My Favourite Books of 2018

Well, that was a year. A year in which a lot of my favourite reads involved escapism and humour, because the real world was not an especially fun place to be. I read 54 books that were new to me (I don’t count re-reads). About a third of these books were adult non-fiction, a third were adult fiction, and the remaining third were books for children and teenagers. Here are the books that I liked the most in 2018:

Adult Fiction

'Behind The Scenes At The Museum' by Kate AtkinsonBehind the Scenes at the Museum by Kate Atkinson was a brilliantly funny account of a Yorkshire childhood, related by a not-entirely-reliable narrator with a lot of eccentric relatives. I don’t know how I managed to get this far in life without reading any Kate Atkinson novels, but clearly I need to read the rest of her work. I also enjoyed whimsical, meandering Winter by Ali Smith, another new-to-me writer whose work I need to explore. I have read most of Alan Hollinghurst’s books and The Sparsholt Affair was optimistic and heartwarming (not words I ever thought I’d use to describe a Hollinghurst novel), a beautifully observed story about the families that gay men and lesbians construct for themselves.

Non-Fiction

'Girt' by David HuntThe Disaster Artist by Greg Sestero and Tom Bissell, the hilarious story behind one of the worst movies ever made, was a truly fascinating read. I also enjoyed Girt: The Unauthorised History of Australia by David Hunt, a very silly and mostly accurate history of the first decades of colonial Australia, and How Not To Be A Boy, Robert Webb’s funny, thoughtful memoir about a boyhood spent absorbing toxic messages about masculinity.

'Depends What You Mean By Extremist' by John SafranI also liked John Safran’s Depends What You Mean By Extremist: Going Rogue with Australian Deplorables. Safran gets to know Muslims who support ISIS; Muslims who hate ISIS but also hate Jews, Christians and gay people; Jews who hate Muslims; white supremacists who aren’t as white as you’d expect; anarchists who hate racists but think anti-Semitic violence is okay; and conservative Christians who hate Muslims even though there doesn’t seem to be much practical difference between their belief systems. While most of these extremists come across as confused attention-seekers with no real ability to threaten society, Safran makes the serious point that most Australians – secular, rational, democratic Australians – don’t understand “the mindset of the devout: magical thinking, seeing patterns in the world, a sense that there are no coincidences, a determination that friends and strangers must be saved, karma and providence”. This was a timely read, full of Safran being his usual annoying but hilarious self.

Children’s Books

'The Terrible Two' by Jory John and Mac BarnettFor some reason, none of the Young Adult books I read this year captured my interest. I’m sure it was me, rather than the books, which were mostly well-reviewed and award-winning. I had more luck with books aimed at younger readers. I liked The Endsister by Penni Russon, Front Desk by Kelly Yang, and Peter’s Room by Antonia Forest. I also enjoyed the first book in The Terrible Two series by Jory John and Mac Barnett, illustrated by Kevin Cornell, with well-drawn characters, a clever plot and lots of humour.

Thank you to everyone who read and commented on Memoranda posts this year, with special thanks to the Antonia Forest fans who make such thoughtful contributions whenever I do a Forest read-along. I haven’t been blogging much lately due to um, life, but I hope to get back into it now that I’m on holiday. Happy Christmas to everyone celebrating it and Happy End of 2018 to everyone else!

‘The Endsister’ by Penni Russon

'The Endsister' by Penni RussonI really enjoyed The Endsister, a thoughtful and beautifully composed ghost story for young readers. The Outhwaite family decide to uproot themselves from their comfortable semi-rural Australian life when they inherit a large, dusty house in London. Of course, this house turns out to be haunted, although the two girl ghosts, Almost Annie and Hardly Alice, drift about harmlessly, noticed only by the youngest Outhwaite, four-year-old Sibbi. But there’s something far more malevolent lurking behind the locked attic door: “a cobwebbed thing, tattered and dusty, so long forgotten, so long forgetting.” This dreaded Endsister seems to be sucking the life out of poor lonely Sibbi and feeding on the unhappiness of the older Outhwaites, especially teenage Else, trying to discover who she is now that she’s abandoned her once-beloved violin, and Olly, their mother, who’s left behind her friends and teaching job and is toiling fruitlessly at her PhD thesis.

All of the characters are vividly drawn, with the story told mostly from the perspective of Else, Sibbi and their stoic, nature-loving brother, Clancy. The descriptive prose is lovely and the family’s squabbles are both funny and sadly true to life. I was interested to read that this story was initially conceived as a weekly serial, because the narrative is complex and cleverly constructed, neatly looping back on itself – as Clancy concludes, it is “a story that ends where it begins: a story about coming home.” The revelation of the Endsister’s mystery is poignant and deeply satisfying, and there’s a lot to contemplate in this book about memory, creativity and belonging.

In fact, this novel is so intricate and ruminative that it won’t be for all young readers. It’s also quite spine-chilling in parts (the scene with Sibbi in the study gave me the creeps, although admittedly, I am easily spooked). The publisher says it’s for 10-14 year olds – I’d recommend it for readers in that age group, and older, who enjoy thoughtful, character-based stories.

As I was reading The Endsister, I was reminded of Come Back, Lucy by Pamela Sykes, a very spooky children’s book written in the 1970s that I’d thought no one (except for me and presumably Pamela Sykes) had ever read, although I have just discovered that it was made into a terrifying-looking television series and that there was a sequel novel called Lucy Beware! (because apparently Lucy didn’t learn anything from her first experience of being haunted). Here’s my beloved Puffin paperback copy:

'Come Back, Lucy' by Pamela Sykes

Lucy is an unhappy orphan sent to live with her youthful aunt, uncle and cousins, who are renovating a large Victorian-era house in London. Up in the dusty attic, Lucy encounters ghostly Alice, who at first seems to be the only one who truly understands and cares for Lucy. Alice, though, is gradually revealed to be capricious and self-centred, with sinister plans for Lucy … But does Alice really exist? Are Lucy’s experiences actually due to repressed grief and loneliness? Come Back, Lucy would be an excellent companion read for The Endsister, if you can get hold of a copy. As added incentive, the Puffin edition has lots of fab 1970s illustrations by Tessa Jordan:

'Come Back, Lucy', illustration by Tessa Jordan

'Come Back, Lucy', illustration by Tessa Jordan