My Favourite Books of 2018

Well, that was a year. A year in which a lot of my favourite reads involved escapism and humour, because the real world was not an especially fun place to be. I read 54 books that were new to me (I don’t count re-reads). About a third of these books were adult non-fiction, a third were adult fiction, and the remaining third were books for children and teenagers. Here are the books that I liked the most in 2018:

Adult Fiction

'Behind The Scenes At The Museum' by Kate AtkinsonBehind the Scenes at the Museum by Kate Atkinson was a brilliantly funny account of a Yorkshire childhood, related by a not-entirely-reliable narrator with a lot of eccentric relatives. I don’t know how I managed to get this far in life without reading any Kate Atkinson novels, but clearly I need to read the rest of her work. I also enjoyed whimsical, meandering Winter by Ali Smith, another new-to-me writer whose work I need to explore. I have read most of Alan Hollinghurst’s books and The Sparsholt Affair was optimistic and heartwarming (not words I ever thought I’d use to describe a Hollinghurst novel), a beautifully observed story about the families that gay men and lesbians construct for themselves.

Non-Fiction

'Girt' by David HuntThe Disaster Artist by Greg Sestero and Tom Bissell, the hilarious story behind one of the worst movies ever made, was a truly fascinating read. I also enjoyed Girt: The Unauthorised History of Australia by David Hunt, a very silly and mostly accurate history of the first decades of colonial Australia, and How Not To Be A Boy, Robert Webb’s funny, thoughtful memoir about a boyhood spent absorbing toxic messages about masculinity.

'Depends What You Mean By Extremist' by John SafranI also liked John Safran’s Depends What You Mean By Extremist: Going Rogue with Australian Deplorables. Safran gets to know Muslims who support ISIS; Muslims who hate ISIS but also hate Jews, Christians and gay people; Jews who hate Muslims; white supremacists who aren’t as white as you’d expect; anarchists who hate racists but think anti-Semitic violence is okay; and conservative Christians who hate Muslims even though there doesn’t seem to be much practical difference between their belief systems. While most of these extremists come across as confused attention-seekers with no real ability to threaten society, Safran makes the serious point that most Australians – secular, rational, democratic Australians – don’t understand “the mindset of the devout: magical thinking, seeing patterns in the world, a sense that there are no coincidences, a determination that friends and strangers must be saved, karma and providence”. This was a timely read, full of Safran being his usual annoying but hilarious self.

Children’s Books

'The Terrible Two' by Jory John and Mac BarnettFor some reason, none of the Young Adult books I read this year captured my interest. I’m sure it was me, rather than the books, which were mostly well-reviewed and award-winning. I had more luck with books aimed at younger readers. I liked The Endsister by Penni Russon, Front Desk by Kelly Yang, and Peter’s Room by Antonia Forest. I also enjoyed the first book in The Terrible Two series by Jory John and Mac Barnett, illustrated by Kevin Cornell, with well-drawn characters, a clever plot and lots of humour.

Thank you to everyone who read and commented on Memoranda posts this year, with special thanks to the Antonia Forest fans who make such thoughtful contributions whenever I do a Forest read-along. I haven’t been blogging much lately due to um, life, but I hope to get back into it now that I’m on holiday. Happy Christmas to everyone celebrating it and Happy End of 2018 to everyone else!

What I’ve Been Reading: Novels by Women

'The Gathering' by Anne Enright

The Gathering by Anne Enright was an engrossing novel about a dysfunctional Irish Catholic family and specifically, about the terrible consequences of covering up abusive behaviour. It was often frustrating to read because the narrator was so unreliable – how can we hope for justice when we can’t be sure of the truth? – but this is entirely consistent with how a child’s memory of trauma works. The back-and-forth timeline was effective, if occasionally confusing, and the prose was visceral and vivid. It gave me nightmares, but I’m glad I read it and I think it was a worthy winner of the Booker Prize.

'Winter' by Ali Smith

Winter by Ali Smith was even more confusing, but provided a more pleasant reading experience. It’s a meandering, whimsical piece of writing about an elderly woman who is being followed around her Cornish mansion by a disembodied head. Sophia and Head then find themselves hosting some unwelcome family guests at Christmas. It’s not a conventional narrative, but it’s often very funny and the author has a lot of thoughtful things to say about politics, art, feminism, climate change, family relationships, social media and much, much more. I was struck by how contemporary this book was – it was published last year and contains references not just to Brexit, but Trump’s speech to the Boy Scouts, the Grenfell Tower fire and the refugee crisis in the Mediterranean.

'Clock Dance' by Anne Tyler

I don’t think Clock Dance by Anne Tyler is her best novel, but it’s enjoyable and thoughtful and ultimately satisfying in a way I didn’t expect. Much like Ladder of Years, it’s the story of a middle-aged woman with a horrible husband and unappreciative offspring, who travels to a new community where she makes friends and is valued for her kindness and home-making abilities. It has a few too many self-consciously quirky Baltimore characters and is a little too willing to avoid some dark topics, but I liked it very much.

'Bluebottle' by Belinda Castles

Finally, Bluebottle by Belinda Castles was an intriguing read. It’s another dysfunctional-family-forced-to-confront-past-trauma story (Are there any happy families in novels? Would there be any point in writing about them?), but this one is set in the northern beach suburbs of Sydney and contains some beautifully vivid descriptions of the sea and beach. The cover suggests it’s a thriller, but while there is tension in the narrative, it builds slowly and the Big Revelation is not exactly a surprise. I was more interested in the skillful depiction of some believably flawed characters doing their best to cope with a terrible situation. (Although I do think the author let Tricia off too lightly. I despised Tricia.)