficult life of a household cat who has many problems, all of which he complains about loudly. He has to deal with a sunbeam that moves; a noisy vacuum cleaner; dry cat food instead of wet; and another cat that persists in sitting “in my spot … in my other spot … now you’re in my THIRD spot.” A squirrel outside the window explains how difficult life is for wild animals outside but Cat is unimpressed (“How can I eat this very talkative squirrel?”) Then he stalks off to complain about the paucity of sunbeams at night. The fuzzy illustrations and mimimalist backgrounds are very appealing. Recommended for anyone who’s ever lived with a cat.

Local Authors at Glebe Summer Streets Festival This Saturday

As part of the Sydney Summer Streets Festival organised by the City of Sydney, Gleebooks will be hosting local authors and their books outside the famous Glebe Point Road bookshop.

Author Ken Saunders explains, “Over twenty titles from twelve different authors give but a glimpse of the wide-ranging interests of your very own neighbourhood writers. We have a fictional Pyrmont GP solving crimes, an absurdist comedy of an alleged ‘autobiography’ written by a computer program, reflections on Secular Buddhism, significant historical and sociological works, Young Adult literature of a family caught in the tensions leading up to World War Two, historical fiction, a beautifully photographed children’s book of Australian birds, local history and art, the biography of the great Glebian Sadie King and the travel adventures of some locals who drove two vintage cars on an epic journey along the old Silk Road.”

Glebe Summer Streets Local Authors 2022

Authors at the Summer Streets stall include Ken Saunders, Emily Booker, Winton Higgins, John McCombe, Michelle Cooper, Janice Challinor, Heather Goodall, Gaiti Rabbani, L M Ardor, Trish Curotta and Anne Wark.

Gleebooks
Local Authors’ Table
Saturday 12 February 10:00am – 2:00pm
49 Glebe Point Road
Glebe

My Favourite Books of 2021

I usually post about my favourite books of the year by Christmas Eve, but this week, I was somewhat distracted due to a) the hospital where I work going into Red Alert and having to evacuate our floor to make room for extra COVID beds, just after we’d finally moved back to our usual offices, at a time when most staff had gone on much-needed holidays or were in COVID isolation, why did I agree to work this week WHY, and then b) being identified as a COVID contact, developing symptoms and going into isolation on Christmas Eve.

This was a fitting end to a year in which my state experienced catastrophic floods, an earthquake, a mouse plague, our Premier resigning due to a corruption scandal, and of course, there was that ongoing pandemic with lots of exciting new viral variants. Also, the apartment building where I live needed urgent repairs that included demolishing and rebuilding all the balconies, so I’ve been living in a dark, noisy, dust-filled construction site for the past eight months.

Remember this time last year, when we were all looking forward to 2021?

At least I read some good new books. My favourite novels for adults were The Friend by Sigrid Nunez and Room for a Stranger by Melanie Cheng. I also found Save the Cat! Writes a Novel by Jessica Brody informative and helpful (although alas, I did not make much writing progress this year, see above). My favourite books for children and teenagers included When the Ground is Hard by Malla Nunn, The Cricket Term by Antonia Forest and Maddie in the Middle by Julia Lawrinson. I may have read some other good books this year. I can’t remember. I can’t even recall my phone number at the moment.

Fortunately, I have a pile of library books to keep me entertained during my COVID isolation period:

Library books Christmas 2021

I hope you’ve had a good reading year, despite all the challenges that 2021 has brought us, and that you’re having a safe and enjoyable holiday season.

What I’ve Been Watching: Studio Ghibli Films

I haven’t been reading anything much lately, except hospital COVID policy documents and a lot of gloomy newspaper articles. My library and local bookshops have been shut for months and Sydney’s latest COVID outbreak has destroyed my ability to concentrate on long, complex books. However, I have subscribed to Netflix and I’ve been watching various TV series and films, which has led me to my best discovery of this year: Studio Ghibli films.

Yes, I know, people around the world have been rhapsodising about Japanese animator Hayao Miyazaki’s work for decades, but as I had little interest in fantasy or animated movies, I hadn’t paid much attention. Still, several Memoranda commenters had recommended his adaptation of Howl’s Moving Castle, so I decided to give it a go.

'Howl's Moving Castle' film poster

I think I might have liked this film more if I hadn’t read and loved Diana Wynne Jones’ novel. One critic has accurately described it as ‘fanfiction’ of the novel. Imagine if there was a film called Harry Potter, in which there was no magic and Harry was a coffee shop owner and Draco ran the florist shop next door and Draco’s father was a property developer trying to raze the neighbourhood to build luxury apartments and Harry and Draco fell in love. That’s how much resemblance there is between the book and the film of Howl’s Moving Castle.

I quite liked the film’s version of the castle, a giant mechanical beast roaming about the countryside on chicken feet, and Sophie retained a lot of her characterisation, but oh, I hated their version of Howl! They turned a fascinating, flawed human into a romantic superhero who sacrifices himself to stop the war between two countries. (Mind you, I was so confused by the changes to the plot that I didn’t even realise the soldiers came from two different kingdoms until near the end of the film.) Calcifer is voiced by a wise-cracking Billy Crystal, the Scarecrow is a benevolent Christ-like figure instead of a terrifying enigma, Sophie’s sisters barely feature in the story, there’s no visit to the ‘Land of Wales’… But the worst part is that the ‘war is bad’ theme is hammered into each scene so heavily that there’s no space left for the story. The hand-painted animation is often very pretty, but I can’t say I liked this film very much. It was nominated for an Academy Award in 2006, but lost to Wallace & Gromit: The Curse of the Were-Rabbit. I agree with the judges — The Curse of the Were-Rabbit is much better (and a lot funnier).

Netflix then recommended My Neighbour Totoro and I’m so glad I persisted with Studio Ghibli because this film is adorable. Four-year-old Mei and her older sister Satsuki move to the country with their father, to be closer to their mother’s hospital (I assume she has tuberculosis, although that’s never confirmed). The children meet some furry creatures in the forest — a small one, a medium-sized one and a giant Totoro — and have some very gentle adventures. Roger Ebert wrote a lovely review, in which he pointed out that this is:

“A film with no villains. No fight scenes. No evil adults. No fighting between the two kids. No scary monsters. No darkness before the dawn. A world that is benign. A world where if you meet a strange towering creature in the forest, you curl up on its tummy and have a nap.”

It’s true that My Neighbour Totoro doesn’t involve any thrilling, action-packed scenes or follow a conflict-driven storyline. The closest it comes to tension is when Mei, worried that her mother is dying, runs away from home to take her mother some home-grown vegetables, and Satsuki and all her neighbours try to find her, although I was always aware that everything would turn out just fine. There may be a lack of conventional ‘drama’, but this film is consistently engrossing, warm-hearted, funny and poignant.

'My Neighbour Totoro' film still

My favourite scene is when an awestruck Satsuki meets Totoro for the first time at a bus-stop. Totoro has only a very inadequate leaf on his head to protect himself from the rain, so Satsuki offers him an umbrella, to his delight. He gives her some seeds as thanks, then steps aboard the eight-legged Catbus and disappears. It’s a nearly wordless scene, but the facial expressions and gestures perfectly communicate each character’s feelings. I watched the version dubbed into English and I found the American actors’ voices a bit jarring. I think I might have liked this more if I’d watched the original Japanese version, even if there weren’t any subtitles.

Netflix’s next recommendation was even better. I thought Spirited Away was a masterpiece (and the Academy Awards judges agreed with me, making this “the only hand-drawn and non-English-language animated film” to win Best Animated Feature Film). Ten-year-old Chihiro is unhappy about her parents’ decision to move to the country. Driving to their new home, they get lost and her parents decide to explore an apparently deserted theme park. Unfortunately, it’s also a gateway to a terrifying, confusing spirit world, where Chihiro’s parents are turned into pigs and Chihiro finds herself trapped by a witch, who steals Chihiro’s name and makes her work in a bath-house.

'Spirited Away' film still

I don’t speak Japanese, haven’t visited Japan and know almost nothing about Shinto beliefs, so, much like Chihiro, I only understood about a third of what was going on, but I was still enthralled by every minute of this film. Each scene is beautifully depicted, from the witch’s elaborate, Western-style penthouse furnishings to the mechanics of the Japanese bath-house to the amazing landscapes. Chihiro is a relatable character — initially spoiled and sulky, then terrified by her situation, unable to decide who to trust, then determined and compassionate and courageous. The supernatural characters are fascinating, scary and often hilarious (my favourites were the soot sprites who fake injuries so Chihiro will do their job and then steal her shoes and socks, although I also developed a soft spot for enigmatic No-Face). The plot is inventive and complex and intriguing. The messages about the dangers of rampant consumerism and environmental destruction are cleverly woven into the story. I was still thinking about this film for days afterwards. I highly recommend it, even if you don’t usually like fantasy or animated movies. If anyone has recommendations for further Studio Ghibli films, please do let me know.

My Favourite Books of 2020

I didn’t read many new books this year. This was a year of re-reading old favourites from my bookshelves, partly because I was craving familiar, comforting reads, but mostly because my beloved local library was closed for most of the year. I did acquire Clara, which allowed me to read ebooks, but I’ve decided I prefer paper books, given a choice.

Favourite Novels for Adults

'Ghost Wall' by Sarah MossI began the year engrossed in Tana French’s The Wych Elm, an inventive thriller about privilege and identity. I also enjoyed The Secret Place, by the same author, a cleverly constructed murder mystery set in a posh Dublin boarding school, and I liked Anne Tyler’s new novel, Redhead by the Side of the Road, a typically compassionate and thoughtful depiction of a flawed man. However, the most memorable fiction I read this year was Ghost Wall by Sarah Moss, a tense, affecting novella about men using their dubious versions of history to strengthen their hold on power.

Favourite Non-Fiction

I liked The Crown: Political Scandal, Personal Struggle and the Years That Defined Elizabeth II, 1956-1977 by Robert Lacey, about the actual history behind the TV series, even though I gave up on watching The Crown after the first series. I didn’t seem to read many non-fiction books this year, which is unusual for me. I think it was due to the lack of access to my library, but also because I was reading so much depressing pandemic-related non-fiction online.

Favourite Books for Children and Teenagers

'Liar and Spy' by Rebecca SteadI enjoyed Kate Constable’s new middle-grade novel, The January Stars, as well as an older novel of hers, Winter of Grace, about a contemplative teenage girl who explores spirituality and religion in a way that isn’t often seen in Australian Young Adult literature. I also liked Rebecca Stead’s Liar and Spy, about a middle-grade boy who bravely faces up to unpleasant reality and devises a clever plan to defeat some school bullies. As always, I enjoyed her depiction of children’s lives in Brooklyn – I have no idea how accurate it is, but she makes New York seem so appealing. I was also entertained (and often confused) by Archer’s Goon by Diana Wynne Jones, which is full of plot twists and surprises. I’m not sure it is truly a children’s book and it lacks the warmth of Howl’s Moving Castle, but it was very clever and intriguing. 'Dragonfly Song' by Wendy OrrHowever, my favourite children’s read was, unexpectedly, a novel told partly in verse about a girl living in a Bronze Age Mediterranean culture ruled by superstition. Dragonfly Song by Wendy Orr was an engrossing story about a lifestyle completely unfamiliar to me, told in simple but descriptive language. It has deservedly won a number of literary awards and there’s a good interview with the author about the book here.

Favourite Read That Was Not A Book

When life felt really dismal this year, I escaped to Hedgehog Moss Farm, a small farm in the south of France, owned by a young woman who works as a translator and lives with her Eeyore-ish donkey Pirlouit; her llamas, well-behaved Pampelune and escape-artist Pampérigouste; some photogenic cats and chickens; and a gentle giant guard dog called Pandolf. She describes interactions with her animals and her neighbours in such a droll manner that each blog post is a delight. There are beautiful photos and videos of rural life, interspersed with artwork and literary quotes. Her writing style reminds me a little of Gerald Durrell – if she ever decides to write a book, I would happily buy it.

I don’t know what I’m reading these holidays, but I am planning a chapter-by-chapter discussion of Antonia Forest’s The Cricket Term, with the first post up this week (probably). I hope all you Memoranda readers manage to have a relaxing, enjoyable holiday season, after a year we’d all like to forget, and that 2021 brings better news for the world.